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Classic Quotes

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Classic Quotes

“There are many stories of people didn't set out to make a film that became a classic - the whole process was a disaster, everybody hated each other, the movie itself was a disaster, everybody thought the movie and the script was going to be a piece of crap. Look at Alfred Hitchcock and Psycho. Nobody wanted to make Psycho; it was crap to them. The only person that wanted to make Psycho was Hitchcock. Now, it's considered a classic and a work of art.”

“I go to a lot of independents and foreign films. I really try to keep up and see what there is to see. If you really love movies, it's the act of watching them that you really love. You can sit and watch a B-Western and have just as much fun watching that as you can a classic. That minute when the lights go down is the part where the magic happens, because you know this could be great. You're always kind of excited, like, "Here I am again in the church of movies, and Mass is starting.".”

“The key strengths of civilizations are also their central weaknesses. You can see that from the fact that the golden ages of civilizations are very often right before the collapse. The Renaissance in Italy was very much like the Classic Maya. The apogee was the collapse. The Golden Age of Greece was the same thing. We see this pattern repeated continuously, and it is one that should make us nervous. I just heard Bill Gates say that we are living in the greatest time in history. Now you can understand why Bill Gates would think that, but even if he is right, that is an ominous thing to say.”

“These strengths, and our civilization in general, have reached an apogee with the end of the apocalyptic threats of the Cold War and the end - or at least waning - of less successful, and ultimately less "just," political and economic systems. At the turn of the 21st century we appear to be entering our greatest century, a golden age. The challenge that we face is similar to that of the Classic Maya civilization: we have set in motion a "runaway train" of success.”

“I am the stereo-typical classic lapsed Catholic. Religious themes crop up in my songs sometimes as metaphors and other kinds of touchstones for getting at issues and "deeper issues," and all that. Right now, honestly, I think all religion is proving itself to be a NET negative on the human race. I recognize its valuable place in individual lives and many larger communities - I know the good that is done in its various names all over the world, but I don't believe in it anymore, and I see the negative aspects dragging us down at a much faster rate than the positive ones are bouying us up.”

“That's the old AA maxim, "Always have a drink in your hand and you'll never want a drink." That's one of the most classic deceptions in the literature: "I'll take a drink tomorrow." I actually don't think that's necessarily a very helpful maxim in AA, but it's a very good maxim in showing how strategic self-deception can be employed, even self-consciously. That's the amazing thing, to me, about self-deception.”

“If you can imagine the story of the world as a giant movie, to not have some understanding of the Bible - its story, its history, and its impact - would be like watching a great movie and removing part of the plot. It can't be done. The real truth is that everyone regardless of faith tradition benefits from knowing and understanding these aspects of the Bible. It enhances one's knowledge of literature, science, art etc. It's difficult to read any classic work of literature for instance and not see biblical allusions.”

“I always write to the moment. I've always been that kind of emcee. I don't wanna come in with all the paperwork and all o' that or whatever. That's good when you just an emcee from off the block that really don't have to work as hard as the next man. But when, you know... Y'all make me write like this, from, I guess, me makin' a classic and everybody callin' my stuff classic material - that makes me have to work ten times harder. But a lot o' times things just happen at the moment for me: spur o' the moment. That's just how it goes sometimes.”

“In translation studies we talk about domestication - translation styles that make something familiar - or estrangement - translation styles that make something radically different. I use a lot of both in my translation, and modernism does both. For instance, if you look at the way James Joyce presents Ulysses, is that domesticating a classic? Think of it as an experiment in relation to a well-known text in another language.”

“Sidney Lumet is one of my favorite filmmakers. I feel like his approach to filmmaking was always so human. He was always making movies about the people. He wasn't about the tricks, you know what I mean? From 12 Angry Men on. Another film of his which I really, really love is Prince of the City, with Treat Williams, which is kind of a lost classic. Lumet is one of those film heroes that changed movies for everyone.”

“The classic one for me is one of my favorite images - left-versus-right political-spectrum image. I was trying to visualize the concepts on the political spectrum. I'm left-leaning, and I discovered as I was doing it that I had an impulse to make the left-hand side appear better than the right-hand side. That was manifesting in the way I was choosing certain words, framing certain ideas. I shared it with a few people, and they all said, "Oh my God, this is really biased." I hadn't seen it at all.”

“Rick Nielsen, Angus Young. Huge Eddie Van Halen fan when I was younger. Jimmy Page is an enormous one who impacts me. When you grow up with classic rock like that and then you get into punk rock, you defy your roots and where you came from. I never really went through that. Even when I started listening to the Clash or the Sex Pistols, I still always listened to Led Zeppelin or Kiss.”

“Reviews are all bullshit, because they always change. When House of 1000 Corpses came out, all the reviews were awful. It was impossible to find a review better than "The worst movie ever made." And now I'll see more-modern magazines, and sometimes they'll re-review things, and I'll read this great review for it. It's the same thing with White Zombie! People talk about "Oh, White Zombie, these classic records. Why don't you do them now?" Everyone hated those records when they came out! The reviews were terrible.”

“Politics is the art of looking for trouble, finding it everywhere, diagnosing it incorrectly and applying the wrong remedies.”

“After all, tomorrow is another day.”

“I love food. I mean, I really love food. I take pictures of my finest, funniest and most fascinating dishes, post them on Twitter, and send them to friends. I treat menus like classic literature, refusing to skip even one word. I read the description of every item, regardless of whether or not I'm interested in eating it.”