“There's always room out there for the hand-drawn image. I personally like the imperfection of hand drawing as opposed to the slick look of computer animation. But you can do good stuff either way. The Pixar movies are amazing in what they do, but there's plenty of independent animators who are doing really amazing things as well.” WayWellsLooksHandsStuffCan DoRoomsComputerIndependentDrawingPlentyImperfectionAnimationAmazing ThingsReally AmazingSlickAnimatorPixarComputer Animation Author:Matt Groening
“I graduated from college with a 3.92 GPA with a degree in computer programming and a BFA in fine arts and animation. My first job was painting a mural in the Grimaldis in Queens.” FirstsArtJobsCollegePaintingFineDegreesComputerQueensProgrammingAnimationFine ArtsComputer ProgrammingMuralGpa Author:JWoww
“Films are made the same today, as they've ever been made, in certain respects. The scriptwriting, the pre-production, the storyboarding, and the designing are all the same. The technique of animation has changed, in the sense that rather than drawing it by hand, we use a computer as a tool. The computer has become a pencil to draw or paint the images that we see in a film.” MadeUseHandsTodayFilmCertainDesignChangedComputerDrawsToolsPaintProductionsTechniqueDrawingPencilsAnimationStoryboarding Author:Rob Minkoff
“I've never felt really creative or intuitive using software. I like paper and pens and paint. I need to angle real lights on my artwork and work with my hands and build props. Computers just take all that fun out of it [animation drawing].” NeedsRealHandsLightFunFeltCreativePaperComputerPaintDrawingPensSoftwareAngleIntuitiveAnimationPropsArtworkPaper And Pen Author:Don Hertzfeldt
“I've always loved animation it's the reason why I do what I do for a living - the films of Walt Disney. This art form is so spectacular and beautiful. And I never quite understood the feeling amongst animation studios that audiences today only wanted to see computer animation. It's never about the medium that a film is made in, it's about the story. It's about how good the movie is.” ArtMadeReasonStoriesFeelingsTodayWantedBeautifulFilmFormAudienceComputerUnderstoodStudiosMediumsReason WhyNever QuitAnimationSpectacularWaltComputer Animation Author:John Lasseter
“Animation, for me, is a wonderful art form. I never understood why the studios wanted to stop making animation. Maybe they felt that the audiences around the world only wanted to watch computer animation. I didn't understand that, because I don't think ever in the history of cinema did the medium of a film make that film entertaining or not. What I've always felt is, what audiences like to watch are really good movies.” ThinkingWorldArtWantedFilmFormFeltWatchesAudienceWonderfulComputerUnderstoodStudiosMediumsAround The WorldCinemaEntertainingAnimationGood MovieReally Good MovieComputer Animation Author:John Lasseter
“It [moviemaking] is about entertaining audiences with great characters and great stories, you want to make people laugh, you want to make people cry, you want to have great music that is memorable. You want a movie that, as soon as it's over, you want to watch it again, just like that. That's what it is, whether it's live-action, animation, hand drawn, computer, special effects, puppet animation, it doesn't matter. That's the goal of a filmmaker.” PeopleWantMatterCharacterStoriesHandsActionGoalWatchesAudienceLaughingSpecialEffectsCryComputerMemorableFilmmakerOver YouEntertainingAnimationMaking People LaughPuppetsGreat MusicGreat CharacterSpecial Effects Author:John Lasseter
“First of all, computer animation is certainly a tremendous and viable medium today. But the warmth and personality derived from 2-D animation, in my opinion, cannot be surpassed. Certain stories lend themselves well to 3-D animation and I won't labor this with naming them, but in my bones, I still respond more emotionally to the artists feel in 2-D. You feel the 'actor' in the animator more personally...it's hard to explain.” FeelsFirstsWellsStillsHardStoriesTodayArtistCertainActorsOpinionPersonalityComputerLaborBonesMediumsWarmthAnimationAnimatorComputer Animation Author:Richard Sherman
“I don't know how to animate on the computer, and I'm really grateful that I worked with a couple of other guys. We called it our triumvirate, John Kahrs and Clay Kaytis, who really understood computer animation but loved and embraced hand drawn, which is Disney's heritage.” KnowsHandsGuyKnow HowCoupleComputerUnderstoodGratefulHeritageClayAnimationOther GuysComputer Animation Author:Glen Keane
“Even if you have money, access to MoCap technology, and strong choreographic and computer-animation abilities, don't try to make a film like this if you don't have a lot of patience, perseverance and a deep affinity for risk-taking.” IfsTryingFilmStrongAbilityTechnologyRiskComputerPerseveranceAccessAnimationRisk-takingAffinityComputer Animation Author:Martine Epoque
“In computer animation, every detail has to be thought out, designed, modeled, shaded, placed and lit. The more you add, the more computer memory you need.” NeedsMemoriesComputerAddDetailsLitAnimationComputer Animation Author:John Lasseter
“I don't even know how computer animation works, honestly, and I don't need to.” KnowsNeedsKnow HowComputerHonestlyAnimationComputer Animation Author:Dan Scanlon
“I get nervous about the effect that the high speed of everything will have on creativity. It's already sad for me to see that a lot of young aspiring cartoonists are putting stuff on the web, doing animation on the computer rather than making zines or mini-comics, which seem to be going the way of the dinosaur.” WaySeemsYoungStuffCreativityEffectsComputerSpeedNervousAnimationDinosaursCartoonistHigh SpeedZines Author:Adrian Tomine
“You look at Japan and Hayao Miyazaki's films are the biggest films ever made in Japan; domestically there and they play to critical acclaim around the world. He won't put more then 5 or 10 percent computer imagery in his movies. It's disappointing to me. It's a silly choice that some studios made to move out of animation. It's part of the unfortuneate preconception that I think the public has going into see animation.” ThinkingWorldFilmMovingChoicesComputerSillyAnimationImageryDisappointingPreconceptions Author:Chris Wedge
“I've been working in computer animation for 25 years. I'm obviously a devotee of the technology. I just think it's the one aspect of the medium that's going to continue to revolutionize the filmmaking. It's constantly changing and it's constantly opening up new possibilities. The technology is evolving where 2-D animation was ultimately limited by how long you could pay how many people to make a movie. I mean computers, not that it's in anyway a labor saving device, but it promises to open up exciting new technical possibilites.” PeopleThinkingMeanLongTechnologyPossibilityPromiseComputerLaborExcitingEvolveFilmmakingAnimation Author:Chris Wedge
“I get a lot of credit for Tron. They called us scene choreographers back then because the animation unit wouldn't let us be called animators because we were working on computers. And we were some of the first people ever to make 3-D computer animation.” PeopleSceneComputerAnimationAnimator Author:Chris Wedge
“If you're sitting in your minivan, playing your computer animated films for your children in the back seat, is it the animation that's entertaining you as you drive and listen? No, it's the storytelling. That's why we put so much importance on story. No amount of great animation will save a bad story.” IfsChildrenStoriesFilmAmountComputerSittingImportanceStorytellingYour ChildrenSeatsEntertainingAnimationAnimatedAnimated FilmsMinivansComputer Animation Author:John Lasseter
“Sure, they were simple desk lamps with only a minimal amount of movement, but you could immediately tell that Luxo Jr. was a baby, and that the big one was his mother. In that short little film, computer animation went from a novelty to a serious tool for filmmaking.” LittlesBigsFilmMotherActorsSimpleMovementSeriousBabyAmountComputerToolsMovieFilmmakingDesksLampsAnimationNoveltyComputer Animation Author:John Lasseter
“In Hollywood, they think drawn animation doesn't work anymore, computers are the way. They forget that the reason computers are the way is that Pixar makes good movies. So everybody tries to copy Pixar. They're relying too much on the technology and not enough on the artists.” ThinkingWayTryingReasonEnoughArtistForgetTechnologyToo MuchComputerHollywoodCopiesAnimationGood MoviePixarComputer Animation Author:Tim Burton