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Computer Quotes

“Today the patent office is obsolete. You just take whatever you do, tool up, and start production for six months. At the end of the six months you put the data on all the computer inputs all over the world and you got your business. You can make all your money, and then people can steal it, but by then it doesn't matter because you've made the money up front and you avoid wasting money in lawsuits. [My father] had all these kinds of ideas years ahead of others.”

“It's how you tell the story that makes it new. That's what artists do. They let us look at the world from a different perspective. They let us look at birds in a way that makes us never see birds again in the same way. That's why I don't think computers are healthy for kids. They're too literal. You pop a button and a bluebird comes out. You pop another button and you can take the color blue and shove it into the outline of the bluebird.”

“Some of us have such incredible things that can keep us from acting. We have the luxury of drinking such good wine, and having such good information at our fingertips. I can look up anything on my computer. And I can call any friend at the drop of a hat on my cell phone. And I can have beautiful clothing and great food in a world where people are being tortured. I have some responsibility for that.”

“The mediated world has approached us from a lot of different directions and we have freely chosen our automobiles and our skyscrapers and our televisions and our telephones and our computers because they have given us power and freedom. Now we are beginning to notice there's a price to pay for them. It's all interconnected, the good stuff and the bad stuff comes together.”

“Computers get better, faster than anything else ever. A child's PlayStation today is more powerful than a military supercomputer from 1996. But our brains are wired for a linear world. As a result, exponential trends take us by surprise. I used to teach my students that there are some things, you know, computers just aren't good at like driving a car through traffic.”

“Most people would say they live with an internal angst that they can't always put their finger on. This is because the Internet has changed our very way of being in this world, compelling us to be perpetually "on" - from our cars to our computers, our tablets to our smartphones, our desks to our living rooms or dining tables, our churches to our libraries to our schools.”

“I think technology is fantastic but maybe it's just developed too fast for us in real world applications. By the same token the fact that a guy can get a laptop and make music that can be put straight into a TV show I suppose shows a disparity when you're somebody who has gone to college and learned all this stuff. So if you apply that to the entire world than certainly computers have changed everything. But I'd be a hypocrite if I complained about it because it's given me a career. I'm part of the problem is what I'm saying!”

“I often feel like a dinosaur. I don't get the technology thing at all. I was on the Internet not long ago for Barnes and Noble, and people were ringing up from all over the world - Australia, Canada, France. I experienced it as an informal chat, which was pleasant, but I couldn't quite take it in. It had a strong element of unreality. I can't be bothered to switch to a computer at my age, though I might get along with e-mail, which sounds appealing.”

“It's interesting that the greatest minds of computer science, the founding fathers, like Alan Turing and Claude Shannon and Norbert Wiener, they all looked at chess as the ultimate test. So they thought, "Oh, if a machine can play chess, and beat strong players, set aside a world champion, that would be the sign of a dawn of the AI era." With all due respect, they were wrong.”

“Technology has just been the major progression of the last 15 years - instant communication. That stuff has gone so global. That's what's interesting about it. When someone sits down in front of a computer, it's the same everywhere in the world, and it's the same screen looking back at you with the same Google, and there's no individuality to it. So I decided it would be kind of visually uninteresting to have in my films.”

“One of the best things I ever did was to train in a practical skill. I love computers and they've become such a part of life, especially to the world of design. But it's important to understand that they are a tool, as much as a hammer or a saw is a tool. Computers don't help you design. There needs to be more emphasis on training young designers in how to build things. A good writer needs a good vocabulary. A good designer needs to understand his materials and processes. You can't, as a successful designer, pretend to get any respect if you don't know how things are made.”

“You look at Japan and Hayao Miyazaki's films are the biggest films ever made in Japan; domestically there and they play to critical acclaim around the world. He won't put more then 5 or 10 percent computer imagery in his movies. It's disappointing to me. It's a silly choice that some studios made to move out of animation. It's part of the unfortuneate preconception that I think the public has going into see animation.”

“What I realized is that if we're going to be able to have a theory about what happens in, for example, nature there has to ultimately be some rule by which nature operates. But the issue is does that rule have to correspond to something like a mathematical equation, something that we have sort of created in our human mathematics? And what I realized is that now with our understanding of computation and computer programs and so on, there is actually a much bigger universe of possible rules to describe the natural world than just the mathematical equation kinds of things.”

“The criminal justice system - although this applies less to the U.S., where rehabilitation is not seen as a valuable contribution to criminal justice - in Europe where rehab is supposed to be integral, we have no way of rehabilitating skilled hackers. On the contrary what we do is we demonize them and continue to do so after they come out of jail because we restrict their access to computers by law. Crazy world, crazy people.”

“Before I published my first book, I worked for a while as a documentary and wedding/bar mitzvah videographer, and a part of me still mourns the lost filmmaker I'll never be. Working on a documentary is nearly the opposite artistic process to writing: as a writer you are always trying to fill out a world to fit your story, but as a documentarian your work is to carve a story out of the world. Sometimes, when I'm feeling particularly blocked at my computer, I miss the days when I could just point my camera at something interesting and wait to see what happens.”

“The available worlds looked pretty grim. They had little to offer him because he had little to offer them. He had been extremely chastened to realize that although he originally came from a world which had cars and computers and ballet and Armagnac, he didn't, by himself, know how any of it worked. He couldn't do it. Left to his own devices he couldn't build a toaster. He could just about make a sandwich and that was it.”

“You know what I noticed when I was with Jacob? In your world, people can reach each other in an instant. There's the telephone, and the fax - and on the computer you can talk to someone all the way around the world. You've got people telling their secrets on TV talk shows, and magazines that publish pictures of movie stars trying to hide their homes. All those connections, but everyone there seems so lonely.”

“Being a fiction writer is really like being an actor, because if you're going to write convincingly it has to sound right and play right. The only way that works is to emotionally and technically act out and see the scene you're in. There's no better job in the world, because when I sit down at that computer I'm the world's best forensics expert, if that's what I'm writing about that day. Or I'm some crazed psycho running down a dark alley. Or I'm a gorgeous woman looking to find a man that night. Whatever! But I'm all of those things, every day. How can you beat that?”

“Now, what does a vampire do with a computer? Keep track of investments? Send e-mail to other vampires as you all plot to take over the world?” “I spend a lot of time on Wikipedia making corrections to the entries of historical figures I’ve known.” I blinked at him. “Really?” “No, Kitty. That was a joke.”

“A terrorist doesn't let strangers into her flat because they might be undercover police or intelligence agents, but her children bring their mates home and they run all over the place The terrorist doesn't know that one of these kids has bugged every room in her house, made copies of all her computer files and stolen her address book. The kid works for CHERUB CHERUB agents are aged between 10 and 17. They live in the real world, slipping under adult radar and getting information that sends criminals and terrorists to jail.”