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Direct Quotes

“I like the idea of the book being wiser than the person who wrote it. None of the novels I've written are direct transcriptions of me blathering over dinner with a glass of wine in my hand. I don't hold any illusion of those conversations being of particular value. The books, though, are - I hope - bigger than my opinions, investigations that go beyond my own intellect or wit.”

“I guess I'm a really analytical person, but when I'm writing, all that stuff goes behind a screen. Analysis and taking things apart is really important and really interesting, but it's the direct opposite of creating something, which has to do with taking things and putting them together and hoping to make something unique that's more than the sum of its parts. And you can't do that with analysis, you can only take things into smaller and smaller pieces.”

“A good director creates a playground for actors, and lets them go. The trick for a good director is in casting properly, and creating the playroom, and then they'll get stuff that they don't expect, and can't even direct. All the audience wants to believe is that whatever is happening, it is happening for the first time. They want to see the people within the work exchanging dialogue and action in that moment. There are not a lot of actors that can do that.”

“Over the years, I've had fairly benign record companies who gave me a lot of rope, but in spite of that, there's still restrictions and expectations. It's nice to be at the cottage-industry size, which I think is kind of the business model of the age anyway. It's the way to be. The Internet makes a lot of that possible. Having a loyal fan base is also very useful to keep me operating; people can find your website, and the venues that you're playing at, the merchandise you have for sale, all that kind of stuff. It's great to be able to reach the audience in a more direct way.”

“How can we recognize if we're falling into materialism's trap? Christ's words were direct and profound: "Where your treasure is, there your heart will be also" . What we do with our possessions is a sure indicator of what's in our hearts. Jesus is saying, "Show me your checkbook, your credit card statement, and your receipts for cash expenditures, and I'll show you where your heart is." What we do with our money doesn't lie. It is a bold statement to God of what we truly value.”

“You have to be in California in order to write or direct movies. People say, "Oh, I'm gonna do it from Pittsburgh. I'm just gonna deliver scripts or fly out, like, once, then fly back." You have to make a full commitment. You have to actually get on a plane, come to L.A., rent a place, and live there. And that's how you forge your career. Not just sort of haphazardly. Once you've got a few hits under your belt, assuming you do, then go back and move away and correspond with the studio.”

“I love to write, so I think writing would be the next natural step. And if I'm making something that I'm writing, it would also probably make sense to be a producer and have some creative input from that perspective as well. Eventually, I do want to direct, but I want to get comfortable in those two jobs first. I want to dip my foot into this pool before I dive in I guess.”

“Not to knock the people who've given me the opportunity; I appreciate all the opportunities I've gotten, but one of the things I think I really learned from the features I got to direct is that your job as a director is everything about the movie. It's to pick a story that's really worth making, and make sure that the basic components are there. You're not just a part of the team. You're really in charge, and the responsibility falls on you if all the components aren't there for a worthwhile film.”

“People create the illusion of acting natural, which is what I think most documentarians do in part because of the direct cinema orthodoxies that came into play really in the '60s. That moment of performance is a tremendous opportunity to make visible something hitherto invisible, which is how people want to be seen. How do they see themselves? What are the scripts, fantasies, genres by which they imagine themselves? How is storytelling part of what we are as human beings? We wouldn't kill each other en masse if it weren't for storytelling. We wouldn't be able to live with ourselves.”

“I'd love to do a really cheap action movie. I'd love to do stunts. I mean, not myself. I'd hurt myself, but I'd love to direct others doing stunts. I think that would be a blast. The funny thing is, if I really think through this fantasy, I know that the way I conceive of doing an action movie would still lose money. No matter how far I think I'm getting away from myself, it always comes back to something that's not terribly commercial.”

“Number one, we have to talk about mental illnesses. Number two, you can actually address things from a purer and honest direct line to what's been going on in your life and how you've been feeling and why you think the way you think. I do think there is a genetic predisposition for mental illness, for depression, for suicide, but I also think that lifestyle can change things. If you're an addict, if you drink and you're putting a depressant into your body, it's going to cause serious problems.”

“I think that you have to have a really specific type of personality to be able to both direct and act, because it requires enormous shifts in perspective. I mean, when you're directing, you're looking at the world through a wide-angle lens, and you're seeing all of it. You know exactly what's happening in every corner of it. You know what people are going to say. You know what they're going to do. You're controlling everything.”

“I'm always writing, but directing takes priority over everything, unless the acting is a job that lifts that whole brand. If I get a part in a big film with a big director and I was going to direct one of my one films, I would take the former job because that job will only help anything that I then intend to do. I think in the long run, directing is the thing that will outlive everything else. Maybe that and writing.”

“I think it's very valuable as an actor to throw yourself back into having that direct connection with an audience on-stage and work that muscle. It is a very different type of work and equally fascinating. I mean, I've very much in love with filmmaking because I really love the way you can tell stories with a camera and how music and everything contributes to the story in a very direct way. But I also think it's very valuable to come back to theatre, so if the right script came along I would love to come back to London and do some more.”

“Since the Donald Trump election, which has involved this administration making direct attacks on press freedoms, you're actually seeing a certain amount of rallying and reinvigoration by the national press in terms of covering national issues and the presidency. The Washington Post and The New York Times, Mother Jones, ProPublica and a lot of other places, they've actually done some really strong work when confronted with this administration. But the resources that you used to have at state and local level aren't there anymore.”

“My preference will always be theatre because it's where my heart lies and it's what I started with and eventually I want to direct it. It's where my real interest is. But I just love trying out new stuff. Acting for me isn't just for me about being in front of a camera ... it's so much more than that. It's always about telling a story and there are so many ways of doing that, so I'll always want to try something else.”

“Actors always direct themselves. A good actor shows up onset ready, especially in television, and you've done your homework and you know your character. The director may have some variation on what you're thinking or they may have a different interpretation of the scene. So you come prepared to shoot and you've given yourself notes. In television, it may be the first time you're meeting this director and you've been living in this character's skin for a couple of years. It's always great to have fresh perspective and fresh insight, but no one knows your character better than you do.”

“Once I hit 25, I realized I had to do more than just be an actor. I love acting, but there's something that makes it difficult to just be a man, a grownup. Not to take away from any actors, but I knew I wasn't going to be Tom Cruise. I knew I was a character actor, which is great and I'm proud of it. But I knew that I wanted to do more. I started producing and directing and writing and stuff for the theater, and then that grew out of hand and I sort of lost my control. I've always loved the process of filmmaking. Now I'm much more into producing docs, but I want to direct features.”

“I think since I was in drama school, I wanted to direct in the theatre. When you are an actor, you just have to open your eyes and you start to learn a lot about how to survive on set and what's important and how to tell a story. Directing is really about putting yourself out there, to be slapped in a way. You know that in the kitchen, you're gonna get burned. It's very scary but very exciting as well. If you have something to say, you have nothing to lose and you probably learn from the experience.”

“If you take all the food aid, America is by far the most generous country. If you take the direct aid, we're very generous. But when you add on our private contributions - see, our tax system encourages private citizens to donate to organisations that, for example, help the folks in Africa. And when you take the combined effort of US taxpayers' money plus US citizens' donations, we're very generous. And we'll do more.”

“There are many things in life over which you have no choice. But the greatest activity of life is well within your dominion. You can choose what you think about. You can be the air traffic controller of your mental airport. You occupy the control tower and can direct the mental traffic of your world. Thoughts circle above, coming and going. If one of them lands, it's because you gave it permission. If it leaves, it's because you directed it to do so. You can select your thought pattern.”

“Film and TV is a very hard profession to enter into if you don't have the ability to take a long period of time without making money so you can write, direct or raise financing, or work your way up, often with unpaid internships. It's hard to get into without a lot of connections. You end up with a lot of white people from privilege making films. So we're seeing a lot of the same kinds of stories.”