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Direct Quotes

“You get to use everything you learned in movie business. You talk to actors, if you do it right - and I haven't always done it right - you should be shaping the material all the time. And the other thing is, you get all the blame when you direct and it doesn't work. You get slammed. So that's another reason to know what you're making, why you're making it, and make it the way you want.”

“Having total freedom to direct my own movies is more difficult than those I was hired for, where the framework has been already furnished. Unlike with my own work, I don't have to deny or feel embarrassed at the straightforwardness or orthodoxy of the directorial style, because I can say in excuse, "This is how I was asked to direct by those people."”

“A comic book is the opposite of a cartoon. In a cartoon, you want to simplify the idea, so when they look at it at a glance, they get it. Boom. Simple. Direct to the point. But when you're drawing Groo, now it's a narrative, a story. You want the viewer to get involved in the story. You want him to feel like he's in the town to follow your main character. So I love to add lots and lots of things in it. Things that people will enjoy going back to and say, "Oh yeah, that's how a market must have looked in this fantasy world, with people selling meat here and dishes here."”

“There's this pet phrase about writing that is bandied around particularly in workshops about "finding your own voice as a poet", which I suppose means that you come out from under the direct influence of other poets and have perhaps found a way to combine those influences so that it appears to be your own voice. But I think you could also put it a different way. You, quote, find your voice, unquote, when you are able to invent this one character who resembles you, obviously, and probably is more like you than anyone else on earth, but is not the equivalent to you.”

“You know, some of the action stuff, I tend to have a pretty good sense of humor about it. Even when I direct and have a lot of pressure, it teaches me to laugh at stuff. I think that comes also from sports, from combat sports, where you've got to learn to laugh at it and take it in stride. Otherwise, you just can't deal with it.”

“I think that, generally, when it's a white male shooting, then it's mental illness is the first thing that they utilize after reporting the crime. But in this instance, a Muslim, it's always terrorism. So it's always a direct attack towards Muslims, who are American citizens, and as well as other individuals who are here who believe in their faith. And we find that we are now in a position again of trying to protect ourselves, and, again, in some instances, causing people to become more sequestered in their day-to-day lives.”

“You see, Donald Trump is Adolf Hitler. And a lot of people know it but they don't want to get involved. So they're just backing off and they're trying to blend into the invisible hoping nobody ever comes for them or notices them. "Watching Donald Trump's rise, I now understand. Leave aside whether a direct comparison of Trump to Hitler is accurate. That is not my point. My point rather is about how a demagogic opportunist can exploit a divided country."”

“All these think tank experts in Washington at the Woodrow Wilson Center say, "It's really, really a dangerous thing. It's just not right. The president of the United States should never, ever make his first foreign trip to the Middle East! Never, ever. Because it's too fraught with potential disaster. Because President Trump clearly is not sophisticated enough to know the idiosyncrasies, the customs, and the requirements." That's right, no president ever has. Do you know that there has never by a direct flight from Riyadh, Saudi Arabia, to Tel Aviv until Donald Trump did it? Never.”

“There's no passive success on radio. Well, in radio, one of the ways in which you engage people and make them active listeners and have them glued so that they don't want to do anything else, you have to find ways to incorporate this mystery called the theater of the mind. And it's the one ingredient that radio has that television does not that if used properly, if perfected and learned and executed properly, it can have a much greater impact than TV because it can create a much more intimate, direct connection with the audience.”

“Motherhood is this sort of "curtain lifting" of tremendous power that we have individually as women. It's tremendously freaky to have a human being grow inside your body and eventually turn into a human being, and then birth that human being, and then have them be separate from you. Those things are scary. It's also really, really scary to face the idea of losing a child and losing someone you love more than you've loved anything before. All of those things are innately really terrifying, and what it does to me is bring me to a direct kind of confrontation with my human vulnerability.”

“I'm a real people pleaser, and for a while I was really desperate to make a kind of thing that would satisfy everyone, and I realized I was focusing so much on satisfying everyone else that I'd forgotten that the only real way to make anything true is to focus on making what you want to hear and saying what you want to say. Trying to people please with my art was a direct line to complete meltdown, writer's block situation, and I had to look inward before I could move past it.”

“Sometimes you have to say no to things that people don't want you to say no to in the interest of self-preservation. I definitely went through some times that I did more than I could handle, and I was trying to make decisions for the best of my career; the irony was that those decisions were a direct cause of my inability to produce, perform, create anything. If you are not emotionally and personally stable and intact and healthy, then the entire foundation of what you do this for - the things that you make - is gone.”

“That's because of everything the public interest and the media interest is focused on: What did Donald Trump know and when did he know it? Whether there was cooperation with the Russians. I don't mean to say that's a distraction or we shouldn't follow it up. But the underlying story of the Russians trying to subvert our democracy, both through propaganda, planted stories, manipulation of social media and through direct efforts to infiltrate our state election system, is really an enormously significant event. And it's not over.”

“What you should be in a rush for isn't necessarily the immediate monetary return, but it's to know that this equation existing between an employee and a company is being honored. What's the equation? I'm going to give you my most precious thing that I have - my time and my reputation. That's what the employee says. And the company says I'm going to take your time and your reputation and direct it at things that we believe collectively have a huge impact opportunity to do something extremely positive. And that positivity will get measured in impact and also economic upside.”

“Things like rhyming - it just wasn't falling out of my head that way. So I started to get quite freaked out that I just couldn't write anymore. And then I just kind of went with it, and thought that, "This is the way that my brain's working," in a more direct way, then I should just try it like that for this album. And follow it. Just went with the writer's block, almost - it's a strange thing.”

“The way that I'm feeling the shift in movie industry is that women are allowed to be part of the development process. So I do feel like things are changing because I'm allowed to option books or write an original screenplay or direct. Those possibilities are really wide open. I think that males still struggle to write for females, which is totally fine because I don't think I could write a really impactful male role because that's not the life that I lived. So we'll just keep shouting and say we need more opportunities for not just women but people that are just different.”

“When you raise the budget, you make creative compromises. The higher the budget goes, the more cuts in your movie happen. When people talk about how movies are watered down, that's a direct reflection of money and budget. The less money you spend; the more risks you can take. That doesn't mean it will be successful, but at least you can try different stuff. The higher your budget is, the less you can do that.”

“If you have a strong business idea, then it is comparatively easy now to get capital. It is a positive thing that increasingly more people want to join the startup bandwagon. However, to build a successful business, focus on creating more value through the product, and direct your efforts on solving real issues. If you manage to build a sustainable product, revenue will follow. A lot of startups fail because they concentrate on incremental innovations, increasing user base, and monetisation before strengthening the core of their business.”

“The really valuable thing about documenting coral bleaching is that it is this straight, very direct visual indicator of how hot the oceans are getting. If the temperature of the water passes a certain threshold, the corals turn white. It's that simple. There's nothing natural about the cycle that's going on right now. In 2016, we lost 29 percent of the Great Barrier Reef. So 29 percent of the Great Barrier Reef died in a single year, because the water was hot.”

“What happened with the opioid epidemic is the Mexican cartels made a very deliberate, corporate decision to undercut the price of opioids. What they discovered was they could increase production, increase potency and decrease the price, and sell it for a third of what the Big Pharma could, or street dealers could, for Big Pharma pills. North America, and to a slightly lesser extent Europe, is being flooded with this Mexican heroin as a direct result of the attempt to undercut American pharmaceutical companies.”

“My suspicion is that those who seem oblivious to suffering, whether it is nearby or in remote corners, are for the most part unaware, perhaps blinded by doctrine and ideology. For them, the answer is to develop a critical attitude toward articles of faith, secular or religious; to encourage their capacity to question, to explore, to view the world from the standpoint of others. And direct exposure is never very far away, wherever we live - perhaps the homeless person huddling in the cold or asking for a few pennies for food, or all too many more.”