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Dramatic Quotes

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Dramatic Quotes

“I wrote an article not so long ago that was published in the Los Angeles Times, and I think I titled it "Movies vs. History." But I think they had another title for it. I got sort of sick and tired of seeing movies that got picked apart by people because they had taken dramatic or poetic license and I said "These people don't understand the distinctions."”

“With a historical novel you know that liberties are being taken. Since Walter Scott, we know that poetic license, dramatic license, that events been conflated and that liberties have been taken, characters ditto, dates rearranged. But people don't seem to understand that movies are fictions, they are dramatizations, at least historical movies, and we should accord the moviemakers some of the same understanding and latitude. When you go to a movie you know it's a dramatization and not history.”

“I love telling truthful honest stories. I suppose I'd love the opportunity to be a superhero within a realistic dramatic piece. It would have opportunity for humor too of course. And ideally I would be the writer/director? (Though I suppose if I was, it is POSSIBLE I would give myself a meaty but smaller part so I could focus on the latter of my duties... Maybe).”

“He's [Constable] a great painter as far as it goes, but I don't think he's remotely interesting. Not really. It's very pretty and it's very thorough, but it's not evocative, it's not dramatic, it doesn't do what Beethoven does - it doesn't shake you down to the roots of your soul, which Turner does. Constable is just very nice, basically. And moving on to personality, Constable was a very dull character.”

“For thirty years most interface design, and most comptuer design, has been headed down the path of the "dramatic" machine. Its highest idea is to make a computer so exciting, so wonderful, so interesting, that we never want to be without it. A less-traveled path I call the "invisible"; its highest idea is to make a computer so imbedded, so fitting, so natural, that we use it without even thinking about it.”

“While testimonies can come as dramatic manifestations, they usually do not. Sometimes people think they need to have an experience like Joseph Smith's vision before they gain testimonies. If we have unrealistic expectations of how, when, or where answers come, we risk missing the answers which come as quiet, reassuring feelings and thoughts that most often come after our prayers, while we are doing something else. These answers can be equally convincing and powerful.”

“Sentences are not different enough to hold the attention unless they are dramatic. No ingenuity of varying structure will do. All that can save them is the speaking tone of voice somehow entangled in the words and fastened to the page for the ear of the imagination. That is all that can save poetry from sing-song, all that can save prose from itself.”

“God loves America. When you consider what He went through to bring our forbearers to this magnificent land, and when you realize what He accomplished in bringing forth a new nation on this continent - a government founded on Christian principles...you have to realize that He had a dramatic vision and purpose for this nation.”

“To science we owe dramatic changes in our smug self-image. Astronomy taught us that our Earth is not the center of the universe, but merely one of nine planets circling one of billions of stars. From biology we learned that humans were not specially created by God but evolved along with tens of millions of other species.”

“The big divide in this country is not between Democrats and Republicans, or women and men, but between talkers and doers. Think about the things that have improved our lives the most over the past century - medical advances, the transportation revolution, huge increases in consumer goods, dramatic improvements in housing, the computer. The people who created these things - the doers - are not popular heroes. Our heroes are the talkers who complain about the doers.”

“Only dramatic cuts in the federal deficit, a rollback of regulations that cripple small and community banks, a cancellation of future tax increase plans, a big reduction in federal spending, repeal of Obamacare, freeing manufacturing from the prospect of carbon taxation and unleashing out domestic energy potential can solve our problems. But Obama is not about to undo his legacy of disaster for the American people.”

“We have committed ourselves to pursue joint policies, but then national governments say, "We aren't bound by that." That is a dramatic situation, because solidarity is a basic principle that cannot be had on an à la carte basis. If we have rules that nobody adheres to, then the community will break apart.”

“When you're caring with your head, there are the things that we talked about that seems boring in baseball. But when you care about your heart, exactly the boring things - a pitcher looking over to first, a batter stepping out and adjusting his gloves - those are just tiresome to the person who's interested. But to the person who's invested, it just makes everything all the more dramatic.”

“Beware leverage in all its forms. Borrowers - individual, corporate, or government - should always match fund their liabilities against the duration of their assets. Borrowers must always remember that capital markets can be extremely fickle, and that it is never safe to assume a maturing loan can be rolled over. Even if you are unleveraged, the leverage employed by others can drive dramatic price and valuation swings; sudden unavailability of leverage in the economy may trigger an economic downturn.”

“There are some movies that deserve criticism. They want people to know that it's a great dramatic accomplishment and has some great performances in it. But, c'mon. Yes, you will have some fun if you go see 'Snakes on a Plane.' Snakes are biting people - and they're biting them right on screen. There's nothing to review. It's not 'Snakes on the Waterfront.' You don't have snakes going, 'I coulda been a constrictor.' No. Hell no. It's 'Snakes on a Plane.'”

“I think it[3D] should be used as a new artistic form, not as a gimmick, not to impress you but the existence of an environment that you view as a theatrical dramatic experience is - you don't just have the X-Y axis, you have the Z and that makes a difference. You still have the framing, you still use lenses, so most of the cinematic rules and languages still apply but I think it's a different existence.”

“I needed to create some dramatic tension to sustain the interest of the audience. For instance, the boy in the film is not in the play, so this relationship that he had with the former teacher, and his guilt, this is not at all in the play. I thought it would be interesting to look at in the film, and I added stuff like that around the main character. For me, it was not more difficult or less difficult.”

“Of course all life is a process of breaking down, but the blows that do the dramatic side of the work-- the big sudden blows that come, or seem to come, from outside-- the ones you remember and blame things on and, in moments of weakness, tell your friends about, don't show their effect all at once. There is another sort of blow that comes from within-that you don't feel until it's too late to do anything about it, until you realize with finality that in some regard you will never be as good a man again.”