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Dramatic Quotes

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Dramatic Quotes

“Political uncertainty around the world has more than doubled since the election of Trump. To find anything comparable we have to go way back, to the late 1920s for example, the times of the Great Depression. Or think of the United Kingdom in the 1970s, when the International Monetary Fund had to help the country out with a dramatic rescue operation. Up until the Greek crisis, that was the last time that the IMF was forced to intervene to such an extent in Europe.”

“The courage of life is often a less dramatic spectacle than the courage of a final moment; but it is no less a magnificent mixture of triumph and tragedy.”

“Nigeria is so peculiar and dramatic. Even talking about the potentials before we talk about the negativities, Nigeria is a nation for perpetual study. I think in Nigeria, it is the potential which hits people and makes them believe in Nigeria. It tends to make them react when they see potentials being wasted and it is a tragedy to see potentials wasted. But paradoxically, it is a realization of the existence, that positive, that keeps many Nigerians and even foreign people going.”

“With theatre, you can interpret the most complex play on stage for it have meaning to an audience because you're dealing in images, you're dealing in action, you can use different idioms to interpret and clarify something which is obscured in the reading and of course there are different kinds of play, there are mythological plays, there are what I call the dramatic sketches, direct political theatre which is virtually everybody, but I find that you can use the stage as a social vehicle, you know, which any kind of audience.”

“My theory for nonfiction is that nobody can be free of some kind of conceptions about whatever story they're writing. But if you can find a way to build those into the story, then the story becomes a process of deconstructing and heightening and sometimes changing those notions and that makes dramatic tension. The initial statement of your position, and then letting reality act on you to change it, is pretty good storytelling.”

“It's easy to put [serious threats] aside, and the media don't talk about them. Other things are more important. How am I going to put food on the table tomorrow? That's what I've got to worry about, and so on. It's very serious, but it's hard to bring out the enormity of these issues, when they do not have the dramatic character of something you can show in the movies, with a nuclear weapons falling and everything disappears.”

“Doing [a relationship comedy] with Sam [L. Jackson] was exciting. I've done a lot of comedies with a lot of comedy people. My peers. I've never worked with anybody of the kind of dramatic caliber of movie actor that Sam is. It was a little bit intimidating for the first day. Or two... Or the first week. Other than that, it was a joy.”

“When you conceal inner reality, this pressure builds. You often don't expose yourself until it reaches extremity, a breaking point, and what emerges is a dramatic shift - at least in the eyes of others, from whom you've hidden the truth. So, dropping out of high school was like that for me. I was fine, I got straight As, I had friends, and then boom, I was like, I'm done.”

“The war on drugs has been the engine of mass incarceration. Drug convictions alone constituted about two-thirds of the increase in the federal prison population and more than half of the increase in the state prison population between 1985 and 2000, the period of our prison system's most dramatic expansion.”

“Every time you have an opportunity of opening a school, its fee and funding is really relatively small in comparison with the big expenditure, which is basically quote unquote defense. I think if there were fees, progress could be very much faster. But for that we need not only the government in different countries to understand it but the society to put pressure on it, the parents to understand that their desire to have their children educated can actually be realized, and it could make a dramatic difference.”

“Sometimes you feel a need to express yourself, and there is no better way than to go to places where people need everything. It's dramatic, it's tragic. You just can't understand why, in the world of today, there are still things like that. The images you see on TV kill you. Of course when you are there (at these trouble spots) you can't turn off the TV. You are face-to-face with reality.”

“These [conservative] people, if they're Americans, look back on the last 35 years of our ecclesial experience and take heart from that. The dramatic reform of seminaries continues. The priests and bishops who take their pastoral model from John Paul II will continue to do so, perhaps learning a lesson or two from Francis along the way - and they'll be the overwhelming majority of the Church's ordained ministers ten, twenty, thirty years from now.”

“Best of all, persons can sometimes be app-transcendent: making dramatic progress or discoveries, without any dependence on any app. In this context, I like to mention Steve Jobs. While he had as much to do as anyone with the invention and development of apps, he NEVER was limited by the current technology - indeed, he typically transcended it and relied on his own considerable wits.”

“I know that in a poem, even when the speaker is speaking from the poet's experience, there's always something that's borrowed, some authority that sits outside of the poet that the poem has claimed. There's a dramatic pitch that makes the speaker capable of saying something more courageous or stranger or simply other than what the poet would be able to say.”

“I realized, "Gee, you're making the same film over and over here." I just kept making them for my own amusement, but also with this thought in my head that I could collect enough songs to make an album out of it. I am attracted to non-dramatic moments in life. The idea of a coffee break is not something you'd think of as being an important part of your day, so these shorts were like little free zones in which we could just play around.”

“Everybody's been decrying the death of movie theaters for decades and, you know, people are still going to the movies in droves. It's gone down, but it hasn't gone down that much. I think the biggest change has been the emergence of cable and streaming on television. That has really had a dramatic effect, and I think it's a positive one. I think there's really good work going on there, and as movies stratify to being these gigantic tentpole movies, and small movies, I think it gives another outlet for character-driven material.”

“The friendship that you create between you and a mom - or you and an older woman figure - is so important and so influential. I think that my relationship with my sister, my relationship with my best friends - when I'm feeling really terrible about myself, they're always there to let me know that I am being dramatic about something, or I'm being stupid about something - it's good to have those kinds of people to drag you back down and protect you.”

“It is odd that a value/virtue that plays such a central role in dramatic literature has played such a small role in philosophical writing. There are probably a number of reasons, but I think that a predilection for a certain kind of individualism is a major one. Others might include the fashionability of consequentialism, the idea that loyalty has more to do with sentiment than reason, as well as its proneness to corruption. The revival of interest in virtue/character as distinct from rules/principles has also created space for a renewed, if hesitant, interest in loyalty.”

“When you're working on a scene, both in the script phase and also in the moment, you look around and you wait for the lightning bolt to strike you and based on your instincts tell you what the right thing to do is here. And that can result in anything from a change of dialogue to the realisation that what you thought was a dramatic scene should actually have some humour. And maybe if you stage it this way it's funnier, or if you put the camera here it tells a different story. That stuff is kind of everything when you're a director.”

“Marvel has this tradition, and I think that Sony has this tradition too, of hiring directors for Spider-Man who are dramatic directors. That are directors who are interested in human beings, in characters, in drama, and who are really good with actors. That kind of feels like a Spider-Man director to me. And because Spider-Man is always as big as the films that are being made at Marvel, it always is character and story. You can never take that out.”

“I really loved working on comedy. Most of my roles have been very dramatic and involved lots of emotional work and crying on cue. I do really enjoy those roles because you really feel accomplished at the end of the day but they are very emotionally draining! Working on a comedy show is just fun and at the end everyone is laughing! But I am open to all roles and genres just being on a set and being a part of the magic is what I love most!”

“I'd like to do more dramatic roles but I would never give up comedy to do it. I've seen a lot of actors that do a complete 180 degrees and say: "I'm done with comedy, I want to be taken seriously." I take my comedy very seriously and I want to be taken seriously because of my comedy. I think it's more fun for me. I enjoy laughing and attempting to make people laugh. So I'd like to do more drama but I'd never do the 180 thing.”

“That machines will surpass us in intelligence is inevitable. What it means is unknowable. Will they be sentient? What will they care about in the sense that determines our human motivations? All the theorizing by the experts and non-experts makes for interesting conversations and dramatic headlines, but it's more likely we will be surprised by how our technology develops and how it is used, as we so often are.”

“All good dramas are rife with conflicts, and the conflicts have to be resolved. What I think is so great about a show that takes place in a hospital is that you have so many different people with different needs. Sometimes all those can be in conflict. The drama of Heartland also comes from the group of people waiting, and they are sometimes agonizingly waiting for a new organ for their body in order to survive. So the show is so much about survival, which creates a sense of urgency to get the organs. I think that sense of urgency is probably the most prominent dramatic quality to the show.”