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Ears Quotes

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Ears Quotes

“What's important is a great set of objective ears, years of experience and a great room with a true sound. Look at this way: If the equipment in a studio is a high performance car, and the mastering engineer is the driver, putting the car on ice and trying to achieve a good lap time is like trying to master music in a bad room, all the equipment in the world wont help you connect with the music and let you hear what's really happening. The room is the environment in which the mix performs to its potential, as the road is to the car. It's hugely important.”

“I really enjoy writing lyrics, I enjoy harmonies and I enjoy hearing the organic side of production because I have to do so much non- organic for a living for other artists, it's just a break for me, for my ears and it confuses people that think my music is supposed to sound like the stuff I do for my day job, but that's just people that don't know me.”

“Writing original songs is much, much harder (I think) because you only have yourself to conjure up EVERY single moment a listener is going to hear. It's a craft that goes directly from your brain to their ears. You can never be sure that what you're writing is gonna be good enough to keep a listener engaged and truly experience something. It's a shot in the dark.”

“For the next fifty years this alone shall be our keynote - this, our great Mother India. Let all other vain gods disappear for the time from our minds. This is the only god that is awake, our own race - "everywhere his hands, everywhere his feet, everywhere his ears, he covers everything." All other gods are sleeping. What vain gods shall we go after and yet cannot worship the god that we see all round us, the Virât? When we have worshiped this, we shall be able to worship all other gods.”

“When you begin to read or listen to the Holy Scriptures, pray to God thus: "Lord Jesus Christ, open the ears and eyes of my heart so that I may hear Thy words and understand them, and may fulfill Thy will." Always pray to God like this, that He might illumine your mind and open to you the power of His words. Many, having trusted in their own reason, have turned away into deception.”

“The modern challenge to motherhood is the eternal challenge--that of being a godly woman. The very phrase sounds strange in our ears. We never hear it now. We hear about every other type of women: beautiful women, smart women, sophisticated women, career women, talented women, divorced women. But so seldom to we hear of a godly woman--or of a godly man either, for that matter. I believe women come nearer to fulfilling their God-given function in the home than anywhere else.”

“Everything I write is personal, really. Even when I'm sarcastic, it's quite personal. And on this record, from the production to the singing to the performances, I got it really honest. To the modern ear, it seems soft. When you hear it against other things, it seems vulnerable. Lyrically and musically, though, this is more subtle. And, yes, it's asking a lot of someone who's used to being hit over the head with bright neon to listen to this.”

“How sweet the name of Jesus sounds In a believer's ear! It soothes his sorrows, heals his wounds, And drives away his fear.”

“It is not the eye that sees the beauty of the heaven, nor the ear that hears the sweetness of music or the glad tidings of a prosperous occurrence, but the soul, that perceives all the relishes of sensual and intellectual perfections; and the more noble and excellent the soul is, the greater and more savory are its perceptions.”

“Consider that all these torments of body and soul are without intermission. Be their suffering ever so extreme, be their pain ever so intense, there is no possibility of their fainting away, no, not for one moment ... They are all eye, all ear, all sense. Every instant of their duration it may be said of their whole frame that they are 'Trembling alive all o'er, and smart and agonize at every pore.' And of this duration there is no end ... Neither the pain of the body nor of soul is any nearer an end than it was millions of ages ago.”

“Suttree surfaced from these fevered deeps to hear a maudlin voice chant latin by his bedside, what medieval ghost come to usurp his fallen corporeality. An oiled thumball redolent of lime and sage pondered his shuttered lids.Miserere mei, Deus ...His ears anointed, his lips ... omnis maligna discordia ... Bechrismed with scented oils he lay boneless in a cold euphoria. Japheth when you left your father's house the birds had flown. You were not prepared for such weathers. You'd spoke too lightly of the winter in your father's heart. We saw you in the streets. Sad.”

“Why do I feel so exercised about what we think of the people of the Middle Ages? ... I guess it's because so many of their voices are ringing vibrantly in my ears - Chaucer's, Boccaccio's, Henry Knighton's, Thomas Walsingham's. Froissart's, Jean Creton's... writers and contemporary historians of the period who seem to me just as individual, just as alive as we are today. We need to get to know these folk better in order to know who we are ourselves.”