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Ears Quotes

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Ears Quotes

“The role of the writer is not to say what we can all say, but what we are unable to say. Most of the writing today which is called fiction contains such a poverty of language, such triteness, that it is a shrunken, diminished world we enter, poorer and more formless than the poorest cripple deprived of ears and eyes and tongue. The writer's responsibility is to increase, develop our senses, expand our vision, heighten our awareness and enrich our articulateness.”

“The tears of the compassionate are sweeter than dewdrops falling from roses on the bosom of the earth. Shut not thine ear, therefore, against the cries of the poor, neither harden thine heart against the calamities of the innocent.”

“Heard melodies are sweet, but those unheard Are sweeter: therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone. Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though winning near the goal yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair!”

“America could carry on a two years' war by the confiscation of the property of disaffected persons, and be made happy by their expulsion. Say not that this is revenge, call it rather the soft resentment of a suffering people, who, having no object in view but the good of all, have staked their own all upon a seemingly doubtful event. Yet it is folly to argue against determined hardness; eloquence may strike the ear, and the language of sorrow draw forth the tear of compassion, but nothing can reach the heart that is steeled with prejudice.”

“We ourselves, though we're guilty of every sin, are not just a work of God: we're image. Yet we have cut ourselves off from our Creator in both soul and body. Did we get eyes to serve lust, the tongue to speak evil, ears to hear evil, a throat for gluttony, a stomach to be gluttony's ally, hands to do violence, genitals for unchaste excesses, feet for an erring life? Was the soul put in the body to think up traps, fraud, and injustice? I don't think so.”

“The cause which is blocking all progress today is the subtle scepticism which whispers in a million ears that things are not good enough to be worth improving. If the world is good we are revolutionaries, if the world is evil we must be conservatives. These essays, futile as they are considered as serious literature, are yet ethically sincere, since they seek to remind men that things must be loved first and improved afterwards.”

“Like Karl Kraus [Wittgenstein], was seldom pleased by what he saw of the institutions of men, and the idiom of the passerby mostly offended his ear - particularly when they happened to speak philosophically; and like Karl Kraus, he suspected that the institutions could not but be corrupt if the idiom of the race was confused, presumptuous, and vacuous, a fabric of nonsense, untruth, deception, and self-deception.”

“My mother took too much, a great deal too much, care of me; she over-educated, over-instructed, over-dosed me with premature lessons of prudence: she was so afraid that I should ever do a foolish thing, or not say a wise one, that she prompted my every word, and guided my every action. So I grew up, seeing with her eyes, hearing with her ears, and judging with her understanding, till, at length, it was found out that I had not eyes, ears or understanding of my own.”

“I shook myself; I was dreaming. As I went to bed the words of the eighth-grade class's teacher, when the class got to Evangeline , kept echoing in my ears: "We're coming to a long poem now, boys and girls. Now don't be babies and start counting the pages." I lay there like a baby, counting the pages over and over, counting the pages.”

“But I have sinuous shells of pearly hue Within, and they that lustre have imbibed In the sun's palace-porch, where when unyoked chariot-wheel stands midway in the wave: Shake one, and it awakens; then apply Its polisht lips to your attentive ear, And it remembers its august abodes, And murmurs as the ocean murmurs there.”

“The heavenly bodies are nothing but a continuous song for several voices (perceived by the intellect, not by the ear); a music which... sets landmarks in the immeasurable flow of time. It is therefore, no longer surprising that man, in imitation of his creator, has at last discovered the art of figured song, which was unknown to the ancients. Man wanted to reproduce the continuity of cosmic time... to obtain a sample test of the delight of the Divine Creator in His works, and to partake of his joy by making music in the imitation of God.”

“Never did form more fairy thread the dance Than she who scours the hills to find it flowers; Never did sweeter lips chained ears entrance Than hers that move, true to its striking hours; No hands so white e'er decked the warrior's lance, As those which tend its lamp as darkness lours; And never since dear Christ expired for man, Had holy shrine so fair a sacristan.”

“Is not the real experience of each individual very limited? And, if a writer dwells upon that solely or principally, is he not in danger of repeating himself, and also of becoming an egotist? Then, too, imagination is a strong, restless faculty, which claims to be heard and exercised: are we to be quite deaf to her cry, and insensate to her struggles? When she shows us bright pictures, are we never to look at them, and try to reproduce them? And when she is eloquent, and speaks rapidly and urgently in our ear, are we not to write to her dictation?”

“Prostrate on earth the bleeding warrior lies, And Isr'el's beauty on the mountains dies. How are the mighty fallen! Hush'd be my sorrow, gently fall my tears, Lest my sad tale should reach the alien's ears: Bid Fame be dumb, and tremble to proclaim In heathen Gath, or Ascalon, our shame Lest proud Philistia, lest our haughty foe, With impious scorn insult our solemn woe.”

“The neuro-biology of playing a musical instrument is completely scientific, but it’s also an absolute miracle, that you’re taking basically a calcium bucket filled with salt-water that’s run by a weak electrical signal, and you’re using it to move your flesh around in order to manipulate an instrument which disturbs air molecules between you and the listener, and then the listener’s ears picks up those disturbed air molecules which generates a weak electrical signal to their calcium bucket full of salt water, and they feel a feeling. That’s miraculous, and that’s where I live.”

“Fairy folk a-listening Hear the seed sprout in the spring, And for music to their dance Hear the hedgerows wake from trance, Sap that trembles into buds Sending little rhythmic floods Of fairy sound in fairy ears. Thus all beauty that appears Has birth as sound to finer sense And lighter-clad intelligence.”