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Essentials Quotes

Browse 3425 quotes about Essentials.

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Essentials Quotes

“It is the business of thought to define things, to find the boundaries; thought, indeed, is a ceaseless process of definition. It is the business of Art to give things shape. Anyone who takes no delight in the firm outline of an object, or in its essential character, has no artistic sense. He cannot even be nourished by Art. Like Ephraim, he feeds upon the East wind, which has no boundaries.”

GivingArtCharacterProcessObjectsWindShapesEssentialsPerceptionDefinitionsDelightEastBoundariesArtisticFirmOutlinesNo Boundaries
Author:Vance Palmer
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“Copying is an art in itself, demanding the greatest technical ability, especially in watercolour. However well done, the copy invariably lacks that nascent, ineffable, but definite quality, provided by the furious enthusiasm with which an original is created, an essential spontaneity that defies reproduction.”

WellsArtDoneAbilityQualityEssentialsOriginalsEnthusiasmCopiesDefiniteSpontaneityFuriousReproductionWell DoneCopyingIneffable
Author:Walter J. Phillips
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“I have found, through years of practice, that people garden in order to make something grow; to interact with nature; to share, to find sanctuary, to heal, to honor the earth, to leave a mark. Through gardening, we feel whole as we make our personal work of art upon our land.”

PeopleFeelsYearsArtWholeEarthOrderFoundGrowsNaturePracticeShareLandHonorEssentialsGardenMarkHealWorks Of ArtGardeningSanctuaryThrough The Years
Book:The Inward Garden: Creating a Place of Beauty and Meaning
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“The word “art” is something the West has never understood. Art is supposed to be a part of a community. Like, scholars are supposed to be a part of a community... Art is to decorate people’s houses, their skin, their clothes, to make them expand their minds, and it’s supposed to be right in the community, where they can have it when they want it... It’s supposed to be as essential as a grocery store... that’s the only way art can function naturally.”

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Author:Amiri Baraka
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“How do you calculate upon the unforeseen? It seems to be an art of recognizing the role of the unforeseen, of keeping your balance amid surprises, of collaborating with chance, of recognizing that there are some essential mysteries in the world and thereby a limit to calculation, to plan, to control. To calculate on the unforeseen is perhaps exactly the paradoxical operation that life most requires of us.”

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Author:Rebecca Solnit
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“Art is craft: all art is always and essentially a work of craft: but in the true work of art, before the craft and after it, is some essential durable core of being, which is what the craft works on, and shows, and sets free. The statue in the stone. How does the artist find that, see it, before it's visible? That is a real question.”

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Book:The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination
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“Not every painter has a gift for painting, in fact, many painters are disappointed when they meet with difficulties in art. Painting done under pressure by artists without the necessary talent can only give rise to formlessness, as painting is a profession that requires peace of mind. The painter must always seek the essence of things, always represent the essential characteristics and emotions of the person he is painting.”

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Author:Titian
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“Creativity is essential to particle physics, cosmology, and to mathematics, and to other fields of science, just as it is to its more widely acknowledged beneficiaries - the arts and humanities.”

ArtScienceHumanityCreativityFieldsEssentialsMathematicsPhysicsPhysicistParticlesCosmologyCreativenessBeneficiariesSmart WomenArts And HumanitiesParticle Physics
Book:Knocking On Heaven's Door: How Physics and Scientific Thinking Illuminate our Universe
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“The only way a work of art can become great is for one to acknowledge that it doesn't belong to anybody. The greatness is in constantly giving back, coming to an acknowledgment of the source. Look back to the source of any individual, any process, any set of materials. If the individual personality can relinquish its insistence on concepts like this is mine, I did it, this is original, nobody else has done it, it goes straight for greatness or the essential spirit.”

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Author:Paul Caponigro
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“The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility. In the end, these unavoidable conflicts provide architecture's essential and productive tensions; the tragedy is that so little of it rises above the level imposed by compromise, and that this is the only work most of us see and know.”

KnowsLittlesArtEndsUseSocialLevelsResponsibilityVisionConflictEssentialsTragedyArchitectureDebateCompromiseTensionProductiveSocial ResponsibilityVersusRise AboveAestheticsPragmatism
Book:On Architecture: Collected Reflections on a Century of Change
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“Free speech is essential to education, especially to a liberal education, which encourages the search for truths in art and science. If expression is restricted, the range of inquiry is also curtailed... The beneficiaries of a free society have a duty to pursue the truth and to protect the freedom of expression that makes possible the search for a new enlightenment.”

IfsArtTruthFreedomEducationExpressionDutyProtectSpeechEssentialsEnlightenmentPursueRangeFree SpeechFreedom Of SpeechInquiryFree SocietyFreedom Of ExpressionArt And ScienceSearch For TruthBeneficiariesLiberal Education
Author:Norman Dorsen
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“Science is a capital or fund perpetually reinvested; it accumulates, rolls up, is carried forward by every new man. Every man of science has all the science before him to go upon, to set himself up in business with. What an enormous sum Darwin availed himself of and reinvested! Not so in literature; to every poet, to every artist, it is still the first day of creation, so far as the essentials of his task are concerned. Literature is not so much a fund to be reinvested as it is a crop to be ever new-grown.”

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Book:The writings of John Burroughs
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“In a sense, every tool is a machine--the hammer, the ax, and the chisel. And every machine is a tool. The real distinction is between one man using a tool with his hands and producing an object that shows at every stage the direction of his will and the impression of his personality; and a machine which is producing, without the intervention of a particular man, objects of a uniformity and precision that show no individual variation and have no personal charm. The problem is to decide whether the objects of machine production can possess the essential qualities of art.”

MenArtRealShowsProblemHandsIndividualQualityStageObjectsParticularPersonalityEssentialsToolsMachinesProductionsImpressionCharmDistinctionOne ManInterventionHammersVariationPrecisionUniformityChisels
Author:Herbert Read
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“Getting started, keeping going, getting started again - in art and in life, it seems to me this is the essential rhythm not only of achievement but of survival, the ground of convinced action, the basis of self-esteem and the guarantee of credibility in your lives, credibility to yourselves as well as to others.”

WellsArtSelfSeemsActionSelf EsteemEssentialsAchievementSurvivalBasesConvincedEsteemRhythmGuaranteesCredibilityGetting Started
Author:Seamus Heaney
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“Spirituality is nothing more than the art of paying attention. When I give my whole heart and mind to a task such as singing - life's worry, suffering, or conflicts don't exist in that moment. Additionally, singing is about breath work, which is the most essential practice to living a conscious & healthy life.”

GivingMindHeartArtWholeMomentsSufferingSpiritualityAttentionPracticeWorryHealthyConflictEssentialsSingingConsciousTasksBreathsPay AttentionThat MomentHeart And MindHealthy Life
Author:Jason Mraz
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“No amount of skillful invention can replace the essential element of imagination.”

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Book:Edward Hopper, 1882-1967: Hayward Gallery, London, 11 February to 29 March 1981 : a selection from the exhibition Edward Hopper, the art and the artist held at the Whitney Museum of American Art in New York from 16 September 1980 to 25 January 1981
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“All art is propaganda. ... The only difference is the kind of propaganda. Since art is essential for human life, it can't just belong to the few. Art is the universal language, and it belongs to all mankind. All painters have been propagandists or else they have not been painters. ... Every artist who has been worth anything in art has been such a propagandist. ... Every strong artist has been a propagandist. I want to be a propagandist and I want to be nothing else. ... I want to use my art as a weapon.”

WantHumansKindHas BeensArtUseArtistLanguageStrongDifferencesMankindEssentialsWeaponsArt IsUniversalPainterHuman LifePropagandaVery StrongUniversal LanguagePropagandist
Author:Diego Rivera
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“The essential in artistic creativity is victory over the burden of necessity. In art, man lives outside himself, outside his burdens, the burdens of life. Every creative artistic act is a partial transfiguration of life. In the artistic concept man breaks out through the heaviness of the world. In the creative-artistic attitude towards this world we catch a glimpse of another world.”

MenWorldArtAttitudeBreakCreativityCreativeThis WorldVictoryEssentialsConceptsBurdenArtisticGlimpseAnother WorldBreak OutCreative ArtHeavinessTransfigurationArtistic CreativityBurdens Of Life
Author:Nikolai Berdyaev
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“Statistics is the most important science in the whole world: for upon it depends the practical application of every other science and of every art: the one science essential to all political and social administration, all education, all organization based on experience, for it only gives results of our experience.”

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Author:Florence Nightingale
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“Prosperity is an essential partner in civilization itself. It is the basis of leisure, charity, and a hopeful outlook on life. It is the means for conquering poverty at the lowest rung of society, the basis on which children and the elderly are cared for, the foundation for the cultivation of arts and learning. Crush an economy and you crush civilization.”

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Author:Llewellyn Rockwell
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“Much like teaching art to young art students age 10 to 15 or so on, you have to break it down into bite-sized pieces, essential components. You have to - you know, at this point I'm so used to operating within given assumptions about art. But when you're explaining art to art students or people who are new to this experience, you have to really go back to the fundamentals.”

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Author:Kehinde Wiley
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