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Essentials Quotes

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Essentials Quotes

“Most of the complexity of the stories has developed as the stories came along (and may be a product of the principle that "nothing is what it seems"). I did start with some essential ambiguousness in the aliens' motivation and the questions this raises in human minds, which I consider to have been disregarded in Contact (novel and film). That, in part, may be what has delayed the writing of the fifth and sixth novelettes in the series.”

“Let us admit that most of us writers feel an essential aversion to politics. By taking such a position, however, we accept the perverted principle of specialization, according to which some are paid to write about the horrors of the world and human responsibility and others to deal with those horrors and bear the human responsibility for them.”

“Writing those books ['Beauty' and 'Style']was really eye-opening, as you realize just how much goes into beauty and fashion, and also how much I've learned over the years. I think both books are essential, as they don't really teach you one particular look that will go out of style next season, but rather tools and tricks you can use over the years.”

“It ought to be the first endeavour of a writer to distinguish nature from custom; or that which is established because it is right, from that which is right only because it is established; that he may neither violate essential principles by a desire of novelty, nor debar himself from the attainment of beauties within his view, by a needless fear of breaking rules which no literary dictator had authority to enact.”

“Hudibras has defined nonsense, as Cowley does wit, by negatives. Nonsense, he says, is that which is neither true nor false. These two great properties of nonsense, which are always essential to it, give it such a peculiar advantage over all other writings, that it is incapable of being either answered or contradicted.”

“[Henry Miller] was such a scribomaniac that even when he lived in the same house as Lawrence Durrell they often exchanged letters. For most of his life, Henry wrote literally dozens of letters a day to people he could have easily engaged in conversation - and did. The writing process, in short, was essential. As it is to all real writers, writing was life and breath to him. He put out words as a tree puts out leaves.”

“Mr. Pickwick took a seat and the paper, but instead of reading the latter, peeped over the top of it, and took a survey of the man of business, who was an elderly, pimply-faced, vegetable-diet sort of man, in a black coat, dark mixture trousers, and small black gaiters; a kind of being who seemed to be an essential part of the desk at which he was writing, and to have as much thought or sentiment.”

“Throughout much of history, women writers have capitulated to male standards, and have paid too much heed to what Virginia Woolf calls "the angel in the house." She is that little ghost who sits on one's shoulder while one writes and whispers, "Be nice, don't say anything that will embarrass the family, don't say anything your man will disapprove of ..." [ellipsis in original] The "angel in the house" castrates one's creativity because it deprives one of essential honesty, and many women writers have yet to win the freedom to be honest with themselves.”

“How do you remember everything from different books when you are still writing the HP series? As obsessive fans will tell you, I do slip up! Several classrooms move floors mysteriously between books and these are the least serious continuity errors! Most of the fansites will point you in the direction of my mistakes. But the essentials remain consistent from book to book because the story has been plotted for a long time and it is clear in my mind.”

“I chose to write about food: food is inherently political, but it's also an essential part of people's real lives. It's where the public and private spheres connect. I wanted to show readers that the larger politics of war and economics and U.S. foreign policy are inextricably bound to the supposedly trivial details of our everyday lives.”

“The only thing I might have noticed [and this is pretty anecdotal] is that there is some tendency to need to be taught that 'writing is rewriting' - maybe more of a sense than was pervasive 10 years ago that the first or second pass of a story is sufficient. That is an idea that is easily dislodged, but I suspect it might have something to do with the turnaround time re: blogging and so on - this sense that there is some essential truth about a first draft that one runs the risk of "ruining" by coming back to it.”

“So much of what we see and hear about the Middle East focuses on what we call politics, which is essentially ideology. But when it comes to the Middle East, and especially the Arab world, simply depicting people as human beings is the most political thing you can do. And that's why I chose to write about food: food is inherently political, but it's also an essential part of people's real lives. It's where the public and private spheres connect.”

“Be ruthless about protecting writing days, i.e., do not cave in to endless requests to have "essential" and "long overdue" meetings on those days. The funny thing is that, although writing has been my actual job for several years now, I still seem to have to fight for time in which to do it. Some people do not seem to grasp that I still have to sit down in peace and write the books, apparently believing that they pop up like mushrooms without my connivance. I must therefore guard the time allotted to writing as a Hungarian Horntail guards its firstborn egg.”

“I believe that what Genesis suggests is that this original self, with the print of God's thumb still upon it, is the most essential part of who we are and is buried deep in all of us as a source of wisdom and strength and healing which we can draw upon or, with our terrible freedom, not draw upon as we choose. I think that among other things all real art comes from that deepest self - painting, writing music, dance, all of it that in some way nourishes the spirit.”