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Feet Quotes

“I think that Eleanor Roosevelt really learned about the limits of power and influence from Arthurdale. She could not make some things happen. And she particularly learned that she could not, just because she was nominally in charge, she could not change people's hearts and minds; that a very long process of education would result before race was on the national agenda. And it really did move her into the racial justice arena with both feet. She came out fighting.”

“Clearly we're in historic times here. We have - one of the tributaries of the Mississippi River is a river called the Merrimack. And the crest areas there - they're going to be a number of feet, 2, 3, 4, over what they were in '93 or '82. And on the Mississippi River itself, down below St. Louis, we're still projecting a couple of feet over that historic number. So the bottom line is there's a significant amount of water that's causing evacuations and challenges throughout that whole area.”

“"Joy" is based, albeit loosely, on the life of Joy Mangano, an entrepreneur, inventor and QVC shopping network star with the mega-selling Miracle Mop. Jennifer Lawrence is excellent as Joy, but the film starts off on the wrong foot with woeful depictions of her background as the only sane person in her dysfunctional family.”

“The thought was, 'We're going to go to California, where the soil is black and ten feet deep, and there are no rocks, and there's gold in the hills.' The West becomes the surface onto which people project their fantasies, where once the future had been the place they projected their fantasies. So it's not just the war that ends the utopian communities, but what follows.”

“Karl Agell sang for our Blind album which was our second best selling record. He's a great guy and as a matter of fact, before Mike, Woody and I really got going on touring on the old Animosity stuff, Karl & I did about a dozen shows performing the Blind album from start to finish. He's still a good friend of mine and is now in a band called Lead Foot that's more Rock and Roll but they're fantastic, kind of Thin Lizzy or MC5 sounding.”

“I've usually never felt comfortable shooting until things were kind of claustrophobic, but ballet dancers need a lot of space, so the sets that I designed had to be big. Normally, I'd design a kitchen that was half the size of a normal kitchen, just to make everything feel kind of womb-like, but the kitchen in a ballet would have to be like 100 feet wide and just as long.”

“My two young producers, Fernando Perdomo and Chris Price, had to explain to me that there's a division right now between the two sides. They took three living, breathing percussionists to do the beats on the song "Intensity". We've got all kinds of layers, because I kept saying we didn't get all the beats. If you hear a synth, it's because I put my foot down. But I had to fight for it because they wanted it all totally organic.”

“There's all these people involved, and it becomes this huge machine - it stops being just me making my own little songs for myself, or for the world. And it's hard to stop the machine. If you want to take time to write a record, they're like, "OK, tour through March, April, and June, then you can take a few weeks off to record in July before getting back on the road for the European festival circuit." After a while, I had to put my foot down.”

“I know a lot of people in Washington would say, well, you know, indigent people can't manage their health savings account. They're too stupid. But they're not too stupid. Somebody has a diabetic foot ulcer, they learn very quickly not to go the emergency room where it costs five times more to take care of it. They go to the clinic.”

“One of the big things that we wanted to do was trying to kick out a car window as you're driving after it's been shattered obstructing your view. I mean, that's - I can't count how many movies I've seen that in, and we just thought, you know, like, it could be funny if it just kind of goes wrong and this foot just kind of punctures through the window and gets stuck.”

“I remember seeing Extreme play with [Debra] Winger and Cinderella. Gary Cherone was wearing purple velvet overalls with no shirt and saddle oxfords.Afterward, I went home and told my mom, "I need to find saddle oxfords." And she said, "Like little girls wear?" Naturally, I couldn't find them in my size, so I went to a shoemaker and had him make me a pair. I wore them for a while, but they didn't seem as cool on me, because when your foot is size 12, they sort of look like clown shoes.”

“By the time I was doing "Kill Bill," it was so much filled with prose that, you know, I start seeing why people write a screenplay and make it more like a blueprint, because basically I had written - in "Kill Bill," I had basically written a novel, and basically every day I was adapting my novel to the screen on the fly, you know, on my feet.”

“...photographers who carry 60 pounds of equipment up a hill to photograph a view are not suffering enough, although their whining causes enough suffering among their listeners. No, if they really expect us to respect their search for enlightenment and artistic expression, in [the] future they will drag the equipment up the hill by their genitals and take the view with a tripod leg stuck through their foot.”

“The final goal of world revolution is not socialism, or even communism, it is not a change in the present economic system, it is not the destruction of civilization in a material sense. The revolution desired by the leaders is moral and spiritual, it is an anarchy of ideas in which all the bases established nineteen centuries ago shall be overthrown, all the honored traditions trodden under foot, and, above all, the Christian ideal finally obliterated.”