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“Fine-art photography is a very small world associated with galleries, museums, and university art programs. It's not like rock music; the products of this world have never been widely seen because the artists are often exploring things that are not already coded in general consciousness. It's not that photographers don't want to be famous, it's just that very few of the views from the edges of culture make the mainstream. Ansel Adams was an exception.”

“We perceive and interpret the outer world through a set of incredibly fine internal receptors. But we are incapable, by ourselves, of grasping or tweezing out any permanent, sharable figment of it. Practically speaking, we ritually verify what is there, and are disposed to call it reality. But, with photographs, we have concrete proof that we have not been hallucinating all our lives.”

“The only thing I can hope the viewer will get from the work is something about the structure of the work. It would be asking too much, I think, for them to get my exact intention. But if - through the construct of language, the way things are juxtaposed - there is some sort of disruption of the way you would normally go about reaching photographic images... if that is happening, that's fine.”

“Art photography, although long since legitimized by all the conventional discourses of fine art, seems destined perpetually to recapitulate all the rituals of the arriviste. Inasmuch as one of those rituals consists of the establishment of suitable ancestry, a search for distinguished bloodlines, it inevitably happens that photographic history and criticism are more concern with notions of tradition and continuity than with those of rupture and change.”

“Time is the guy at the amusement park who paints shirts with an airbrush. He sprays out the color in a fine mist until it's just lonely particles floating in the air, waiting to be plastered in place. And what comes of it all, the design on the shirt at the end of the day, usually isn't much to see. I suspect that whoever he is, wakes up in the morning and wonders what he ever saw in it.”

“Let man then contemplate nature in full and lofty majesty, and turn his eyes away from the mean objects which surround him. Let him look at the dazzling light hung aloft as an eternal lamp to lighten the universe; let him behold the earth, a mere dot compared with the vast circuit which that orb describes, and stand amazed to find that the vast circuit itself is but a very fine point compared with the orbit traced by the starts as they roll their course on high.”

“The human mind thinks but to complicate. As soon as one problem is solved, that solution introduces new complications, other problems that perhaps did not exist before. That was one of my great troubles when I was younger, I invented many things that were very fine, but always I was getting into complications. I have had to work very hard to overcome that.”

“But at my back I always hear Time's winged chariot hurrying near; And yonder all before us lie Deserts of vast eternity. Thy beauty shall no more be found, Nor, in thy marble vault, shall sound My echoing song; then worms shall try That long preserv'd virginity, And your quaint honour turn to dust, And into ashes all my lust. The grave's a fine and private place, But none I think do there embrace.”

“You know, the best-laid plans of mice and men... I like playing bad guys, and I don't have a problem doing that. They're interesting characters, and there's as many different kinds of bad guys as there are good guys - they're rich, they're strong, they're powerful, and so that's fine with me.”

“I think there are quite a few new Instro/Surf groups that are really great. The Mermen are good and there doing something different. The Space Cossacks, Penetrators, The Fathoms, I really like The Falcons from Canada, Mike Beddoes is a really fine guitar player. I like Nokie Edwards of The Ventures, who gave me a guitar lesson once when we were playing opposite them in 1962 at The Rose Garden Ballroom in Pismo Beach. That's were The Impacts started and got signed to Del Fi in 1962.”

“I've approached music with the understanding that knowledge is available regarding tones and their effect upon the body. I think the father of that knowledge was the mathematician Pythagoras who lived several thousand years ago. Pythagoras was also a fine musician and he knew specifically what tones would affect which parts of the body.”

“I think the American people are gonna be reasonable with what do you do with someone who has been in this country for 10 or 12 years who hasn't otherwise violated our laws - because if they're a criminal they can't stay. They'll have to undergo a background check, pay a fine, start paying taxes. And ultimately, they'll given a work permit and that's all they're gonna be allowed to have for at least 10 years.”

“I think anything that you can use to connect is fine. For some people it's meditation. For some people it's yoga. For some people, it's running. For some people, it's affirmations. For me, it's photographs and drawings, and affirmations, and statues, and crystals. I fill my writing space and I fill my home with symbols of what I think of as higher energy.”

“When you're not doing fiction, there's a limit to how much illustrating you can do with your work. I mean, you can do fine. There are great non-fiction writers, but people aren't necessarily going to say anything that reveals them as much as a picture might. Even their surroundings, in lot of cases, the things that meant the most to me were the things I noticed in their houses. I was always looking, as much as I was listening to them. I was looking around for clues as to why I was there.”

“That catharsis is really the core of the incredibly personal comedy of Louis C.K. or Marc Maron or whatever. And look - I find it fascinating that I'm sitting here talking about some of these things, and not to low tones, and my kids are in the other room. I have to trust that if they hear what I'm saying and they have questions about it, I'll be able to answer it, and that's fine. But that's part of the scariness of it - the reality of opening up my own life and my own feelings.”

“Beauty is a hard thing. Beauty is a mean story. Beauty is slender girls who die young, fine-featured delicate creatures about whom men write poems. Beauty, my first girlfriend said to me, is that inner quality often associated with great amounts of leisure time. And I loved her for that.”