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“I don't reject the concept of preemptive war. I'm a mother of five. I have five grandchildren. And I always say: Think of a lioness. Think of a mother bear. You come anywhere near our cubs, you're dead. And so, in terms of any threat to our country, people have to know we'll be there to preemptively strike. But what the president [Bush] did was, on the basis of no real intelligence for an imminent threat to our country, chose to go into a war for reasons that are still unknown to us.”

“Carnal reason is an enemy to faith: it is ever crossing and contradicting it. It will never be well with thee, Christian, so long as thou art swayed by carnal reason, and you rely more upon thy five senses, than upon the four Evangelists. As the body lives by breathing, so the soul lives by believing.”

“I started acting when I was five years old. I found it randomly, through listening to my brother study monologues. I auditorally started memorizing them for no reason, and started repeating them to anyone who would listen to me. And then, I begged my mom to let me do whatever that meant because I couldn't put into words exactly what that meant. It just meant me happy. And then, when I was 11 years old, I realized what I was doing and I looked to my mom and said, "Can I make this something I can do for the rest of my life?" She was like, "Yeah, sure, if you want to." And I was like, "Okay, great! I think I might want to do this forever."”

“Everything is possible for the writer. There isn’t anything anyone can tell you that you can’t do, and there is no such thing as "getting away with" anything. There’s no one to tell you what you can or can’t do. You’re only limited by the fences you allow yourself to build around yourself, for whatever reason, including fidelity to some idea about literature someone else imposed upon you some time long ago or five minutes ago.”

“A child of three cannot raise its chubby fist to its mouth to remove a piece of carpet which it is through eating, without being made the subject of a psychological seminar of child-welfare experts, and written up, along with five hundred other children of three who have put their hands to their mouths for the same reason.”

“Four- and five-year-olds' play is permeated with the rankest sexism. No matter what their parents do and say, they play their momand pop roles in ultraconventional style. We've seen little girls whose mothers are doctors absolutely refuse to take the doctors' parts in their play, insisting that "only boys can be doctors," against all reason. Girls do more washing and drying of clothes, dishes, and babies than they've ever seen their own mothers do, and they turn their play husbands into TV-watching drones who do nothing but talk about money.”

“If you want something new in your life, you have to make space for it. I mean that psychologically as well as physically. Take a look at your closet. If you have the kind of closet where you can't fit another thing in there, that might be the reason you don't have more new clothes. If you want a new man in your life, you've got to let go of the one who stopped dating you five years ago. In other words, you need to complete the past in order for the present to show up more fully.”

“I must say, I am thrilled with my fan base. For some reason some of them are quite young, so they are quite frightened. I remember when I did 'Click' and I'd see Adam Sandler's fan base. He's the guy that people feel that he's their best friend, so he's walking down the street and people sort of high five him and want to tell him a joke or invite him to come home and have a sandwich with them. Mine are not like that. Mine tend to go: 'Argh,' and look horrified. They shake and take a picture from a really long way away. I do feel I've got quite good, respectful ones though.”

“I was very young, maybe five. The opera was very... I was attracted to opera to the point that I think it's the reason I started to write music for films. I never studied. There are film and music school that teach you how to write music. I never studied that. But the influence of opera, which is a combination of storyline, visuals, staging, plus music... that was perhaps the best school I could have had. That's what gave me the idea of coming to Hollywood to write music for films.”