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Hair Quotes

“It's all in L.A. There might be some location shooting as well. I think it's pretty short. I heard it was like six to eight weeks, which is pretty short. But you don't have to do makeup or anything. There's no hair, there's no makeup, there's like one trailer for Jason and one for the actors who do cameos. It's quick. So that's what they're saying. I don't know if that will change.”

“Warner Brothers had to hire [a stunt double] and no one thought a child could do this. Billy Friedkin came to me before we were filming [The Exorcist] and said "if you do not do all of this film, the film will be a joke." It's why they stripped the makeup down to the bare minimum, a piece on my chin, piece across my mouth that disfigured my mouth. You have scars here. Take away my eyebrows. It was my real hair. Shampoo was put in it that dried.”

“I don't care what color your hair is, if you're pale or tan, if you have makeup on or just woke up all I care about is that when I look at you, you always look back and see me. You're beautiful inside and out and if you wanted to tattoo all that pretty white skin from head to toe I would be honored to put it there for you but if not I'll take you all smooth and milky white any chance I get.”

“I never wash my hair the night before an event - I call it second day hair, and it holds better. Also, the day before, test run your makeup and watch it every couple of hours (see if your mascara is bleeding, or if your lip gloss runs out really quickly). Oh, and for me, shoe-wise, platforms give me the same height that I need, but they're not as taxing on my feet.”

“I have the weirdest job. The hair and makeup people were talking the other day about how weird their job is. And costumes, they have to be in people's faces and have to reach in their skirts to pull their shirts down and stuff. I was like, "You guys, I meet someone, I shake their hand, and then I kiss them. And sober. During midday. For money."”

“Remember I came to Albuquerque to do a hair and makeup test and wardrobe fitting; you guys were already shooting. It's tough when the movie's already started and you kind of show up. You're the new kid on the block. I walked onto the set and Tommy [Lee Jones] was about to do the scene. I just kind of walked up to him. I was shaking, but I just gave him this big hug and he just had nothing to say. He was like, 'Gotta go to work now.' I had a great time working with him."”

“I wanted Bow's hair and makeup and clothing to look like a woman who has four children, a career, and a full life. For example, she won't wear eyeshadow unless she's going out. Because it takes a lot of time to put eyeshadow on. She's a woman who has style, but it's all about functionality - she grabs stuff from her closet.”

“When you are on the set, you have different departments - you got camera, sound, props, hair, makeup, catering, executives. Imagine each one of those are spokes on the wagon wheel. All the spokes come into a hub: the hub is the director. The wood the spokes go into are distribution and promotion; the steel wheel around the hub is the film. None of these have anything in common with each other.”

“You can be obsessed with makeup and hair products and, you know, your appearance and still be absolutely making smart life decisions and work on your smarts, develop your smarts by studying something like math. Then you'll make much better decisions on the brands of clothing that you buy or whatever it is that you want.”

“For all the feminist jabber about women being victimized by fashion, it is men who most suffer from conventions of dress. Every day, a woman can choose from an army of personae, femme to butch, and can cut or curl her hair or adorn herself with a staggering variety of artistic aids. But despite the Sixties experiments in peacock dress, no man can rise in the corporate world today, outside the entertainment industry, with long hair or makeup or purple velvet suits.”

“I want someone who will adore me so much that they cannot even walk past me without touching me in some way. I want someone who will worship me, even when.. I'm sitting around in fluffy slippers with no makeup on and hair scraped back. I'm sick and tired of being on my own. Most of the time I'm fine. Some of the time I even quite enjoy it. But at this precise moment in time I'm fed up with it. I've had enough.”

“Hellooo.” I held out my arm. “An amethyst woman with blue hair is telling you this.” She reached out and scraped her short nails over my arm. I snatched my arm back. “Ow.” Not body makeup.” She frowned and peered at the roots of my hair. “A good die-job or you’ve really got blue hair.” For now,” I said. “I’m half Drow.” She raised an eyebrow. Dark Elves.” Uh-huhhhh.” During the day I look normal, like you.” With an amused look she held up her arm, showing her dark, golden skin. “You’re Kenyan and Puerto Rican?”

“I had always imagined myself hitching up on to my elbows on the delivery table after it was all over - dead white, of course, with no makeup and from the awful ordeal, but smiling and radiant, with my hair down to my waist, and reaching out for my first little squirmy child and saying its name, whatever it was.”

“People left a lot of things behind when they went in the water. Their clothes, their stuff, their makeup, their fixed-up hair, their voices, their hearing, their sight--at least as they normally experienced them....Some people lost their individuality in the water, but Riley always felt most herself. Water was supposed to symbolize renewal, she knew, but when Riley swam, pared down, alone, and unreachable--she felt a deeper sense of who she already was.”

“There was something about clowns that was worse than zombies. (Or maybe something that was the same. When you see a zombie, you want to laugh at first. When you see a clown, most people get a little nervous. There's the pallor and the cakey mortician-style makeup, the shuffling and the untidy hair. But clowns were probably malicious, and they moved fast on those little bicycles and in those little crammed cars. Zombies weren't much of anything. They didn't carry musical instruments and they didn't care whether or not you laughed at them. You always knew what zombies wanted.)”

“Jane was wearing a charcoal shift dress. The black dipped into a love V accented with a large black chiffon bow. A layer of delicate black lace peeked out from the bottom of her dress. Her long blond hair was pulled back tightly into a straight ironed ponytail. Her makeup was simple: coral blush on her cheeks and gunmetal shadow brushed under her blue eyes.”