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Hello Quotes

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Hello Quotes

“I first met Nelson Mandela when I was in my late 20s, in 1993. I was helping facilitate an African National Congress (ANC) workshop to plan its media strategy. I went down to meet him for the first time and you know me I got stupid... I just choked. I said, "Hello Madiba, it's a real honour to meet you," and I couldn't get another word out.”

“I was never ambitious. I just wanted to have quiet, calm, listen to public radio and say, hello, how are you? Sit down, rest. But I had an early partner named Fred Freeman, a wonderful writer who I met at Northwestern. And I thought we were doing very well with "Jack Paar," and he said, no, we got to go to Hollywood. We got to write sitcom. It's the coming thing.”

“I'd met Harrison Ford before, but he was just finishing a meet with Jon Favreau and the other producers on the film, and we said "hello" as he walked out and I walked in and sat down and had this meeting with those guys. They basically described what they were looking for, and they thought that I brought a certain amount of authenticity to the genre, and would I want to take part? And I said, "Absolutely! I'd love to!"”

“The local grocery store was a gathering, a community place. You knew the owner, if you didn't have any money they'd let you go for a couple days. You talked. It was a friendly place. Supermarkets are totally impersonal. I mean, you may say hello to the checkout girl or something, but the personal connections are all gone.”

“I don't know, it's very difficult if you're in a strange country to just barge in and say, "Hello, I'm Warren MacKenzie, and aren't you happy to have me as a guest," you know? But artists did accept us and we remained friends for many, many years, many of them as long as they lived; like Lucie Rie and Hans Coper were very good friends, and it was wonderful.”

“I told myself that if I hoped to write a book that helped people to take a good look at some of the names that have been written on their nametags, I would need to do the same. I had to write Hello, My Name Is from a place of authenticity, even vulnerability, being willing to let God show me areas of my life that have been incorrectly shaped by false identities I've allowed to hang around for too long. I truly felt like, 'if this book is helping me, then it's going to help someone else.'”

“When I saw how much the message of the song resonated with people I began to realize we're all on the same journey of discovering who we are. Why else would the bookstores be filled with self-help books? That's why I wanted to write Hello My Name Is; as a powerful reminder that when it comes to getting to the core of who we are, we simply can't help ourselves. Left to our own devices, we'll wander down a wide road filled with people slapping false identities on us at every turn. I've walked that road, and I don't want to anymore.”

“There were choices that we've made as a Little Dragon, that we had to make at the time because we needed the money. I think everything has its context. It is way easier to say no to things now then it was five years ago, for sure. Back then we were grabbing at every opportunity we could just to sustain a name and let people know, "Hello, hello! We're here! Look at us!" It's really sort of taken its time and grown, and it's been a very step-by-step process.”

“For the most part, 99 percent of jazz is boring; you've heard it before. People aren't doing anything creative that's extremely modern. They tend to always be like "Let's do a tribute to Miles Davis!" All the new albums are tributes to history. It becomes too much at a certain point, it leaves us waving like "Hello? I'm alive, I'm here!" You know? So I really do feel like it needs some spice, it needs to be relevant to today's times, today's people, today's sound.”

“I'm seeing myself as an outsider a little bit - definitely when I started the band. I knew what band's name meant and nobody else really did, so I'd be on stage every night and say, "Hello, we're Art Brut" - basically saying that we were rejects. But I mean, I didn't really sing, it did feel a bit like we were outsiders. It was a bit tongue-in-cheek when I first named the band that, but then we slowly turned into that - like a self-fulfilling prophecy.”

“Television is just amazing - how many people see it and how many people recognize you, and I think once you've had the opportunity and have been in front of the public, it's very flattering to have people come up and say hello to you. It's a tremendous industry. I've been in places where people come out of the woodwork. And you would never think - small towns in France or traveling through Europe - and there are so many of those people there that recognize you, and you've been in their homes. I find it to be a very flattering thing.”

“Churches can easily bring together, in a short period of time, a substantial number of people, and politicians have to assume that these folks have the potential to vote. Although there's supposed to be a separation of church and state, they want to go to these churches to say hello to the people, and they assume their hello might turn into votes.”

“I wanted to wear the most impenetrable suit of armour ever known to mankind. 'Hello, Mr. Rotten...' You can't say anything about me. You can't put me down in any way shape or form - I'm rotten to the core... you know, what's left for you? Pleasantries? I suppose the worst insult you could sling my way is 'Oh, he's really nice, him.'”

“After all, tomorrow is another day.”