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Late Quotes

“Sure must be a great consolation to the poor people who lost their stock in the late crash to know that it has fallen in the hands of Mr. Rockefeller, who will take care of it and see that it has a good home and never be allowed to wander around unprotected again. There is one rule that works in every calamity. Be it pestilence, war or famine, the rich get richer and the poor get poorer. The poor even help arrange it.”

“The Gettysburg Adress has been included, of late, in several anthologies of poetry. It actually meets the major requirement of all poetry: It is a mellifluous and emotional statement of the obviously not true. The men who fought for self-determination at Gettysburg were not the Federals but the Confederates.”

“When I first came to Washington in the 1960s, even at the height of the Vietnam War, until the end there in '68 there was a certain climate of cooperation. And then in the late sixties and in through the seventies, politics began getting more mean. And then from the eighties on it seemed to be institutionalized, this personal attack business. And I just hate it.”

“To thousands of elder women in the late sixties and early seventies [the private women's club movement] came like a new gospel ofactivity and service. They had reared their children and seen them take flight; moreover, they had fought through the war, their hearts in the field, their fingers plying needle and thread. They had been active in committees and commissions, the country over; had learned to work with and beside men, finding joy and companionship and inspiration in such work. How could they go back to the chimney-corner life of the fifties?”

“The idea that Christianity is basically a religion of moral improvement... has its roots in the liberal Protestantism of the late nineteenth century and early twentieth century... It is this stereotype which continues to have influence today... But then came the First World War... What had gone wrong was that the idea of sin had been abandoned by liberal Christianity as some kind of unnecessary hangover from an earlier and less enlightened period in Christian history.”

“There is a safe, nontoxic drug called naloxone that can instantly reverse opioid overdose and prevent most of these deaths. But the drug war interferes with saving overdose victims in two ways: first, because witnesses to overdose fear prosecution, they often don't call for help until it's too late. Second, because the drug war supports the belief that making naloxone available over-the-counter or with opioid prescriptions would encourage drug use, the antidote is available only through harm reduction programs like needle exchanges or in some state programs aimed at drug users.”

“Westbrook Pegler suggested that in the period, I think the late 40s, when the investigations of Communism were opening up during the Cold War, that she ought to be called and required to testify about what she knew. I remember he said, "Would the world vanish in a blast of flame if this old woman were subpoenaed and compelled to tell what she knows about the Communist Party's activities in the United States?"”

“There were the events of 1968 when young people began to ask their parents, what did you do in the war? And since the middle- or late-'70s, the French have been absolutely obsessed with the Vichy regime. They have an institute of contemporary history that turns out first-rate scholarly work. Their textbooks are accurate. Whether the students actually read them is another matter.”

“I'd been influenced by reading books on art and colonies that existed in Paris and places like that and so when I came to Europe I came to France and I had very little money, and I had to live low and stayed in a bohemian section of Paris with a lot of other students, who were from medical school, science school and art school. We all lived in a kind of communal way and I was challenged politically, because I didn't have a clue and they would ask me questions about the Algerian War, which was very big in France in the late '50s.”

“Of course, you have politics, the Vietnam war and all that monkey business. There are all kinds of reasons. At every one of those demonstrations in the late Sixties about the Vietnam war, you could guarantee there'd be a series of speeches. The ostensible purpose was to protest the war. But then somebody came up and gave a black power speech, usually Black Muslims, then. And then you'd have a women's rights speech. It was terrible to listen to these things.”

“When I began writing poems, it was in the late 60s and early 70s when the literary and cultural atmosphere was very much affected by what was going on in the world, which was, in succession, the civil rights movement, the antiwar movement, and the women's movement in the 60s, 70s, and into the early 80s. And all of those things affected me and affected my thinking, particularly the Vietnam War.”

“If you look back to the anti-intervention movements, what were they? Let's take the Vietnam War - the biggest crime since the Second World War. You couldn't be opposed to the war for years. The mainstream liberal intellectuals were enthusiastically in support of the war. In Boston, a liberal city where I was, we literally couldn't have a public demonstration without it being violently broken up, with the liberal press applauding, until late 1966.”

“The U.S. directed the war against South Vietnam. There was a political settlement in 1954. But in the late '50's the United States organized an internal repression in South Vietnam, not using its troops, but using the local apparatus it was constructing. This was a very significant and very effective campaign of violence and terrorism against the Vietminh - which was the communist-led nationalist force that fought the French. And the Vietminh at that time was adhering to the Geneva Accords, hoping that the political settlement would work out in South Vietnam.”

“All of Koons's best art - the encased vacuum cleaners, the stainless-steel Rabbit (the late-twentieth century's signature work of Simulationist sculpture), the amazing gleaming Balloon Dog, and the cast-iron re-creation of a Civil War mortar exhibited last month at the Armory - has simultaneously flaunted extreme realism, idealism, and fantasy.”

“Some may say that such a girl is not ready for a relationship with a man, especially a man in his late sixties. But to that I say: We don't know anything. We don't know how to cure a cold or what dogs are thinking. We do terrible things, we make wars, we kill people out of greed. So who are we to say how to love. I wouldn't force her. I wouldn't have to. She would want me. We would be in love. What do you know. You don't know anything. Call me when you've cured AIDS, give me a ring then and I'll listen.”

“He smiled at that, and then his gaze shifted to a spot over my shoulder and it faded. 'These doubts wouldn’t have anything to do with the company you’re keeping of late, would they?' I didn’t get a chance to answer before the shop door was thrown open and a furious war mage stomped in. Pritkin spotted me and his eyes narrowed. 'You shaved my legs?!' Mircea looked at me and folded his arms across his chest. I looked from one unhappy face to the other and suddenly remembered that I had somewhere else to be.”

“The battle, Sir, is not to the strong alone; it is to the vigilant, the active, the brave. Besides, Sir, we have no election. If we were base enough to desire it, it is now too late to retire from the contest. There is no retreat but in submission and slavery! Our chains are forged! Their clanking may be heard on the plains of Boston! The war is inevitable; and let it come! I repeat, Sir, let it come!”