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Mark Quotes

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Mark Quotes

“When a candidate for public office faces the voters he does not face men of sense; he faces a mob of men whose chief distinguishing mark is the fact that they are quite incapable of weighing ideas, or even of comprehending any save the most elemental - men whose whole thinking is done in terms of emotion, and whose dominant emotion is dread of what they cannot understand. So confronted, the candidate must either bark with the pack or be lost... All the odds are on the man who is, intrinsically, the most devious and mediocre.”

“Monarchy can easily be "debunked," but watch the faces, mark well the debunkers. These are the men whose taproot in Eden has been cut: whom no rumour of the polyphony, the dance, can reach - men to whom pebbles laid in a row are more beautiful than an arch. Where men are forbidden to honour a king they honour millionaires, athletes or film stars instead: For spiritual nature, like bodily nature, will be served; deny it food and it will gobble poison.”

“I love women who are bosses and who don't constantly worry about what their employees think of them. I love women who don't ask, "Is that OK?" after everything they say. I love when women are courageous in the face of unthinkable circumstances, like my mother when she was diagnosed with stage IV pancreatic cancer. Or like Gabrielle Giffords writing editorials for the New York Times about the cowardice of Congress regarding gun laws and using phrases like "mark my words" like she is Clint Eastwood. How many women say stuff like that?”

“I'm the king of the world, I am the greatest, I'm Muhammed Ali, I shook up the world, I am the greatest, I'm king of the world, I'm pretty, I'm pretty, I'm a baaaad man, you heard me I'm a baaad man, Archie Moore fell in four, Liston wanted me more, so since he's so great, I'm a make him fall in eight, I'm a baaad man, I'm king of the world! I'm 22 years old and ain't gotta mark on my face, I'm pretty, I easily survived six rounds with that ugly bear, because I am the greatest.”

“[Richard Avedon's] camera dwells on the horrible things that age can do to people's faces - on the flabby flesh, the slack skin, the ugly growths, the puffy eyes, the knotted necks, the aimless wrinkles, the fearful and anxious set of the mouth, the marks left by sickness, madness, alcoholism, and irreversible disappointment.”

“The interesting scope of Mark Twain's development as a human being is that he grew. He saw, he travelled, he studied this country and later the world with the eye of a man educating himself. This is a central fact in the Mark Twain legacy. He became an American spokesman for the ideals of racial equality and dignity for the working man because he was willing to look the world in its face and see, really see what was happening to the people in it.”

“I will love you always. When this red hair is white, I will still love you. When the smooth softness of youth is replaced by the delicate softness of age, I will still want to touch your skin. When your face is full of the lines of every smile you have ever smiled, of every surprise I have seen flash through your eyes, when every tear you have ever cried has left its mark upon your face,I will treasure you all the more, because I was there to see it all. I will share your life with you, Meredith, and I will love you until the last breath leaves your body or mine.”

“My friend wants to get moving and so do I,' Eddie said. 'We've got miles to go yet.' I know that. It's on your face, son. Like a scar.' Eddie was fascinated by the idea of duty and ka as something that left a mark, something that might look like decoration to one eye and disfigurement to another. Outside, thunder cracked and lightning flashed.”

“When you remember me, it means you have carried something of who I am with you, that I have left some mark of who I am on who you are. It means that you can summon me back to your mind even though countless years and miles may stand between us. It means that if we meet again, you will know me. It means that even after I die, you can still see my face and hear my voice and speak to me in your heart.”

“Whatcha doin', Freak Girl?" --------------------------- "What does it look like, brainiac?" I shot back, even surprising myself with the force of my jab. "I'll give you three guesses. No, wait. Don't strain yourself. Wouldn't want to hurt your head." I waved a flyer in his face, channeling my inner mean girl. "See these? I'm hanging them...on a...wall!" I spoke the last part slowly, as if addressing a dim-witted child. Which wasn't far off the mark, now that I thought about it. "With tape," I added, waving at the dispenser. "You know-sticky, sticky!”

“[Fireheart] was interrupted by a screech from Cloudtail. "Fireheart! Fireheart, Brightpaw isn't dead!" Fireheart spun around and raced across the clearing to crouch beside Brightpaw. Her white-and-ginger fur, which, she had always kept so neatly groomed, was spiky with drying blood. On one side of her face the fur was torn away, and there was blood where her eye should have been. One ear had been shredded, and there were huge claw marks scored across her muzzle.”

“I know Mark,' I reply. 'And I don't like him.' 'But I do. And part of being social means being civil to someone you don't like.' 'That's stupid. It's a huge world. why not just get up and walk away?' 'Because that's rude,' Jess explains. 'I think it's rude to stick a smile on your face and pretend you like talking to someone when in reality you'd rather be sticking bamboo slivers under your fingernails.”

“I wander thro' each charter'd street, Near where the charter'd Thames does flow, And mark in every face I meet Marks of weakness, marks of woe. In every cry of every Man, In every Infant's cry of fear, In every voice, in every ban, The mind-forg'd manacles I hear. How the Chimney-sweeper's cry Every black'ning Church appalls; And the hapless Soldier's sigh Runs in blood down Palace walls. But most thro' midnight streets I hear How the youthful Harlot's curse Blasts the new born Infant's tear, And blights with plagues the Marriage hearse.”

“He gazed amusedly down the table at Tessa. “You’re the shape-changer, aren’t you?” he said. “Magnus Bane told me about you. No mark on you at all, they say.” Tessa swallowed and looked him straight in the eye. They were discordantly human eyes, ordinary in his extraordinary face. “No. No mark.” He grinned around his fork. “I do suppose they’ve looked everywhere?” “I’m sure Will’s tried,” said Jessamine in a bored tone.”

“The wrinkled man in the wheelchair with the legs wrapped, the girl with her face punctured deep with the teeth marks of a dog, the mess of the world, and I see - this, all this, is what the French call d'un beau affreux, what the Germans call hubsch-hasslich - the ugly-beautiful. That which is perceived as ugly transfigures into beautiful. What the postimpressionist painter Paul Gauguin expressed as 'Le laid peut etre beau' - The ugly can be beautiful. The dark can give birth to life; suffering can deliver grace.”

“It’s all right,” she said. “You’re through.” “Jesus,” he finally managed, pushing water off his face. “Jesus Christ and John the Baptist. For that matter, Matthew, Mark, Luke, John.” Still not enough. He needed to reach back to the Old Testament for this. “Obadiah. Nebuchadnezzar. Methuselah and Job.” “Be calm,” she said, taking him by the shoulders. “Be calm. And there are women in the Bible, you know.” “Yes. As I recall it, they were trouble, every last one.”

“On consideration, it is not surprising that Darwin's finches should recognize their own kind primarily by beak characters. The beak is the only prominent specific distinction, and it features conspicuously both in attacking behaviour, when the birds face each other and grip beaks, and also in courtship, when food is passed from the beak of the male to the beak of the female. Hence though the beak differences are primarily correlated with differences in food, secondarily they serve as specific recognition marks, and the birds have evolved behaviour patterns to this end.”

“At first it was a bit strange and daunting to have to wear a mask, but afterwards I came to enjoy it. In warm conditions, though, it started to slip off my face. Other times they used this double-sided sticky tape, and I literally couldn't get it off my face. I would feel like I was ripping my face off and I had a lot of cuts and bruises because of it-huge red marks. People might think it was method acting.”

“Age is as much an asset for character players as it is for good wine. Human experiences, both good and bad, leave their marks on one's face and bearing. A few lines on the face and a few gray hairs coupled with the idiosyncrasies an actor adopts throughout life help out round out the actor's personality. So far as I'm concerned, the older a character actor gets, the firmer his position is.”

“When their adventures do not succeed, however, they run away; but it was the mark of a brave man to face things that are, and seem, terrible for a man, because it is noble to do so and disgraceful not to do so.”

“An argument is made that there are just too many question marks about the near future; wouldn't it be better to wait until things clear up a bit? You know the prose: "Maintain buying reserves until current uncertainties are resolved," etc. Before reaching for that crutch, face up to two unpleasant facts: The future is never clear and you pay a very high price for a cheery consensus. Uncertainty actually is the friend of the buyer of long-term values.”

“I knew I had him in the first round. Almighty God was with me. I want everyone to bear witness, I am the greatest! I'm the greatest thing that ever lived. I don't have a mark on my face, and I upset Sonny Liston, and I just turned twenty-two years old. I must be the greatest. I showed the world. I talk to God everyday. I know the real God. I shook up the world, I'm the king of the world. You must listen to me. I am the greatest! I can't be beat!”