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“It is to Titian we must turn our eyes to find excellence with regard to color, and light and shade, in the highest degree. He was both the first and the greatest master of this art. By a few strokes he knew how to mark the general image and character of whatever object he attempted.”

“When I was a student at Cambridge I remember an anthropology professor holding up a picture of a bone with 28 incisions carved in it. "This is often considered to be man's first attempt at a calendar" she explained. She paused as we dutifully wrote this down. 'My question to you is this - what man needs to mark 28 days? I would suggest to you that this is woman's first attempt at a calendar. It was a moment that changed my life. In that second I stopped to question almost everything I had been taught about the past. How often had I overlooked women's contributions?”

“Looking back on the long-stretched-out body of one's work, it is interesting to mark the endless duel fought within a man between the emotional and critical sides of his nature, first one, then the other, getting the upper hand, and too seldom fusing till the result has the mellowness of full achievement. One can even tell the nature of one's readers, by their preference for the work which reveals more of this side than of that.”

“Mark Tobey fills his canvases with elliptical, calligraphic lines, beautiful whirls that seem at first glance to be completely abstract and to come from nowhere at all except his own subjective musing. But I shall never forget how struck I was, on visiting Tobey's studio one day, to see strewn around books on astronomy and photographs of the Milky Way. I knew then that Tobey experiences the movement of the stars and solar constellations as the external pole of his encounter.”

“The Book, this Holy Book, on every line, Mark'd with the seal of high divinity, On every leaf bedew'd with drops of love Divine, and with the eternal heraldry And signature of God Almighty stamp'd From first to last; this ray of sacred light, This lamp, from off the everlasting throne, Mercy took down, and in the night of time Stood, casting on the dark her gracious bow; And evermore beseeching men With tears And earnest sighs, to read, believe and live.”

“The habits of a lifetime when everything else had to come before writing are not easily broken, even when circumstances now often make it possible for writing to be first; habits of years - responses to others, distractibility, responsibility for daily matters - stay with you, mark you, become you. The cost of discontinuity (that pattern still imposed on women) is such a weight of things unsaid, an accumulation of material so great, that everything starts up something else in me; what should take weeks take me sometimes months to write; what should take months, takes years.”

“But we must admit the possibility that continued investigation and experience will bring us ever nearer to that solemn moment, when the first man will rise from earth by means of wings, if only for a few seconds, and mark that historical moment which heralds the inauguration of a new era in our civilization.”

“By speech first, but far more by writing, man has been able to put something of himself beyond death. In tradition and in books an integral part of the individual persists, for it can influence the minds and actions of other people in different places and at different times: a row of black marks on a page can move a man to tears, though the bones of him that wrote it are long ago crumbled to dust.”

“It was fantastic to be able to have my kids on set. Dash, my eldest son, who’s not quite five, was into knights and his godmother had given him a plastic Marks & Spencer knights’ outfit and [first assistant director] Tommy Gormley said that he could stand to protect me during the scene where Clive [Owen] is talking about the immensity of sitting on the throne. I’m actually looking through an archway at my son standing in his knights’ costume protecting me!”

“When an archer desires to shoot his arrows successfully, he first takes great pains over his posture and aligns himself accurately with his mark. It should be the same for you who are about to shoot the head of the wicked devil. Let us be concerned first for the good order of sensations and then for the good posture of inner thoughts.'”

“You know I grew up on the Batman movies, and they had some terrific actors in, but you know a lot of the other ones - it wasn't always the case that you had people the caliber of Jeff Bridges or Robert Downey, so to kind of show up and work with Jeremy Renner or Robert or with Mark Ruffalo, any of them, Chris Evans, Chris Hemsworth, the caliber of people you're acting with, to me, is really fun. From the first day I started doing scenes with Robert, it's been one of the funnest experiences I've ever had.”

“During the fifteen or twenty years in which I tried - it was not always easy with publishers, newspapers, etc. - to forbid photographs, it was not at all in order to mark a sort of blank, absence, or disappearance of the image; it was because the code that dominates at once the production of these images, the framing they are made to undergo, the social implications (showing the writer's head framed in front his bookshelves, the whole scenario) seemed to me to be, first of all, terribly boring, but also contrary to what I am trying to write and to work on.”

“The Creator has not thought proper to mark those in the forehead who are of stuff to make good generals. We are first, therefore, to seek them blindfold, and then let them learn the trade at the expense of great losses.”

“True art and true science possess two unmistakable marks: the first, an inward mark, which is this, that the servitor of art and science will fulfil his vocation, not for profit but with self- sacrifice; and the second, an external sign, his productions will be intelligible to all the people whose welfare he has in view.”

“I feel that I'm an essayist and that my best work gets done in that form. I wanted to do a book where the essays could exist on their own terms. A book that was neither a book of essays that were shoehorned into a memoir, nor [one where] the essays had been published elsewhere first, [because] then they would kind of bear the marks of those publications.”

“I was just so honored to play the role of Cinderella and to just be the first African-American princess, that's just historic for me, that's such a mark in my life and my career and then the bonus of just working with my favorite person in the whole world, Whitney [Houston], like her voice just did something to my spirit.”

“I do not believe that it can be too often repeated that the freedoms of speech, press, petition and assembly guaranteed by the First Amendment must be accorded to the ideas we hate or sooner or later they will be denied to the ideas we cherish. The first banning of an association because it advocates hated ideas - whether that association be called a political party or not - marks a fateful moment in the history of a free country.”

“I went to graduate film school at NYU, and at first I didn't get a degree, because I took a scholarship that was supposed to pay my tuition, and I used it to make a film. For the longest time, I never actually graduated. And about 70 percent of the things I learned there I had to unlearn, but 30 percent was really valuable. It's like Mark Twain said, "Don't let school get in the way of your education."”

“The attention of a traveller, should be particularly turned, in the first place, to the various works of Nature, to mark the distinctions of the climates he may explore, and to offer such useful observations on the different productions as may occur.”

“Of course, with agriculture came the first big civilizations, the first cities built of mud and brick, the first empires. And it was the administers of these empires who began hiring people to keep track of the wheat and sheep and wine that was owed and the taxes that was owed on them by making marks; marks on clay in that time.”

“...she took her hand and raised her brush. For a moment it stayed trembling in a painful but exciting ecstacy in the air. Where to begin?--that was the question at what point to make the first mark? One line placed on the canvas committed her to innumerable risks, to frequent and irrevocable decisions. All that in idea seemed simple became in practice immediately complex; as the waves shape themselves symmetrically from the cliff top, but to the swimmer among them are divided by steep gulfs, and foaming crests. Still the risk must run; the mark made.”

“Once, in my father's bookshop, I heard a regular customer say that few things leave a deeper mark on a reader than the first book that finds its way into his heart. Those first images, the echo of words we think we have left behind, accompany us throughout our lives and sculpt a palace in our memory to which, sooner or later—no matter how many books we read, how many worlds we discover, or how much we learn or forget—we will return.”