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Materials Quotes

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Materials Quotes

“I might spend 100 pages trying to get to know the world I'm writing about: its contours, who are my main characters, what are their relationships to each other, and just trying to get a sense of what and who this book is about. Usually around that point of 100 pages, I start to feel like I'm lost, I have too much material, it's time to start making some choices. It's typically at that point that I sit down and try to make a formal outline and winnow out what's not working and what I'm most interested in, where the story seems to be going.”

“You have to get inside the people you are writing about. You have to go below the surface. And that's to a very large degree what all writers are doing - they're trying to get below the surface. Whether it's in fiction or poetry or writing history and biography. Some people make that possible because they write wonderful letters and diaries. And you have to sort of go where the material is.”

“Those titles, Executive Producer or actor, are unimportant. I always try to approach my role as an artist. The first thing you want to do, that you attempt to do as an artist, is to have some sort of input into the material that you are working on. That is how my process begins; I say to myself: "I want to do this kind of work or I want to do that kind of work."”

“To cover politics in Washington allows you to live in the very, very wide gap between what the actual truth is, and how people are trying to manipulate the truth. They speak in the language of spin, obsequiousness, obfuscation. The meta of politics is just this endless source of material that can shed light on the psychology of the process.”

“The animators are fantastic though. They'll shoot their own reference material, and just go into the car park or something. And they might shoot a very funny scene, or sometimes a serious scene. But they're really just trying to work out the motion. Yet what we get treated to is hilarious video of someone running around a parking lot with a broomstick and a helmet!”

“Novel-writing is a highly skilled and laborious trade. One does not just sit behind a screen jotting down other people's conversation. One has for one's raw material every single thing one has ever seen or heard or felt, and one has to go over that vast, smoldering rubbish-heap of experience, half stifled by fumes and dust, scraping and delving until one finds a few discarded valuables. Then one has to assemble these tarnished and dented fragments, polish them, set them in order, and try to make a coherent and significant arrangement of them.”

“The crime of liberation theology was that it takes the Gospels seriously. That's unacceptable. The Gospels are radical pacifist material, if you take a look at them . . . Liberation theology, in Brazil particularly, brought the actual Gospel to peasants. They said, let's read what the Gospels say, and try to act on the principles they describe. That was the major crime that set off the Reagan wars of terror.”

“So what needs to be done is to spread the idea that anxiety is inappropriate. It's sort of like we who are psychedelic have to function as sitters for society, because society is going to thrash, and resist, and think it's dying, and be deluded, and regurgitate unconscious material, and so forth and so on. And the role then, I think, for psychedelic people is to try and spread calm.”

“But what I've also really liked about it is that it not only has Marvel set about... if they just were slavishly trying to bring the comic books to life, literally, I don't the movies would work, because it's different to see something on screen in three dimensions with actors, and they kind of, I believe, are constantly trying to find a way to absolutely respect the source material and at the same time, transform it into something that works and that you believe on screen.”

“I don't have to change anything. I think that's the secret to comedy. You want to be universal and appeal to everyone. You want to put yourself in a position that no matter what you're talking about, everyone can relate to it and understand it, because it's an experience that everyone can go through. That's what I pattern my writing material and jokes after. I'm trying to maintain a level of realness that my fans can appreciate.”

“When I originally wrote "Jealousy," it was more like an exercise to try to write a girl-group kind of pop song. It was really contrary to most of the material I'd ever written. I didn't pay much attention to the song after I'd recorded it. I didn't really perform it at all the last 20 years. When it came time to make the new record, I decided to make peace with the song and have fun with it.”

“I think it started with both the shows and the box set from finishing White Material. I think we were also pretty desperate to get it released. We felt pretty proud of it, and it just escalated from there. We were thinking about playing some live shows, doing the soundtracks live. It was just trying to shine a little light on this 15 years of work we've done.”

“Mental illness is a real thing. It has real material consequences for people who suffer from it and at the time even the most biological finding reflects social context in very important ways, and so I think psychiatry is better off looking both at biology and at social context and really trying to think of the relationship between these and I think doctors and patients are better off that way.”