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Materials Quotes

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Materials Quotes

“A nervous excitability, a chronic exaltation of the passion, in which commingle the inferior life of the individual and its exterior manifestations, a state in which sentiment, idea, and will are confounded together, where for the lack of the powerful corrective of logic, the flights of imagination know no bounds, where life and human activity are deprived of a regulator, and move outside of material and concrete factors, by the sole interior force of the soul.”

“The documentary photographer aims his camera at the real world to record truthfulness. At the same time, he must strive for form, to devise effective ways of organizing and using the material. For content and form are interrelated. The problems presented by content and form must be so developed that the result is fundimentally [sic] true to the realities of life as we know it. The chief problem is to find a form that adequately represents the reality.”

“The most outstanding characteristic of Eastern civilization is to know contentment, whereas that of Western civilization is not to know contentment. Contented Easterners are satisfied with their simple life and therefore do not seek to increase their material enjoyment... They are satisfied with their present lot and environment and therefore do not want to conquer nature but merely be at home with nature and at peace with their lot.”

“Ultimate peace begins within; when we find peace within there will be no more conflict, no more occasion for war. If this is the peace you seek, purify your body by sensible living habits, purify your mind by expelling all negative thoughts, purify your motives by casting out any ideas of greed or self-striving and by seeking to serve you fellow human beings, purify your desires by eliminating all wishes for material possessions or self-glorification and by desiring to know and do God's will for you. Inspire others to do likewise.”

“It's never the same relationship. I see my job as filling in the blanks. Whatever it is that the artist lacks in the process of making a record, I'm supposed to fill that in. And sometimes it's a lot of stuff and I have to hector them about working on the material and that sort of thing. Sometimes you have an artist that's really fairly self-sufficient; they just need another ear to offer some objective criticism, but otherwise pretty much know what they're doing. It varies a lot.”

“I know what its like to direct. You become a more considerate actor. After you have directed, you understand what is going on. You can't help but think of the material as a director. You do come up with suggestions. You come up with shortcuts that you weren't aware of before. You try to be helpful to the director if he has a lot on his hands.”

“The life of the spirit is the expression of Infinity and, as such, knows no artificial limits. True spirituality is not to be mistaken for an exclusive enthusiasm for some fad. It is not concerned with any "ism." When people seek spirituality apart from life, as if it had nothing to do with the material world, their search is futile.”

“The focus of all life is its economy, the mode through which every living creature produces its material existence. I know no other criterion for the evaluation of social life except that of social economy. In society, just like anywhere else, the mode of production is the focus around which revolve all the modes of life: in the historical life of conscious beings, it is also the focus of all modes of consciousness.”

“Friendship is by its very nature freer of deceit than any other relationship we can know because it is the bond least affected by striving for power, physical pleasure, or material profit, most liberated from any oath of duty or of constancy. With Eros the body stands naked, in friendship our spirit is denuded.”

“I've never changed my approach to acting. I've always felt like I've gotten better. I think that all of us can get better. I feel like, in my acting, I'm better than I was three pictures ago. I think about it. I'm a slow study. It takes me a long time to grasp the material, in order to perform it. But when I come to the set, on the first day, I know the whole movie. That's why I have to start early.”

“In general, I feel, or I have come to feel, that the richest writing comes not from the people who dedicate themselves to writing alone. I know this is contradicted again and again but I continue to feel it. They don't, of course, write as much, or as fast, but I think it is riper and more satisfying when it does come. One of the difficulties of writing or doing any kind of creative work in America seems to me to be that we put such stress on production and material results. We put a time pressure and a mass pressure on creative work which are meaningless and infantile in that field.”

“Anyone who has attempted to create knows the hellishness of it, which consists in the final inescapability from it. Knows that anything, however deadly humdrum to drug the senses, is preferable to it. Knows the gigantic effort to get started on the boundless, unwieldy, shapeless material; the forest of hesitations; of what to keep and what to throw out; the running-out terror and reluctance in one of finishing.”

“I was in my late thirties and decided my intention in life had nothing to do with the acquiring of material things, but rather it was now my intention to experience the evolution of my own soul and to grow spiritually. I wanted to come to know the highest truths of life and to express those truths in action, through myself. I wanted to become the grandest version of the greatest idea I ever held about who I am in regards to my relationship with God.”

“The scientific attitude of mind involves a sweeping away of all other desires in the interests of the desire to know-it involves suppression of hopes and fears, loves and hates, and the whole subjective emotional life, until we become subdued to the material, able to see it frankly, without preconceptions, without bias, without any wish except to see it as it is, and without any belief that what it is must be determined by some relation, positive or negative, to what we should like it to be, or to what we can easily imagine it to be.”