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Materials Quotes

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Materials Quotes

“There is always, in the fine arts, a physical interface between the artist's esthetic vision and the material result he seeks. The interface may be the application of brush to canvas, chisel to marble, bow to string... It may be the control of voice in song or the control of body in dance. It is the mastery of the interface that comprises the artistry; it is what constitutes the 'art' in fine art.”

MayArtBodyArtistSongVoiceResultsVisionMaterialsMastersFineStringsApplicationMasteryBowsCanvasBrushesMarbleFine ArtsArtistryInterfacesChisels
Author:Robert Breault
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“The name of our proper connection to the earth is 'good work,' for good work involves much giving of honor. It honors the source of its materials; it honors the place where it is done; it honors the art by which it is done; it honors the thing that it makes and the user of the made thing.”

GivingArtMadeDoneEarthNamesWorkMaterialsSourceHonorConnectionsUsersGood Work
Book:Sex, Economy, Freedom & Community: Eight Essays
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“Forms in art arise from the impact of idea upon material... so that thinking and belief and attitudes may endure as actual things.”

ThinkingMayArtIdeasFormBeliefAttitudeMaterialsImpactEndureArise
Book:Ben Shahn: Paintings and Graphics : [exhibition] Santa Barbara Museum of Art, July 30, 1967-September 10, 1967; La Jolla Museum of Art, October 5, 1967-November 12, 1967 ; Art Association of Indianapolis, Herron Museum of Art, December 3, 1967-January 3, 1968
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“I found so-called great art too pompous, too stiff. What at this time was called minor art was freer, more imaginative, more open to all kinds of unorthodox expression, all kinds of daring in the handling of materials, and I preferred to surround myself with this type of art than with the great collectors' pieces. I had always in my mind that I was collecting for learning.”

MindKindArtFoundPiecesGreatnessExpressionMaterialsTypeAll KindsSurroundDaringMinorsGreat ArtImaginativeCollectingCollectorsPompousUnorthodox
Author:Jacques Lipchitz
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“That's the difference between the serious artist and the craftsman--the craftsman can take material and because of his abilities do a professional job of it. The serious artist, like Proust, is like an object caught by a wave and swept to shore. He's obsessed by his material; it's like a venom working in his blood and the art is the antidote.”

ArtJobsArtistDifferencesAbilityBloodObjectsSeriousMaterialsArt IsWaveCaughtObsessedShoreAntidoteCraftsmanVenomProust
Book:Truman Capote: Conversations
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“Our characteristic response to the mutilated statue, the bronze dug up from the earth, is revealing. It is not that we prefer time-worn bas-reliefs, or rusted statuettes as such, nor is it the vestiges of death that grip us in them, but those of life. Mutilation is the scar left by the struggle with Time, and a reminder of it - Time which is as much a part of ancient works of art as the material they are made of, and thrusts up through the fissures, from a dark underworld, where all is at once chaos and determinism.”

ArtMadeEarthLeftDarkStruggleMaterialsResponseChaosAncientCharacteristicsReliefWorks Of ArtScarWornRemindersRevealingStatuesThrustDeterminismUnderworldBronzeMutilation
Author:Andre Malraux
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“Marcel Duchamp, one of this century's pioneers, moved his work through the retinal boundaries which had been established with Impressionism into a field where language, thought and vision act upon one another. There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art... He declared that he wanted to kill art ("for myself") but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, a "new thought for that object."”

ThinkingArtWantedFormFoundLanguageVisionCenturyFieldsObjectsChangedMaterialsMovedComplexesDetailsBoundariesVisualsUnitsPersistentPioneersAlteredNew ThoughtFrame Of ReferenceImpressionism
Author:Jasper Johns
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“No age can have everthing and in material ways ours is more fortunate than any preceding one. Our ancestors appear to have mastered the art of living better than we are able to when an easy conscience, largely due to the unshaken faith of the time, left a marging of spiritual energy with which to enjoy life.”

WayArtAgeAbleSpiritualEnergyLeftEasyEnjoyMaterialsConscienceDuesFortunateAncestorEnjoy LifeArt Of LivingTime LeftSpiritual EnergyLiving Better
Author:Flora Thompson
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“If history could prove and teach us anything, it would be the private ownership of the means of production as a necessary requisite of civilization and material well-being. All civilizations have up to now been based on private property. Only nations committed to the principle of private property have risen above penury and produced science, art, and literature. There is no experience to show that any other social system could provide mankind with any of the achievements of civilization.”

IfsWellsMeanArtShowsWisdomWould BeLiteraturePoliticsNationsSocialPrinciplesTeachEconomyMankindMaterialsCivilizationProveAchievementPropertyCommittedProductionsWell BeingLiberalismOwnershipRisenPrivate PropertySocial Systems
Author:Ludwig von Mises
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“The only way a work of art can become great is for one to acknowledge that it doesn't belong to anybody. The greatness is in constantly giving back, coming to an acknowledgment of the source. Look back to the source of any individual, any process, any set of materials. If the individual personality can relinquish its insistence on concepts like this is mine, I did it, this is original, nobody else has done it, it goes straight for greatness or the essential spirit.”

IfsWayGivingLooksArtDoneSpiritIndividualProcessGreatnessMinesMaterialsSourcePersonalityEssentialsConceptsOriginalsPhotographerAcknowledgeWorks Of ArtGiving BackInsistenceAcknowledgmentIndividual Personality
Author:Paul Caponigro
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“The motion picture is like journalism in that, more than any of the other arts, it confers celebrity. Not just on people - on acts, and objects, and places, and ways of life. The camera brings a kind of stardom to them all. I therefore doubt that film can ever argue effectively against its own material: that a genuine antiwar film, say, can be made on the basis of even the ugliest battle scenes ... No matter what filmmakers intend, film always argues yes.”

PeopleWayKindArtMadeMatterFilmDoubtObjectsMaterialsSceneBattleBasesCamerasNo Matter WhatArguingGenuineJournalismFilmmakerMovieAntiwarMotion PicturesStardom
Author:Renata Adler
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“Of all the art forms, poetry is the most economical. It is the one which is the most secret, which requires the least physical labor, the least material, and the one which can be done between shifts, in the hospital pantry, on the subway, and on scraps of surplus paper. ... poetry has been the major voice of poor, working class, and Colored women. A room of one's own may be a necessity for writing prose, but so are reams of paper, a typewriter, and plenty of time.”

WritingMayHas BeensArtDoneFormVoicePoorRoomsSecretClassPovertyMaterialsPaperMajorsLaborPlentyProsePoetry IsHospitalsWorking ClassSubwayScrapTypewritersSurplusPantry
Author:Audre Lorde
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“Agriculture is the foundation of manufactures; since the productions of nature are the materials of art. Under the Roman empire, the labour of an industrious and ingenious people was variously, but incessantly employed, in the service of the rich. In their dress, their table, their houses, and their furniture, the favourites of fortune united every refinement of conveniency, of elegance, and of splendour, whatever could soothe their pride or gratify their sensuality.”

PeopleArtHouseUnitedHistoryRichMaterialsPrideDressesTablesFoundationFortuneProductionsSensualityEmpiresLabourAgricultureEmployedFurnitureEleganceRoman EmpireRefinementIngeniousIndustriousIncessantlySplendour
Book:The History of the Decline and Fall of the Roman Empire, 1: With Maps
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“Art is a high calling - fears are coincidental. Coincidental, sneaky and disruptive, we might add, disguising themselves variously as laziness, resistance to deadlines, irritation with materials or surroundings, distraction over the achievements of others - indeed as anything that keeps you from giving your work your best shot. What separates artists from ex-artists is that those who challenge their fears, continue; those who don't, quit.”

GivingArtMightArtistChallengesMaterialsCallingAchievementArt IsShotsAddQuittingResistanceDistractionLazinessExesSurroundingsDeadlineIrritationDisruptiveSneakyBest Shot
Book:Art & Fear: Observations on the Perils (and Rewards) of Artmaking
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“Filmmaking materials are in the hands of more people now than ever before. I would like to think that the more people have these tools, the more people will learn how to use them, it's another argument I would argue for, personally, for art's education. Because there are kids who aren't that literate in screen language and they've got to know how people select shots, how people edit audio, how people combine things to make what they see on the screen. It would be like the 15th century or the 16th century in Germany, and somebody amends a printing press and you don't know how to read and write.”

PeopleThinkingKnowsWritingArtUseHandsWould BeKidsLanguageKnow HowCenturyMaterialsShotsArgumentToolsPressesScreensArguingGermanyFilmmakingSelectEditsPrintingPrinting PressAudioAmends
Author:Murray Horwitz
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“Evolving Culture, Reality, as we perceive it, is largely shaped by the artifacts, both material and symbolic, of thought, thought that leads to creative manifestation in form and color. With that in mind, it might be suggested that the visual artist, - from commercial designer to fine art painter - has much to do with most things that enter your everyday visuals, and thus form a major portion of one's reality and, certainly, how this culture manifests and evolves.”

MindArtRealityMightFormArtistCultureCreativeColorMaterialsFineMajorsEverydayPainterEvolvePerceiveManifestationDesignerVisualsPortionsSymbolicFine ArtsVisual ArtArtifactsVisual Artist
Author:Robert Venosa
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