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“Though we feel extremely connected through all this technology [social networks], there's also this disconnect that happens. Because you're not actually talking to anyone. You're not actually meeting them for coffee. To me, social media is about "you". It's like, "Well, twenty people like this thing I said", so that's about me.”

“Thank god now for social media and just e-commerce. Now designers have a direct pipeline to their customer and access to her like they never had before, like they never could before. Clothes can happen now that never would have had a chance in the traditional chain of command of the way things worked.”

“I learned capacity for self-reflection very early, finding it through interior monologues that books are so good at and that visual media is so bad at because it's so boring - nothing's happening. In a book, you can be inside the narrator's head for 50 pages, and nothing needs to happen. Then you learn to be inside your own head without something needing to happen. It's a very good antidote to a crazy, restless, "what's next?" culture - that you can just be in your own head and nothing is happening except that this is a rich place. I love that.”

“Dutch beaches were known to me as man-made territories, as part of various land reclamation projects. But I was also interested in the media reality of the Moon landing. I wanted to use that event as a measure of time, to see what had happened in those thirty years - which happens to be my lifetime as well. I was born in 1967 and I remember seeing the Moon landing on TV when I was two. All those things were in play. Then it became a big production. It took five months to gather up the goodwill and make it happen.”

“A profound transformation is happening here. The framers of our nation never envisioned these huge media giants; never imagined what could happen if big government, big publishing and big broadcasters ever saw eye-to-eye in putting the public's need for news second to their own interests. I approach the end of my own long run believing more strongly than ever that the quality of journalism and the quality of democracy are inextricably joined ... .”

“It seemed from the media that we were being told that all Haitians had AIDS. At the time, I had just come from Haiti. I was twelve years old, and the building I was living in had primarily Haitians. A lot of people got fired from their jobs. At school, sometimes in gym class, we'd be separated because teachers were worried about what would happen if we bled. So there was really this intense discrimination.”

“I believe that part of what propels science is the thirst for wonder. It's a very powerful emotion. All children feel it. In a first grade classroom everybody feels it; in a twelfth grade classroom almost nobody feels it, or at least acknowledges it. Something happens between first and twelfth grade, and it's not just puberty. Not only do the schools and the media not teach much skepticism, there is also little encouragement of this stirring sense of wonder. Science and pseudoscience both arouse that feeling. Poor popularizations of science establish an ecological niche for pseudoscience.”

“Anyone working in the media can tell you that there seems to be an always-ready-to-explode segment of the populace for whom offense is a fate worse than anything imaginable. You'd think offense is one of the most calamitous things that could happen to a human being; right up there with the loss of a limb, or just missing a parking space.”

“I don't know if you've ever seen some of the Sidney Lumet movies, like Dog Day Afternoon [1975] or Network [1976]. They're real events that happen in real time, and there are all of these different characters experiencing the same thing in different parts of the movie ... I am so bad at explaining my films. But it's in the world of finance and the world of media, and how they connect. It was a big undertaking. A big, mainstream movie, which stars Julia Roberts and George Clooney. But for me, it's really just a small story about character and people.”

“For a long period of time, the media covered rap music and hip hop the same way they cover a lot of black people, people of color, you know, the bad news happens to be news. They used to have these little stupid colloquialisms that pop up like, "You know what? No news is bad news!" They trick the masses into thinking that any news is great for you. And I just think that's a piece of crap.”

“Go back and read Sinclair Lewis - It Can't Happen Here or Babbitt. For a guy or girl who's going to do an hour of political comedy, it might be a little rough, sure. But I think if you're spending 10 minutes or less, and you're talking about - not necessarily [Donald Trump] but his supporters and the media coverage, there's all kinds of angles to explore. It doesn't just have to be simply, "This guy is crazy!" It's more about the idea of that kind of guy rising to the prominence he has, to actually become the Republican candidate.”

“I want to say, however, one thing our media in America has done which didn't happen in other totalitarian states is it has very effectively stood up to Donald Trump who has obvious fascist tendencies and his - who's a temptation like all authoritarian figures to try to crush the media or make it obey him. As that - the media has, in fact, stood up to him and has refused to bow out or cower.”

“There are surely many ways that [media select and contextualise events determine the boundaries of public thinking] happens, but we can note at the most obvious level the way in which forms of resistance or violence get cast as "conflicts" that assume two sides that are fighting only against one another.”

“The system happens to be Washington and the way politics works, because whatever it is, it isn't working. It defies common sense. And part and parcel of this, right in the middle of it is the media and their lying and their distorting and their favoritism and their efforts to impugn and destroy people like us who want to stop this mess that's been progressing in a deteriorating way for way too many years.”