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Mines Quotes

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Mines Quotes

“I like the idea that within the structure of the song, some kind of built-in improvisation keeps them fragile and in their moment, so that I'm not projecting so much, so that my perception of the song doesn't interfere with what its real body is. Sometimes it's like telling a story that I heard in passing, and I don't want it to become completely mine.”

“I sometimes think, with a sad delight, that if one day, in a future I no longer belong to, these sentences, that I write, last with praise, I will at last have the people who understand me, those mine, the true family to be born in and be loved... I will only be understood in effigy, when affection no longer repays the dead the unaffection that was, when living.”

“Women are books, and men the readers be, Who sometimes in those books erratas see; Yet oft the reader's raptured with each line, Fair print and paper, fraught with sense divine; Tho' some, neglectful, seldom care to read, And faithful wives no more than bibles heed. Are women books? says Hodge, then would mine were An Almanack, to change her every year.”

“I played sometimes about as dull as you can play it. I did things the right way, you know. I think I modeled my playing ability after one of the all time greats, Joe DiMaggio. You always found Joe, when he played, you know, he always threw to the right base. He ran, he caught the ball. He did all the right things. He was an idol of mine in the outfield. He played the game the way it was supposed to be played.”

“In the condition of men, it frequently happens that grief and anxiety lie hid under the golden robes of prosperity; and the gloom of calamity is cheered by secret radiations of hope and comfort; as in the works of nature, the bog is sometimes covered with flowers, and the mine concealed in the barren crags.”

“When I see someone who reads something of mine and draws something out of it that's very different from my perspective, I think that's actually cool. Sometimes it's worrisome when you feel they badly misinterpret it, but it just says that they're thinking, and they're bringing their own interpretation to bear on it. [...] That's part of the wonderful thing about putting words into the world, and if I was worried about that, I couldn't be a writer.”

“I never pretend to be so superior a being as to be above having and indulging a hobby horse [her journal writing], and while I keep mine within due bounds and limits, nobody, I flatter myself, would wish to deprive me of the poor animal: to be sure, he is not formed for labour, and is rather lame and weak, but then the dear creature is faithful, constant, and loving, and though he sometimes prances, would not kick anyone into the mire, or hurt a single soul for the world--and I would not part with him for one who could win the greatest prize that ever was won at any races.”

“No one else can want for me. No one can substitute his act of will for mine. It does sometimes happen that someone very much wants me to want what he wants. This is the moment when the impassable frontier between him and me, which is drawn by free will, becomes most obvious. I may not want that which he wants me to want - and in this precisely I am incommunicabilis. I am, and I must be, independent in my actions. All human relationships are posited on this fact.”

“In terms of success and drive, I think some people are born with it, sometimes certain circumstances push you towards success... trying to prove people wrong. I'm not exactly sure where mine comes from, but, I have this thing inside of me that, when someone tells me that I can't do something, I become obsessed with proving them wrong. It's a weird thing.”

“I learned that you can go after things before you are ready and so if you are going after it, you need to make sure that your spirit is ready. I learned also how to surrender to His will and not mine. Sometimes when you are going through something - and I am a guy who runs campaigns - I can make this happen. There has never been a campaign where I was picked to win.. I was always coming from behind.”

“In the art of teaching, we recognize that ideas and insights need to cook over a period of time. Sometimes the student who is least articulate about expressing the ideas is in fact the one who is absorbing and processing them most deeply. This applies as well to our own private learning of our art form; the areas in which we feel most stuck and most incompetent may be our richest gold mine of developing material. The use of silence in teaching then becomes very powerful.”

“Geoffrey's personal style was very different from mine. He has a lovely speaking voice, a quiet speaking voice. But at Cabinet we always reported on foreign affairs - we always had this quiet voice. It was so quiet sometimes I had to say 'speak up'. And he gave it in a way which wasn't exactly scintillating. And you know, foreign affairs are interesting. They affect everything that happened to our own way of life, and they are exciting. And so we just diverged.”

“Walking your path doesn't mean you don't hurt, it means the pain is worth the progress. Sometimes you have to break something down in order to remake it, and that includes yourself, or it did for me. There were moments when I wept for an easier road, but in the end I would not trade my path for anyone else's. It is mine and the traveling of it has made me who I am, and continues to shape and remold me into the best, happiest, most productive, most playful me, I've ever been.”

“Actually learning ancient Greek was a brilliant practice of mine because you'd sit there and you'd read a sentence and sometimes it would take you a day, an entire day to figure out one sentence. But it really trains you to be analytical, to think in a certain way to try and interpret what something means. So I've been thinking like that my whole life and then I love Machiavelli and I love thinking about politics that way. So it's sort of all that put together and then the good luck to meet a man who is sort of interested in the same thing.”

“I do a job and am lucky enough to do a job that I love, but it is a hard one. I'm not saying it is as hard as working in a coal mine, but it is still difficult in a different way. Sometimes you have to go through very strong emotional journeys and then come back to yourself. And that can be difficult to control.”

“You should read something else." Why would he have done that to him?" I don't know," she said. Do you ever feel like Job?" She smiled, a little twinkle in her eyes. Sometimes." But you haven't lost your faith?" No," I knew she hadn't, but I think I was losing mine. Is it because you think you might get better?" No," she said,"its because its the only thing I have left.”

“Be not afeard; the isle is full of noises, Sounds, and sweet airs, that give delight and hurt not. Sometimes a thousand twangling instruments Will hum about mine ears; and sometime voices, That, if I then had waked after long sleep, Will make me sleep again: and then, in dreaming, The clouds methought would open, and show riches Ready to drop upon me; that, when I waked, I cried to dream again.”

“Above all, mine is a love story. Unlike most love stories, this one involves chance, gravity, a dash of head trauma. It began with a coin toss. The coin came up tails. I was heads. Had it gone my way, there might not be a story at all. Just a chapter, or a sentence in a book whose greater theme had yet to be determined. Maybe this chapter would've had the faintest whisper of love about it. But maybe not. Sometimes, a girl needs to lose.”