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“One of the many things I love about working with Ryan Murphy is that you're always thin-sliced in this business. You walk into a room and people want you to be how you look or how you're perceived or whatever it is in that 10 minutes that hey meet you. I think Ryan [Murphy] has an intuition that looks a little bit deeper and sees things that other people might not see in you - sometimes you might not even see in yourself - but that he knows are there and that he might want to get to grow and stretch with as an actor.”

“I think the biggest shift is the way people look at and have access to fashion. It's already old the minute you've seen it, and we've already moved on. Fashion has become very in and out. Back in the days when I started, you would wait for Vogue to come out, and that is where you would see what people wore that month. Now we are looking at what someone is wearing this second.”

“I was sitting here without a shirt on, absentmindedly scratching my back with a pen for about five minutes and I just looked in the mirror and saw that I had drawn a nice mural on my back. It looks kind of like a map of Wyoming, with all the rivers and mountain ranges, or maybe a portrait of Bob Marley. Yes. Tablature”

“If you look at the themes that he struck from the minute he started running for president through today, there is a very high level of consistency, and there is a sense that he is who he is. Obama's governing is completely consistent with the way he campaigned and the themes on which he campaigned, the issues he highlighted, the vision he shared.”

“If I had my life to live over again, I would have waxed less and listened more. ... I would have cried and laughed less while watching television ... and more while watching real life. ... But mostly, given another shot at life, I would seize every minute of it ... look at it and really see it ... try it on ... live it ... exhaust it ... and never give the minute back until there was nothing left of it.”

“First and foremost, my hats off to our directors and camera department. That is something I will miss after Longmire. I can't imagine working on another show that looks like this. We'll get the whole crew out on location and have a hundred people standing around, waiting for about 40 minutes, so that sun is just a little bit further in the sky and the light is hitting the cloud, in the perfect way.”

“The problem with movies and books is they make evil look glamorous, exciting, when it's no such thing. It's boring and it's depressing and it's stupid. Criminals are all after cheap thrills and easy money, and when they get them, all they want is more of the same, over and over. They're shallow, empty, boring people who couldn't give you five minutes of interesting conversation if you had the piss-poor luck to be at a party full of them. Maybe some can be monkey-clever, some of the time, but they aren't hardly ever smart.”

“When people get in your face and say, 'This will pass,' you think, Are they crazy? I'm never gonna feel any better than I feel right this minute and nothing's ever gonna make sense again... You see a lot of people play this blame game. Blame, blame, blame. You know? And it's a really easy thing to do, and I'm certainly guilty of it. [You have to] look at yourself and go, 'What part of this do I need to own? Which part of this is my responsibility?' And that's the painful work that you have to go through to hopefully get some real life knowledge out of it.”

“I'm not sure about this Live 8 thing. Correct me if I am wrong, but are they hoping that one of these guys from the G8 is on a quick 15-minute break at Gleneagles and sees Annie Lennox singing "Sweet Dreams" and thinks: "F... me, she might have a point there, you know." It's not going to f... happen, is it? Keane doing "Somewhere Only We Know" and some Japanese businessman going: "Aw, look at him...we should really f... drop that debt, you know." It's not going to happen, is it?”

“We do want the freedom to move scenes from episode to episode to episode. And we do want the freedom to move writing from episode to episode to episode, because as it starts to come in and as you start to look at it as a five-hour movie just like you would in a two-hour movie, move a scene from the first 30 minutes to maybe 50 minutes in. In a streaming series, you would now be in a different episode. It's so complicated, and we're so still using the rules that were built for episodic television that we're really trying to figure it out.”

“The Negro who experiences bitter and agonizing circumstances as a result of some ungodly white person is tempted to look upon all white persons as evil, if he fails to look beyond his circumstances. But the minute he looks beyond his circumstances and sees the whole of the situation, he discovers that some of the most implacable and vehement advocates of racial equality are consecrated white persons.”

“How many of you heard the voice of God speak specifically, clearly, directly, and personally, to you? Can you just put a hand up? I'd like you to share it. Can you put a hand up for a minute? Just want you to look around; that's people saying, "God Almighty, the Maker of heaven, the one Who's sitting on the only throne that's not under threat - He spoke to me. He spoke to me." "God spoke to me." Don't let the voice of the darkness tell you that you are not worth that God would not speak to you. Don't let him tell you, you don't matter. God spoke to you.”

“How could I resist? Look, I love that record and have nothing but great, great memories of my time with BLACK SABBATH . Tony was really busy but got his solos to me at the last minute as he promised and they are just fantastic. I think BLACK SABBATH fans will be over the moon when they hear what he's done. As for Roger and Ian , well, they just sound great on this song so it really did become 'Black Purple'. Personally, I love the irony of it all.”

“I reeled my head back, and with violent, uncontrollable contortions, I launched a spray of yellow, soupy duckfoot vomit into the air ... I (didn't see) where my regurgitated lunch had ended up after it'd been blasted from my throat. I booked it out of the now-befouled Chang'an Theater as fast as possible. (My guide) found me fifteen minutes later trying to look as casual as it is possible for a six-foot-two curly-haired white guy to look in a Beijing theater.”

“The minute you start arming people in these conflict zones, things don't go as expected. We also need to look at precedent before making these decisions. Instead of listening to Muammar Qaddafi's rhetoric, we should look at how he's behaved. The fact is he's been making concessions recently. He gave up his nuclear weapons. He allowed hundreds of Americans to evacuate Tripoli. Did he crack down on his people who revolted? Yes, but that's not so unusual.”

“Let's look at lending, where they're using big data for the credit side. And it's just credit data enhanced, by the way, which we do, too. It's nothing mystical. But they're very good at reducing the pain points. They can underwrite it quicker using - I'm just going to call it big data, for lack of a better term: "Why does it take two weeks? Why can't you do it in 15 minutes?"”

“If you look at the minutes of the constitutional convention - which we have - Madison who was the main framer, proceeded to develop a system in which - as he put it - power would be in the hands of the wealth of the nation, the more responsible set of men and who recognize the need to protect the rights of property owners. That's why in the constitutional system, the most powerful part of the whole system is the senate.”

“A lot of the letters that are coming in - a lot of them are queries or comments - are one sentence long... These are from Twitter. And if you look at the nature of those one sentence letters, most of the time it's something that came to somebody's mind - somebody walking down the street had a thought and sent it out. If they thought about it for two minutes they would not have sent it.”