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Moments Quotes

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“In playwriting, you've got to be able to write dialogue. And if you write enough of it and let it flow enough, you'll probably come across something that will give you a key as to structure. I think the process of writing a play is working back and forth between the moment and the whole. The moment and the whole, the fluidity of the dialogue and the necessity of a strict construction. Letting one predominate for a while and coming back and fixing it so that eventually what you do, like a pastry chef, is frost your mistakes, if you can.”

“What is a great man who has made his mark upon history? Every time, if we think far enough, he is a man who has looked through the confusion of the moment and has seen the moral issue involved; he is a man who has refused to have his sense of justice distorted; he has listened to his conscience until conscience becomes a trumpet call to like-minded men, so that they gather about him, and together, with mutual purpose and mutual aid, they make a new period in history.”

“If we think that we can secure our country by just talking tough without acting tough and smart, then we will misunderstand this moment and miss its opportunities. If we think that we can use the same partisan playbook where we just challenge our opponent's patriotism to win an election, then the American people will lose. The times are too serious for this kind of politics.”

“I look at it this way: How much of the day are you awake? You think, "I've gotta get that dry cleaning, I gotta get this going, and this, and this, and this." And all of a sudden it's dinnertime. And then there's a moment of connection with your spouse or your friends. Then you read and go to bed. Wake up and then it's the same all over. You're not awake, you're not living, you're not experiencing. We start early medicating ourselves. We start kids early, on TV and video games and so on.”

“There are moments in life where the question of knowing whether one might think otherwise than one thinks and perceive otherwise than one sees is indispensable if one is to continue to observe or reflect... What is philosophy today... if it does not consist in, instead of legitimizing what we already know, undertaking to know how and how far it might be possible to think otherwise?”

“People think that they have no right to judge a fact - all they have to do is to accept it. Thus from the moment that technics, the State, or production, are facts, we must worship them as facts, and we must try to adapt ourselves to them. This is the very heart of modern religion, the religion of the established fact, the religion on which depend the lesser religions of the dollar, race, or the proletariat, which are only expressions of the great modern divinity, the Moloch of fact.”

“I think if you asked people "what's the biggest problem in your life?" They'd say, "I just don't have time for anything!" And at our fingertips, if it isn't e-mail, it's our Blackberry, and it's our iPods and telephones - we never stop. We never take those moments to stop the stimulus to find out "what's going on in there? What's really happening?" And then things start to build up. And then we are almost afraid to slow down.”

“We've all had some level of injustice, whether 20 years in prison, or 20 minutes sitting in your car waiting for a police officer to determine your future. Or even a few moments in an elevator with some woman clutching her purse thinking you're going to rob her ¾ regardless of celebrity, that has happened to me.”

“He's a tremendous breath of fresh air. The things he [Pope Francis] has done in a short period of time: the fact that he does not live in a huge papal mansion and just dropped by in the dining room where ordinary people have meals. You think of his background, where he didn't use limousines in South America, that he used public transport. I'm so, so thrilled that he is there at this crucial moment in the history of our world.”

“I think the important thing to understand first and foremost about Michael Jackson is that he was the international emblem of the African American blues spiritual impulse that goes back through slavery - Jim Crow, Jane Crow, up to the present moment, through a Louis Armstrong, through a Ma Rainey, through a Bessie Smith, all the way to John Coltrane, Aretha Franklin and Nina Simone.”

“I think it's just that the private lives of our public leaders are so much more exposed today that if you're sensitive to protecting your family, it's much harder to not get defensive when somebody asks you those really rude questions about what your wife and your children are thinking and feeling at that exact moment.”

“I get the greatest joy from just doing anything, being an actor. Doing music, and doing what I love to do. I don't make a huge distinction between comedy and drama. I think the whole point is just trying to be as honest, from moment to moment, as you can be. If you're honest about the material, and the material is ridiculous, then you're in a comedy.”

“Well, method is, it seems to me, a natural growth out of a need, and from a need the modern artist has found new ways of expressing the world about him. I happen to find ways that are different from the usual techniques, which seems a little strange at the moment, but I don't think there's anything very different about it. I paint on the floor and this isn't unusual - the Orientals did that.”

“I suppose I ought to think up some dramatic, quotable phrase for Public Information and the history books, but I'm damned if any of them come to mind. Besides, admitting the truth wouldn't sound too good. The truth, Russell, is that now the moment's here, I'm scared shitless. Somehow I don't think even Public Information could turn that into good copy.”

“It was one of those times when you can feel the air in a room. Everything stood still. I can remember the T-shirt I was wearing and the bag I was carrying. I don't think I breathed for 15 minutes. It was a devastating moment. They said they wanted me to experience more things. OK. I began contemplating things. Maybe I should take LSD or become a hooker. I left Juilliard and was just meandering and drifting for a while. Thank God I had support from my family and close friends. Bad times.”

“No one escapes that moment of innocence when the world attacks him and installs within him the spirit of opposites... As long as everything within you is saying yes and no, dark and light, with big earth-shaking ideas, you come nowhere near art, I think. Light and dark don't exist for us as artists. Light is something given to you and you're allowing it to pass through.”

“You know, we have moments of passion when we are in pain. And then of course the moment ends, and with it the passion and the pain, and we forgive and forget. But I think that every time you hurt somebody that you care for, a crack appears in your relationship, a little weakening - and it stays there, dangerous, waiting for the next opportunity to open up and destroy everything.”

“I think that what these psychedelics do, is they actually do connect you to the whole circle. You stand outside of the moment from which you embarked on your psychedelic experience, and you see eternity like a vast landscape deployed in front of you. So what I think psychedelics are is they're about time, and they somehow make all time co-present.”

“One of the greatest sins in any story is false suspense. The kind of 'suspense' that disintegrates the moment you give your reader one second to think about it. And it's an easy trap to fall into, so watch carefully for it. If your story hinges on the question, 'Will Superman be pushed so far in his battle against Lex Luthor that he'll have to kill him?', or if your big cliffhanger moment is, 'Wow, is Spider-Man really dead this time?', then I understand Food Lion is hiring.”

“Caron, Even though you just got here a few months ago, We've grown so close over these last few weeks And, I can remember, When you first got here, You wrote a piece of paper in my locker... I don't know why I'm crying so much man... You wrote a piece of paper in my locker that said, "KD MVP." And that's after we had lost two or three straight. And I don't really say much in those moments, But I remember that. I go home and I think about that stuff man. When you got people behind you, You can do whatever. And I thank you man, I appreciate you.”

“When you're writing a script you have the option to embellish on life or switch the order of events or make it generally more cinematic. I would stick too closely to my own experience and not necessarily think about the fact that it needs to have an event happen. Realising that I could channel my own experience into a story that was slightly more cinematic was a very important moment for me - allowing myself to accept that the kind of screenwriting I'm doing is a work of fiction.”

“When some people look at a shrimp they think, "Hmm. Delicious." When I look at a shrimp I think, "You're a miracle, absolutely incredible. Your ancestors have gone back hundreds of millions of years." And to develop a thing as simple as a shrimp cocktail, you have to calculate the hundreds of millions of years that have preceded that moment where you're sitting there with your sauce and fork poised.”