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Moving Quotes

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Moving Quotes

“On the most usual assumption, the universe is homogeneous on the large scale, i.e. down to regions containing each an appreciable number of nebulae. The homogeneity assumption may then be put in the form: An observer situated in a nebula and moving with the nebula will observe the same properties of the universe as any other similarly situated observer at any time.”

MayMovingFormScienceUniverseNumbersPropertyScalesObservationAssumptionRegionsUsualObserversContainingLarge ScaleHomogeneousHomogeneityNebula
Author:Hermann Bondi
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“I observed once to Goethe that when a friend is with us we do not think the same of him as when he is away. He replied, "Yes! because the absent friend is yourself, and he exists only in your head; whereas the friend who is present has an individuality of his own, and moves according to laws of his own, which cannot always be in accordance with those which you form for yourself.”

ThinkingMovingFormLawIndividualityAbsentAbsent Friends
Book:The Art of Controversy: And Other Posthumous Papers
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“Last night I dreamed that I came face to face with a picture I had done and forgotten, a forest done in simple movement, just forms of trees moving in space. That is the third time I have seen pictures in my dreams, a glint of what I am striving to attain.”

DoneDreamLastsFacesMovingFormNightSimpleSpaceTreeMovementThirdsStriveForgottenForestsLast NightFace To FaceMoving InThird Time
Book:Hundreds and Thousands: The Journals of Emily Carr
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“Where do you put a form? It will move all around, bellow out and shrink, and sometimes it winds up where it was in the first place. But at the end it feels different, and it had to make the voyage. I am a moralist and cannot accept what has not been paid for, or a form that has not been lived through.”

FeelsFirstsDifferentEndsSometimesMovingFormAcceptingWindPaidShrinksVoyagesMoralist
Book:Philip Guston: Collected Writings, Lectures, and Conversations
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“Usually I draw in relation to my painting, what I am working on at the time. On a lucky day a surprising balance of forms and spaces will appear... making itself, the image taking hold. This in turn moves me toward painting - anxious to get to the same place, with the actuality of paint and light.”

LightMovingFormTurnsSpacePaintingBalanceLuckyDrawsRelationPaintAnxiousSurprisingActualityMethodologyLucky Day
Book:The drawings of Philip Guston
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“Organic life beneath the shoreless waves Was born and rais’d in Ocean’s pearly caves First forms minute, unseen by spheric glass, Move on the mud, or pierce the watery mass; These, as successive generations bloom, New powers acquire, and larger limbs assume; Whence countless groups of vegetation spring, And breathing realms of fin, and feet and wing.”

FirstsMovingFormBornGenerationsGroupsFeetMinutesOceanMassSpringWingsAssumingGlassesWaveBreathingRealmsAcquireUnseenMudCavesLimbsPierceVegetationFinsOrganic Life
Author:Erasmus Darwin
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“When human men hold an object that makes a powerful noise, or has moving parts, or spins around fast, or has a button they can push (which either screws or nails something) they become Gods in their own heads.They can do anything: they can eat through walls and bring buildings together to form mighty empires.They can build floating cities and flying tin cans.But they still can't make their own beds.”

MenHumansStillsTogetherMovingFormCan DoPowerfulCitiesObjectsBuildingWallBedFlyingNoiseEmpiresButtonsNailsFloatingScrewsTinMoving PartsTin Cans
Author:Craig Stone
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“We sift reality through screens composed of ideas . (And such ideas have their roots in older ideas.) Such idea systems are necessarily limited by language , by the ways we can describe them. That is to say: language cuts the grooves in which our thoughts move. If we seek new validity forms (other laws and other orders) we must step outside language.”

IfsWayIdeasRealityMovingFormLawOrderLanguageStepsCuttingRootsScreensOur ThoughtsValidityGroove
Author:Frank Herbert
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“Never did form more fairy thread the dance Than she who scours the hills to find it flowers; Never did sweeter lips chained ears entrance Than hers that move, true to its striking hours; No hands so white e'er decked the warrior's lance, As those which tend its lamp as darkness lours; And never since dear Christ expired for man, Had holy shrine so fair a sacristan.”

MenHandsMovingFormChristHoursWhiteDarknessFlowerHolyFairsEarsLipsDearWarriorHillsFairyThreadLampsEntrancesChainedShrinesExpired
Book:Madonna's child [a poem].
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“For the sake of my children and grandchildren, I hope that the human talent for self-destruction can be successfully controlled, or at least channelled into productive forms, but I doubt it. I think we are moving into extremely volatile and dangerous times, as modern electronic technologies give mankind almost unlimited powers to play with its own psychopathology as a game.”

ThinkingGivingHumansChildrenSelfPlayMovingFormGamesTechnologyDoubtModernMankindTalentDangerousDestructionSakeMy ChildrenProductiveControlledUnlimitedGrandchildrenSelf DestructionChildren And GrandchildrenPsychopathologyUnlimited Power
Author:J. G. Ballard
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“Galen , in the third section of his book, "The Use of the Limbs," says correctly that it would be in vain to expect to see living beings formed of the blood of menstruous women and the semen virile, who will not die, will never feel pain, or will move perpetually, or shine like the sun. This dictum of Galen is part of the following more general proposition: Whatever is formed of matter receives the most perfect form possible in that species of matter; in each individual case the defects are in accordance with that individual matter.”

FeelsBookMatterUseWould BePainMovingFormDiesIndividualPerfectCasesSunBloodThirdsShiningSpeciesFollowingVainSectionsPropositionsDefectsLimbsGalen
Book:The Guide for the Perplexed
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“All our moves are based on four general principles: continued use of the rifle, no waiving of historical rights, no peace, and no negotiations... Whatever form of government is established in the territory when the shadow of occupation passes away, whenever I address my fighters and revolutionaries, I shall say: 'Let our rifles be aimed at the beloved land, the land of the homeland, the land of Palestine.”

UseGovernmentMovingFormPrinciplesFourRightsLandShadowHistoricalFighterBelovedRevolutionaryAddressesOccupationTerritoryNegotiationPalestineHomelandPassing AwayForms Of GovernmentRifles
Author:Yasser Arafat
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“I have gained very great inspiration from the Cornish land- and seascape, the horizontal line of the sea and the quality of light and colour which reminds me of the Mediterranean light and colour which so excites one's sense of form; and first and last there is the human figure which in the country becomes a free and moving part of a greater whole. This relationship between figure and landscape is vitally important to me. I cannot feel it in a city.”

FeelsFirstsHumansImportantCountryWholeLightInspirationLastsMovingFormLinesCitiesQualityGreaterSeaLandFiguresLandscapeColourHorizontalFirsts And LastsMoving PartsHorizontal Lines
Author:Barbara Hepworth
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“Twentieth-century developments in science support a new animism. Developments in physics have led to a world of energetic events which seem to be self-moving and to behave in unpredictable ways. And recent studies in biology seem to demonstrate that bacteria and macromolecules have elemental forms of perception, memory, choice, and self-motion.”

WorldWaySelfSeemsMovingFormChoicesMemoriesSupportStudyCenturyEventsDevelopmentPerceptionPhysicsBehaveBiologyUnpredictableTwentieth CenturyEnergeticElementalsBacteriaAnimism
Book:God and Religion in the Postmodern World: Essays in Postmodern Theology
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“... not only is life put in new patterns from the air, but it is somehow arrested, frozen into form. (The leaping hare is caught in a marble panel.) A glaze is put over life. There is no flaw, no crack in the surface; a still reservoir, no ripple on its face. Looking down from the air that morning, I felt that stillness rested like a light over the earth. The waterfalls seemed frozen solid; the tops of the trees were still; the river hardly stirred, a serpent gently moving under its shimmering skin.”

StillsLightEarthFacesMovingFormFeltMorningAirTreeRiversSkinsPatternsCaughtSurfaceFlawsCracksStillnessFrozenArrestedMarbleRippleSerpentReservoirsWaterfallsLooking DownHares
Author:Anne Morrow Lindbergh
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“All my early memories are of forms and shapes and textures. Moving through and over the West Riding landscape with my father in his car, the hills were sculptures; the roads defined the form. Above all, there was the sensation of moving physically over the contours of fullnessess and concavities, through hollows and over peaks - feeling, touching, seeing, through mind and hand and eye. This sensation has never left me. I, the sculptor, am the landscape. I am the form and the hollow, the thrust and the contour.”

MindArtFeelingsHandsEyeMovingFormFatherLeftMemoriesSeeingCarShapesWestDefinedHillsLandscapeSensationsTouchingRidingSculptureHollowTextureThrustSculptors
Book:A Pictorial Autobiography
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“... at times they are good and quiet company, the dead; they will not interrupt your musings, but when they speak, whether they be Jews or Turks or heathens, they will speak in a tongue all can understand. there are even countries where the moving, breathing people are less intelligible, dwell in a world further apart form you, than that silent population under the earth.”

PeopleWorldCountryEarthMovingFormSpeakCompanyQuietSilentPopulationJewTongueBreathingMusingsHeathen
Book:Persian Pictures: From the Mountains to the Sea
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“Indeed, all things move, all things run, all things are rapidly changing. A profile is never motionless before our eyes, but it constantly appears and disappears. On account of the persistency of an image upon the retina, moving objects constantly multiply themselves; their form changes like rapid vibrations, in their mad career. Thus a running horse has not four legs, but twenty, and their movements are triangular.”

EyeRunningMovingFormCareersFourMovementObjectsAll ThingsAccountsHorseTwentiesMadLegsDisappearRapidsVibrationsProfile
Author:Giacomo Balla
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“I visited New York in '63, intending to move there, but I noticed that what I valued about jazz was being discarded. I ran into `out-to-lunch' free jazz, and the notion that groove was old-fashioned. All around the United States, I could see jazz becoming linear, a horn-player's world. It made me realize that we were not jazz musicians; we were territory musicians in love with all forms of African-American music. All of the musicians I loved were territory musicians, deeply into blues and gospel as well as jazz.”

WorldWellsMadeStatesMovingFormRealizingUnitedUnited StatesPlayerNew YorkBecomingMusicianJazzNotionAfrican AmericanRanTerritoryLunchOld FashionedHornsJazz MusicLinearDiscardedGrooveJazz MusicianAmerican MusicAfrican American MusicFree Jazz
Author:Joe Sample
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“What quality is shared by all objects that provoke our aesthetic emotions? Only one answer seems possible— significant form. In each, lines and colors combined in a particular way; certain forms and relations of forms, stir our aesthetic emotions. These relations and combinations of lines and colors, these aesthetically moving forms, I call ‘Significant Form’; and ‘Significant Form’ is the one quality common to all works of visual art.”

WayArtSeemsMovingFormCertainLinesAnswersCommonEmotionQualityObjectsParticularColorRelationSignificantCombinationVisualsAestheticProvokingVisual Art
Author:Clive Bell
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“Poetry and code - and mathematics - make us read differently from other forms of writing. Written poetry makes the silent reader read three kinds of pattern at once; code moves the reader from a static to an active, interactive and looped domain; while algebraic topology allows us to read qualitative forms and their transformations.”

WritingKindMovingFormPoetryThreeLiteratureWrittenReaderTransformationMathematicsSilentPatternsActiveCodeDomainStaticInteractiveQualitativeTopology
Author:Stephanie Strickland
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“There are many occasions when the muscles that form the lips of the mouth move the lateral muscles that are joined to them, and there are an equal number of occasions when these lateral muscles move the lips of this mouth, replacing it where it cannot return of itself, because the function of muscle is to pull and not to push except in the case of the genitals and the tongue.”

MovingFormNumbersCasesReturnEqualMouthsFunctionLipsTongueOccasionsMuscles
Author:Leonardo da Vinci
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“There is a continual exchange of ideas between all minds of a generation. Journalists, popular novelists, illustrators, and cartoonists adapt the truths discovered by the powerful intellects for the multitude. It is like a spiritual flood, like a gush that pours into multiple cascades until it forms the great moving sheet of water that stands for the mentality of a period.”

MindArtIdeasSpiritualMovingFormWaterPowerfulGenerationsPeriodsIntellectJournalistNovelistsMentalityMultipleFloodMultitudesSheetsCartoonistIllustratorsCascadeFlood Likes
Book:Art: Conversations with Paul Gsell
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