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No Problem Quotes

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No Problem Quotes

“Donald Trump is not stupid. He knows exactly what he's saying. And he's just saying out there - I mean, forget about Muslims. He said I could go down on Fifth Avenue in New York and shoot someone in the face and people - and the voters will have no problem with it. This transcends any kind of religion and any kind of belief. This is actually an offense and attack on human values. He's just saying out there I will shoot people in the face and people wouldn't care.”

“Up to now my involvement in the Tibetan freedom struggle has been part of my spiritual practice, because the issues of the survival of the Buddha Teaching and the freedom of Tibet are very much related. In this particular struggle, there is no problem with many monks and nuns, including myself, joining.”

“Of course, Sam [Fuller] was like, "No problem," because he treated it like a newspaper deadline. We worked long hours, often very late into the night, in his garage, which had been converted into an office. It was freezing cold outside and there was no heat in the garage, so he had a little space heater over by his side and I had a blanket that he graciously gave me to drape around my shoulders like a Navajo Indian. And he gave me cigars, too, of course.”

“In France now, there's no problem with official censorship. Once your movie is finished, you always are R-rated. My movie is just R-rated in France. But when you meet French producers with a script like mine, they behave like the most fragile chickens in the world. They just tell you "Oh, no. You should cut this. You should cut that." And at the end you have been totally censored on the synopsis, and then on the script.”

“I have no problem in asking a diner to leave for two reasons: 1. If they are rude to my staff. No one has that right. If we make a mistake, allow us to rectify it. 2. If they are loud and abusive at the table. They have no regard or respect for the other diners, who may have worked very hard to save up their cash to afford your prices.”

“I am secretive. Always have been. And one way that secrecy manifested in my early life was that I was adept at juggling multiple social realities: I could get by no problem in many social arenas (including that of high school), but also felt alienated and totally uninspired by everything that happened there.”

“I always wanna be able to fight, I always wanna be able to go left when they tell me to go right, not because I'm being hard-headed, it's just me taking a creative stance. I have no problem with constructive criticism, but, at the same time, I have a problem with doin' the same thing that everybody's doin'. And that's the way I've found a way to survive in the music game.”

“As far as my single selections, over the years it's been a very essential part of my survival tactic, but I have no problem being able to jump on records with whoever people think is the rawest rapper in the game or number one or King or whatever they wanna name themselves, to be honest with you. It doesn't affect me, 'cause that's what I come from; I'm comfortable in that zone. But I don't wanna make hood music, I don't wanna make street music, I want to make world music, global music, international music.”

“When someone tells me that they insist on having drinks with me, and there are some cultures where sealing the deal or celebrating or having a guest in the home, it is very traditional to slam down a couple shots or whatever the local grog is. I just tell them I'm allergic, which is not a lie, you know alcoholism and drug addiction in many ways are described as an allergy of the body and the mind. So I just tell them I'm allergic and they're like, "Oh, no problem."”

“Brad Pitt seems to have no problem getting parts that he wants, nor does Angelina Jolie. Not that I'm saying I look like either of them, but I just don't think that it has anything to do with that. It's the emotions or characters you are able to take on that will get you work, not necessarily the way you look. Obviously, beauty can open doors - it is Hollywood, after all - but that's not enough.”

“I think I entered the market around the time when there was getting to be less snobbery about the difference between feature films and television. I think there's been a lot more receptivity on television to interesting adult stories that in the '60s and '70s would have been made into feature films. I have no problem jumping back and forth. If anything, I find it less restrictive working in television.”