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Objects Quotes

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Objects Quotes

“The light for drawing from nature should come from the North in order that it may not vary. And if you have it from the South, keep the window screened with cloth, so that with the sun shining the whole day the light may not vary. The height of the light so arranged as that every object shall cast a shadow on the ground of the same length as itself.”

Ifs Should May Whole Light Order Sun Objects Shadow Window Shining South Casts Drawing Height Length Vary

Book:The notebooks of Leonardo da Vinci

Source: The notebooks of Leonardo da Vinci

“There is only one right way to draw... physical contact with all sorts of objects through all the senses.”

Way Objects Draws Drawing Senses Contact Right Way

Book:The Natural Way to Draw: A Working Plan for Art Study

Source: The Natural Way to Draw: A Working Plan for Art Study

“I have always directed my attempts at the figurative representation of objects by way of summary and not very descriptive brushstrokes, diverging greatly from the real objective measurements of things, and this has led many people to talk about childish drawing.. ..this position of seeing them (the objects) without looking at them too much, without focussing more attention on them than any ordinary man would in normal everyday life..”

People Men Way Real Attention Too Much Seeing Position Objects Normal Ordinary Everyday Drawing Objectives Representation Everyday Life Measurement Ordinary Man Summary

Author:Jean Dubuffet

“With respect to the use of this sparkling coloured material (butterfly wings around 1955, fh) - the constituent parts of which remain indistinguishable - with the aim of producing a very vivid effect of scintillation, I realised that, for me, this responds to needs of the same order as those that formerly led me, in many drawings and paintings, to organize my lines and patches of colour so that the objects represented would meld into everything around them, so that the result would be a sort of continuous, universal soup with an intensive flavour of life.”

“With experience it seems to be possible to control the flow of paint, to a great extent, and I don't use - I don't use the accident - 'cause I deny the accident... it's quite different from working, say, from a still life where you set up objects and work directly from them. I do have a general notion of what I'm about and what the results will be. I approach painting in the same sense as one approaches drawing, that is, it's direct.”

Stills Different Use Seems Causes Results Objects Painting Approach Flow Direct Paint Notion Deny Accidents Drawing Still Life Expressionism Abstract Expressionism

Author:Jackson Pollock

“As you are aware, no perceptions obtained by the senses are merely sensations impressed on our nervous systems. A peculiar intellectual activity is required to pass from a nervous sensation to the conception of an external object, which the sensation has aroused. The sensations of our nerves of sense are mere symbols indicating certain external objects, and it is usually only after considerable practice that we acquire the power of drawing correct conclusions from our sensations respecting the corresponding objects.”

“[Drawing should be] a journey of pleasure. Each step must present to the travellers' view objects that are eminently interesting, varied in their appearances, and attracting to such a degree as to excite in each individual thus happily employed the desire of knowing all respecting all he sees.”

Should Desire Individual Pleasure Interesting Views Steps Knowing Journey Objects Degrees Appearance Drawing Employed Traveller

Book:Writings and Drawings

Source: Writings and Drawings

“As for 'drawing you out,' please believe I don't do such things deliberately, with an object -- It's only that I am, as a rule, far more interested in people than they are in me -- But it makes me a nuisance, I know: only an innocent nuisance.”

People Knows Believe Objects Please Drawing Innocent Nuisance

Book:A Change of Perspective

Source: A Change of Perspective

“Photography is not only drawing with light, though light is the indispensable agent of its being. It is modeling or sculpturing with light, to reproduce the plastic form of natural objects. It is painting with light.”

Light Form Natural Objects Painting Photography Drawing Agents Plastic Indispensable Modeling

Book:A guide to better photography

Source: A guide to better photography

“"Real" drawing is about specifics. It's about describing an object as accurately as possible. In a comic strip you have to draw a picture of the idea of the object. You have to draw the word that you are picturing, then you have to mix in specifics with it for it to work as a story. But you are still working with drawn words.”

Stills Ideas Real Stories Objects Draws Drawing Comic Describing Comic Strips Specifics

Author:Chris Ware

“In the late 70's I started to make drawings of the ordinary objects I had been using in my work. Initially I wanted them to be ready-made drawings of the kind of common objects I had always used in my work. I was surprised to discover I couldn't find the simple, neutral drawings I had assumed existed, so I started to make them myself.”

Kind Made Wanted Used Simple Common Objects Ready Late Ordinary Drawing

Author:Michael Craig-Martin

“I've been creating work by silk-screening images of arms and legs and heads and objects on paper - like drawings of vegetables, guns, hats, whatever - and then also printing sheets of patterns, colorful polka dots and line drawing patterns.”

Lines Objects Arms Paper Creating Gun Patterns Legs Drawing Hats Vegetables Sheets Printing Silk Dots Colorful Screening Arms And Legs Polka Polka Dots

Author:Brian Chippendale

“The words represent ideas first of all. That is something you have to understand. I mean, it is not just an object, but it is an object with a history and it is loaded with all kinds of implications and ideas. They exist in the world in a very special way. So they kind of represent some aspect of the world that we perceive, as do photographs, as do drawings of trees or whatever. And they are not a one to one. They are not the world, but they kind of refer to the world and they also exist in the world.”

World Way Firsts Kind Mean Ideas Tree Special Objects Aspect Photograph Drawing All Kinds Perceive Implications Loaded

Author:Robert Barry

“I found out later on that was not true, that life drawing tells you a great deal about rhythm, about the structure of a human being or any animate object, and this could be directly translated into thinking about proportion and accent, rhythm in a pot form.”

Thinking Humans Form Found Human Beings Deals Objects Structure Drawing Rhythm Proportion Pot Accents

Author:Warren MacKenzie