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Objects Quotes

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Objects Quotes

“A text makes the word more specific. It really kind of defines it within the context in which it is being used. If it is just taken out of a context and presented as a sort of object, which is what - you know, which is a contemporary art idea, you know. It is like an old surrealist idea or an old cubist idea to take something out of context and put it in a completely different context. And it sort of gives it a different meaning and creates another world, another kind of world in which we enter.”

“The words represent ideas first of all. That is something you have to understand. I mean, it is not just an object, but it is an object with a history and it is loaded with all kinds of implications and ideas. They exist in the world in a very special way. So they kind of represent some aspect of the world that we perceive, as do photographs, as do drawings of trees or whatever. And they are not a one to one. They are not the world, but they kind of refer to the world and they also exist in the world.”

“No waving of enchanted wands but heightened perception. No magic objects, but a transformed and enhanced reality. No spells or chants, but the raw power of the human will to enact supernatural change upon the universal fabric. This is the kind of "magic" that fills Lords of Rainbow - elemental, organic, humanistic - an extension of reality.”

“I do object to the assumption that anything that might be outside of nature is ruled out of the conversation. That's an impoverished view of the kinds of questions we humans can ask, such as "Why am I here?", "What happens after we die?", "Is there a God?" If you refuse to acknowledge their appropriateness, you end up with a zero probability of God after examining the natural world because it doesn't convince you on a proof basis.”

“Language would have evolved first as an internal object, a kind of "language of thought" (LOT), with externalisation (hence communication) an ancillary process. I can't review here the strong and growing evidence to support this conclusion, but I have elsewhere. There are ample reasons why having a LOT would confer selectional advantage: the person so endowed could plan, interpret, reflect, etc., in ways denied to others.”

“As a sick kid, I always looked out the window. The objects of my observation were the sun, the seasons, the wind, crazy people, and my grandfather's death. During my long period of observation, I felt that something like poems were filling up my body. They were in some kind of state and condition that made them difficult to render into words. As a university student, I tried hard to write them in Korean. It was at that time that I foresaw my death and the world's death. I think my poems started at that time.”

“In reggae I have a model of artistic excellence and possibility that is challenging and inspiring. The poem remains a demanding thing - an object to be understood and shaped into my own sense of self, the same is true of the play, the novel, the short story. Yet, for some reason, I approach these existing genres with the kind of confidence that the reggae artist approaches any song floating around out there.”

“Various random experiments, cut-ups, fold-ins, juxtapositions, timed writings of other kinds, the "objects assignment" which involves dream, adventure, ancestry. Writing outside, writing on moving vehicles. Looking at paintings in the grand museums of the world in a proscribed way.Little strategies to keep the lalita - play or dance - going. Sometimes it's lonely you know, just you and your own imagination.”