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Obsession Quotes

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“Like Nietzsche's own writings on education, most of mine were relatively youthful ones. Both were inspired by a critical animus against prevailing trends in education: in Nietzsche's case, the production either of 'useless', dry-as-dust scholars or people 'useful' for the needs of an expanding industrial economy; in my case, a similar subjection of education to economic imperatives, but also to ideological obsessions, notably with promoting 'equality'.”

“If an epileptic seizure is focused in a particular sweet spot in the temporal lobe, a person won´t have motor seizures, but instead something more subtle. The effect is something like a cognitive seizure, marked by changes of personality, hyperreligiosity (an obsession with religion and feelings of religious certainity), hypergraphia (extensive writing on a subject, usually about religion), the false sense of an external presence, and, often, the hearing voices that are attributed to a god. Some fraction of history´s prophets, martyrs, and leaders appear to have had temporal lobe epilepsy.”

“What has happened to Africa is very severe. We are talking about the collapse of this and the collapse of that, of good government, of the economy particularly. And this has hit education badly. The news you get from the universities in Nigeria is often appalling. I don't think a lot of it gets out. There is the obsession with cults and all kinds of dreadful things going on and all this is taking its toll and it is not surprising that quality of students and graduates who come out is not good. It will not be surprising if this shows in the quality of work they do.”

“I'm in an odd place right now in New York where I routinely get trashed by every daily drama critic and have a few allies among weekly/monthly drama critics, and you sort of plot these things out and figure it out. But it's just what any writer goes through, periods of favor, periods of disfavor. And the trick is just to keep writing and to not let an obsession.”

“I think the point of obsession with food means we're healthy as a species. When we're hungry, everything tastes good, hunger is the best spice. When you're in a area that has few resources, you work incredibly hard to have something. And then you make the something taste good. The greatest food in the world comes from the inventiveness of great privation. What emerges is all the miraculous fermentations and all the strong flavors. You put it together in the right way, it's delicious. That defines survival, and our human species.”

“Yet it's true that looks matter in politics... It is also true that perfecting the outer shell has become an obsession in this country... Mitt Romney, Barack Obama and John Edwards almost always look good, and pretty much the same, in dark suits or casual wear. Fred Thompson always looks crepuscular and droopy. Often Hillary Clinton looks great, and sometimes she looks tired, heavier or puffier.”

“The '80s just had this sense of outrageous fun coupled with great stories and characters. Then there's the practical effects and buckets of gore in movies. These are movies that, for the most part, still stand up to this day. But I guess the real reason for my love and obsession with this period is these were my first horror movies. I was a teenager during the '80s and I think spending that part of your life in that particular time really has an impact on you for the rest of your life.”

“When looking at female body builders and reading about the industry and the culture, their bodies just break down. They end up having to get breast implants and not having menstrual cycles. The obsession of pushing your physical self way beyond what nature is expecting is really interesting. I liked the idea of these women; it's their career, but it's also their obsession.”

“At some point, you have to disconnect, if the obsession with playing a real person gets in the way of the movie at large. At the same time, we're all interested, as actors in trying to get as close to the real thing as we can, and whatever you can do in order to create that transformation feels fun and, for me, the furthest I can get away from myself is fun. It's all part of the costume, the accent, and all that stuff. It's about trying to get close without it being a detriment to the point of view of the story that you're trying to tell.”

“The truth about being a writer is you do not choose the stories you tell, but stories choose you. You do not choose, therefore, characters either. Novels are like dreams you dream with your eyes open; they are books which appear in your head with the same apparent immediateness as they appear in your dreams at night. A writer always writes their obsessions and the truth is that all throughout life we end up writing the same thing in different ways.”

“There's another little vision in my life, going into a restaurant in New York years ago: All the women are sitting in their little strapless dresses with their cleavage, and there's this one woman in a sleeveless turtleneck and pants. And I can tell you that every man in that restaurant looked at that woman's arms. It was hypnotizing when everything was covered up. Just the face, the conversation - and you see the arms. And the arms and the hands become an obsession. I like that.”

“These were always obsessions of mine, even as a very young child. These were things that interested me as the years went on. My friends were more preoccupied with social issues - issues such as abortion, racial discrimination, and Communism - and those issues just never caught my interest. Of course they mattered to me as a citizen to some degree...but they never really caught my attention artistically.”

“I believe everything is autobiographical. If it's not strictly about you, it's your peers, your obsessions, things that make you angry, or things that you've been watching or obsessing about. Preoccupying you for reasons you don't necessarily know, but it's about you. It says a lot about you. It's like when someone tells you their dream and you sit there going, "Do you realize how much you're revealing about yourself right now?" It's kind of embarrassing.”

“I feel that there are two kinds of writers. I feel that there are writers who are storytellers and then there are those just working out their obsessions. I think I'm a combination. I think, at least for these books, I'm going with fear. I've always been interested in fear. Fear is something I've dealt with in life, and I think it's the main motivating factor of everything, almost. From sex to politics.”

“I wrote the poems in Charms Against Lightning one by one, over almost a decade, and I did not write them toward any theme or narrative. But once I really got serious about putting together a book, I began to see that in fact there were themes across the poems, if only because my own obsessions had brought me back time and again to the same ground. I realized that any ordering of the poems would determine how those themes developed over the manuscript, and how the collection's dramatic conflicts were resolved.”

“I still feel like I don't know what I'm doing. Like, I'm unsure of what my life will be like. I mean, I have such an obsession with making movies that I probably will always do that. But sometimes my life can feel so suffocating, and then it can feel so massive, like I don't have a handle on it at all, and I don't know where it's going or what I'm going to do. Right now, I'm known for making movies. And I wonder if that's it. I don't know. It doesn't feel like it to me.”

“Almost all major scientific projects today are huge collaborations, yet we still have this public obsession with the idea of the individual scientific genius. One of my goals as a science communicator is to celebrate the collaborative dimensions of science, which I think will be critical for facing the ecological and resource challenges ahead. In a sense, we are all corals now.”

“The obsession with food filled my childhood - that's what happens when your parents are from a place or time where people really might starve. In America, my Jordanian father spent decades cooking professionally and pursuing his dream of a restaurant, and it was one of the central ways that he explained himself to his American children. Even though he's a passionate talker, he has a hell of a time with listening. His cooking gave him a way of having a conversation - which was a really interesting thing for a writer to look at.”

“In Germany, they were very interested in talking about their past. I respect that, and I think they've done quite well. It's become a kind of obsession, as it bloody well should, when compared, for example, to France, which hasn't done anything. France has done no work about their part in transporting eighty thousand people to their deaths. They are still the guy in the leather jacket with the onion, who's a part of La Résistance. In fact, they collaborated, not resisted.”