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“But veteran lawmakers torn apart by PTSD don't have a choice about being Exhibit A in the case against Washington politics. When you see what can happen to a page or a junior congressman, it passes on in a very real way, not in a history-class sense, that reality of what political power really is, .. Who are we to impose this emotional albatross on public servants? As a nation, we pretend to elect our leaders. It seems unjust to make them a special class to suffer for our sins over wrongheaded laws, or pay a continuing emotional price for securing their future careers.”

“I think people today are very cynical. They need to bring other people down. Reality television and tabloid magazines—never before did we need to see movie stars taking out their garbage. But all of a sudden, it's front-page news—trying to figure out who's dating whom, all that stuff. Who cares?”

“Rigorously investigated and fearlessly reported, A Crime So Monstrous is a passionate and thorough examination of the appalling reality of human bondage in today's world. In his devastating narrative, Ben Skinner boldly casts light on the unthinkable, yet thriving, modern-day practice of slavery, exposing a global trade in human lives. The abuses detailed in these pages are repugnant, but there is hope to be found: by giving voice to the victims, Skinner helps restore their dignity and makes crucial strides toward closing this shameful chapter in history.”

“Life's so ordinary that literature has to deal with the exceptional. Exceptional talent, power, social position, wealth.... Dramabegins where there's freedom of choice. And freedom of choice begins when social or psychological conditions are exceptional. That's why the inhabitants of imaginative literature have always been recruited from the pages of Who's Who.”

“Books, books, books in all their aspects, in form and spirit, their physical selves and what reading releases from their hieroglyphic pages, in their sight and smell, in their touch and feel to the questing hand, and in the intellectual music which they sing to the thoughtful brain and loving heart, books are to me the best of all symbols, the realest of all reality.”

“Of course I know that the twins are only words on a page, and I'm certainly not the sort of writer who talks to his characters or harbours any illusions about the creative process. But at the same time, I think it's juvenile and arrogant when literary writers compulsively remind their readers that the characters aren't real. People know that already. The challenge is to make an intelligent reader suspend disbelief, to seduce them into the reality of a narrative.”

“Making reality real is art's responsibility. It is a practical assignment, then, a self-assignment: to achieve, by a cultivated sensitivity for observing life, a capacity for receiving impressions, a lonely, unremitting, unaided, unaidable vision, and transferring this vision without distortion to it onto the pages of a novel, where, if the reader is so persuaded, it will turn into the reader's illusion.”