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Poetry Quotes

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Poetry Quotes

“There is a miracle in your mess, don't let the mess make you miss the miracle.”

“Walking causes a repetitive, spontaneous poetry to rise naturally to the lips, words as simple as the sound of footsteps on the road. There also seems to be an echo of walking in the practice of two choruses singing a psalm in alternate verses, each on a single note, a practice that makes it possible to chant and listen by turns. Its main effect is one of repetition and alternation that St Ambrose compared to the sound of the sea: when a gentle surf is breaking quietly on the shore the regularity of the sound doesn’t break the silence, but structures it and renders it audible. Psalmody in the same way, in the to-and-fro of alternating responses, produces (Ambrose said) a happy tranquillity in the soul. The echoing chants, the ebb and flow of waves recall the alternating movement of walking legs: not to shatter but to make the world’s presence palpable and keep time with it. And just as Claudel said that sound renders silence accessible and useful, it ought to be said that walking renders presence accessible and useful.”

“God can take the ordinary and create the extraordinary. Our incredible God has the power to transform your simple life and give you the life of your dreams. Remarkable things happen in your life when you believe.”

“Blinding, mineral, shattering silence. You hear nothing but the quiet crunch of stones underfoot. An implacable, definitive silence, like a transparent death. Sky of a perfectly detached blue. You advance with eyes down, reassuring yourself sometimes with a silent mumbling. Cloudless sky, limestone slabs filled with presence: silence nothing can sidestep. Silence fulfilled, vibrant immobility, tensed like a bow. There’s the silence of early morning. For long routes in autumn you have to start very early. Outside everything is violet, the dim light slanting through red and gold leaves. It is an expectant silence. You walk softly among huge dark trees, still swathed in traces of blue night. You are almost afraid of awakening. Everything whispering quietly. There’s the silence of walks through the snow, muffled footsteps under a white sky. All around you nothing moves. Things and even time itself are iced up, frozen solid in silent immobility. Everything is stopped, unified, thickly padded. A watching silence, white, fluffy, suspended as if in parentheses.”

“In the Light of your Wisdom, You Shine. In the Midst of your Truth, Your Faith is Evident. From inside your Spirit, You are Love.”

“Do you know where your breakthrough begins? Your breakthrough begins where your excuses ends.”

“It’s the poet we love in Caeiro, not the philosopher. What we really get from these poems is a childlike sense of life, with all the direct materiality of the child’s mind, and all the vital spirituality of hope and increase that exist in the body and soul of nescient childhood. Caeiro’s work is a dawn that wakes us up and quickens us; a more that material, more than anti-spiritual dawn. It’s an abstract effect, pure vacuum, nothingness.”

“But walking causes absorption. Walking interminably, taking in through your pores the height of the mountains when you are confronting them at length, breathing in the shape of the hills for hours at a time during a slow descent. The body becomes steeped in the earth it treads. And thus, gradually, it stops being in the landscape: it becomes the landscape. That doesn’t have to mean dissolution, as if the walker were fading away to become a mere inflection, a footnote. It’s more a flashing moment: sudden flame, time catching fire. And here, the feeling of eternity is all at once that vibration between presences. Eternity, here, in a spark.”

“I wish I could run into the world’s arms. Linger within the spaces between nothing. I wish I could filter out of existence. To live quietly without dying. I wish I could be cherished by life itself. To speak and sing volumes without lying to myself.”

“Did I love her? No. I obsessed over her completely. And thank heavens I was obsessed. Obsession, infatuation, is something short-lived. A sweet fever dream that leaves you exhausted from the high. Love is perpetual. Love is an entire world compared to that other form of mania people mistake love for. If love is loving the reality of a person, obsession is idealising the fantasy of another. Did I love her? No. Never. But I was utterly obsessed.”

“A death in reverse is the rewinding of life. I do not die of old age, in a bed surrounded by strangers my loved ones paid to take care of me. I die in reverse. I die falling back into a younger age. From my forty-five years to twenty-five. To sixteen. When we were in love. To fourteen: when we first met. To five. To one. To the hospital my mother died at from the complications of my existence. A life for a life.”

“I wanted to give you something that would last forever. Something that would surpass the world, that would still be alive and bright even after you passed away. Something beautiful. For your eyes and smile only. But I never found it. All I could give you is words. Words which were as fleeting as the heartbeats that shook my soul whenever you looked my way.”

“The truth is there isn’t anything to me at all. All I know is that I can’t sleep well, I can’t dream well and I’m quite in love with you. That’s all there is to me. My greatest feature is my admiration for you. I know it’s not healthy. Like my insomnia. Like my dreamless nights. You make living alright. My nightmares come when I think of a night without Valeria. That’s when I realise you’re dead. That’s when I remember you’ve been gone for years. That’s when I remember I’m awake. And I wait for this dream called Life to leave me to my peace once and for all and forever.”

“There are no humans left. I should not be alone. I can’t help but wonder that. There were so many of us living. But time started growing young four years ago. It isn’t four years anymore. It’s a number I wouldn’t even be able to say. It feels like four years. It’s trapped in my tender memory as four years. It’s been an age. Multiple ages. It’s been lifetimes; every single lifetime that used to exist. I remember my mother screaming. I recall the doctors naming me as nurses wiped away her blood and covered her face with white. The end of the play. It’s been so long. Why am I alone?”

“I recall my life every day. I recall my sins and my acts of purity. I remind myself I was never a religious man. I remind myself that I have been dead for half of forever. I remind myself of nothing. I move along to the next minute. Next day. Next year. The earth doesn’t change so much anymore. It doesn’t change so quickly. With humans, the earth had to keep changing. But you can only replace a dying thing so many times before someone notices. There haven’t been humans for years. Maybe a decade. Maybe more. I find myself loving their absence. The absence of humanity is the absence of violence. I love this peace. But then I remember my bones. My mind and my memories. I remember I’m human. I am the thing I detest. The creature that haunts my steps. It’s my shadow I see watching me. It’s my reflection in the water. I keep remembering. I live in fear. But still, I walk on.”

“Four years ago the clocks started turning back. I open my eyes and see nothing. I feel nothing below or above me. I feel the absence of things. The absence of my flesh, my bones, my body, my mind. All that is left is awareness. I see nothing but the absence of colour. It’s not a black darkness. It’s simply nothing. The interior of a black hole. I recall news of a black hole lingering along the edges of our solar system. All that time ago. Four years ago. When the clocks started turning back. I hear nothing. Until there is a something. A small thing. A voice. I listen. There are more voices. The sounds are human. How long has it been since I’ve heard a human? The sounds scratch along my now present attention. They carve into my hearing. They are horrid, wretched things. Voices screaming. Growing loud and desperate. How many voices? Billions. This is the birth of our species. We are born screaming. It’s all we know to do. We have screamed for eternity. Within this empty space.”

“I begin my life. I live again. I meet a young girl called Valeria. She smiles easily. She laughs tender sounds that pull at my heart. I’m too young to be profound but she makes me feel so safe. So cherished. I am thirty years old. I bump into a woman I knew when she was a girl. Valeria looks annoyed to see me. She lives in the future. Where the world is turning. I live within the past. Where the people are trapped and screaming and alone. I live within the past when Valeria and I were in love. She’s waiting for the cab to come, her foot tapping against the sidewalk. Her eyes glancing at her watch every few minutes. I’m eager to reunite our lives through some kind of friendship. I’m so eager to know her again, as she was when she was a child. But Valeria lives within the future. I live within the past. Have the two ever gotten along? Have they ever even met?”

“But I can’t control my dreams. I can’t even remember them. For all I know I’m having the time of my life when I sleep, but I just can’t remember. So I’m forced to live in a life I have no control over. A life where I’m either numb to everything or terrified of every thought that crosses my mind. If this is all just a dream, then it sure is a disappointing one. But I still have time to try and control my dreams. I have time to try and make my dreams a reality in this waking life as well. The one bloody thing I have is time. I’ve got to remember that. I still have time. And despite everything, there is something reassuring about that.”

“He is a type of our best — our rarest. Electrical, I was going to say, beyond anyone, perhaps, ever was: charged, surcharged. Not a founder of new philosophies — not of that build. But a towering magnetic presence, filling the air about with light, warmth, inspiration. A great intellect, penetrating, in ways (on his field) the best of our time — to be long kept, cherished, passed on... It should not be surprising that I am drawn to Ingersoll, for he is 'Leaves of Grass.' He lives, embodies, the individuality I preach. 'Leaves of Grass' utters individuality, the most extreme, uncompromising. I see in Bob the noblest specimen —American-flavored—pure out of the soil, spreading, giving, demanding light. {Whitman's thought on his good friend, the great Robert Ingersoll}”

“UNDIVIDED I am for One world undivided. One world without fear and corruption. One world ruled by Truth and Justice. I am for One peaceful world for all, Where hate has been overcome by love, And everyone is guided only By their conscience.”