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Relate Quotes

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Relate Quotes

“I consider it as a foreshadowing of modernity in many different respects, and the consistency of character is interesting to the emerging modern psychology. The emphasis on dream knowledge relates quite deeply to psychoanalysis, although I suppose psychoanalysis wouldn't like to say that... Freud was always saying he was a scientist.”

“As a male, I thought the female voice was so strong, unique, real and accessible to most females. In some way, shape or form, they felt like they could relate to it, on some level, because they went through some form of unspeakable horror like what Kilgrave did to Jessica [Jones]. That, in itself, is something that most people shy away from, even in shows that are on cable or in movies.”

“I remember reading a book that was on songwriting at some point that I found in my dad's store, and just... I did not relate at all. I've always hated structure of all kinds, it just doesn't work for me. I can never fit into the schedules of other people. It's like putting a schedule on your song, and it doesn't allow you to be moved by your own music.”

“I'm not going to try to be too young because at the end of the day, I'm not 20 anymore. I don't want to sound corny or look corny doing young things. All the stuff that the kids are doing, that's not my place. I believe that everyone followed me back then, they're still here. That's who I'm trying to talk to and relate to. All the trap music and all of that, it's great but I can't do that. I'm going to stay vintage Ginuwine and stay at the place that got me here. That's what people want.”

“I think the best thing about music is that someone could be writing a song that's so personal, and it tells so many other people's story at the same time. It kind of exemplifies that we are all kind of on the same wave[length] - it's amazing how comforting somebody else's story can be, because we have experienced their story in some way or another, and I can totally relate, and I get to feel that feeling and the expression of that emotion. I get to feel like as a listener, that somebody understands me, which is pretty incredible.”

“Maybe, through the stories I share about my life and others and the medical research that has been dedicated to the world of positive psychology, they'll relate to the power of a positive perspective and change the world one person at a time. Pipe dream, of course, but I love the thought of being given the chance to inspire!”

“I was selling a piece of my art on eBay from The Escapist, which was an adaptation of The Adventures of Kavalier and Clay, and the person who bought it was Alan Heinberg, one of the executive producers of the show and was a huge fan of my work and asked if I'd be interested in maybe being the ghost artist for Seth. It clicked and I could relate to Seth's plight on the show. It became really easy to fill in his shoes, and people really grabbed onto it; they really dug that sort of very minor sub-plot in the show.”

“The fifth doorway to experiencing Love for No Reason is the Doorway of Communication, which corresponds to the energy center located in the throat area. This doorway relates to speaking and listening with compassion, rather than judgment. There are some wonderful tools and techniques available to help us speak and listen with compassion that I've included in this chapter.”

“You can't relate to an absolute or it wouldn't be absolute, it would be relative. On an intellectual level, that's easy. However, you hear theologians in the theistic traditions talk about absolute God, and I saw God, or God spoke; speaking, being seen, these are all relational things. So what is absolute about such a being, wouldn't actually be absolute.”

“There's a disciplined erotic component to it, so that the height of sexual contact is the embrace, the modest touch, a relatively chaste kiss. An important passage from the surviving 1942 diary (one I quote in the book) relates this mode of sexual expression to his own life. Mann had returned to his diary for 1927 (one of those he burned) and to his parting from the young man, Klaus Heuser, whom the family had met on holiday and invited to Munich.”

“I've always been a fan of [Mary Elizabeth Winstead's]. She gets to do some fun action-y stuff she brings this gritty swashbuckle to. I think there's a lot of movies that have women in peril running away from the scarier things and then end up being saved by a man, so it's great to see this character MacGyver her way out of situations, whether physically MacGyvering away, or mentally MacGyvering a way out of something. I relate to her more than I relate to most leading men in movies.”

“One thing is funny because my grandparents are going to come see the show and my mom was concerned that they wouldn't understand, because so much of it is Internet-based. Our generation specifically really relates to it, because we were the first people to discover the Internet and most of us can maybe navigate the Internet better than our parents can. All this information you could ever possibly know is right at our fingertips, not to mention the fact you can meet anyone!”