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Sea Quotes

“The spring rains woke the dormant tillers, and bright green shoots sprang from the moist earth and rose like sleepers stretching after a long nap. As spring gave way to summer, the bright green stalks darkened, became tan, turned golden brown. The days grew long and hot. Thick towers of swirling black clouds brought rain, and the brown stems glistened in the perpetual twilight that dwelled beneath the canopy. The wheat rose and the ripening heads bent in the prairie wind, a rippling curtain, an endless, undulating sea that stretched to the horizon.”

“A poem, being an instance of language, hence essentially dialogue, may be a letter in a bottle thrown out to the sea with the-surely not always strong-hope that it may somehow wash up somewhere, perhaps on the shoreline of the heart. In this way, too, poems are en route: they are headed towards. Toward what? Toward something open, inhabitable, an approachable you, perhaps, an approachable reality. Such realities are, I think, at stake in a poem.”

“There is a possibility in human minds of something mysterious as the night-wind, deep as the sea, calm as the stars, and strong as Death, a mystic contemplation, the “intellectual love of God.” Those who have known it cannot believe in wars any longer, or in any kind of hot struggle. If I could give to others what has come to me in this way, I could make them too feel the futility of fighting. But I do not know how to communicate it: when I speak, they stare, applaud, or smile, but do not understand.”

“Certainly it was no design of the atoms to place themselves in a particular order, nor did they decide what motions each should have. But atoms were struck with blows in many ways and carried along by their own weight from infinite times up to the present. They have been accustomed to move and to meet in all manner of ways. For this reason, it came to pass that being spread abroad through a vast time and trying every sort of combination and motion, at length those come together that produce great things, like earth and sea and sky and the generation of living creatures.”

“As a man-of-war that sails through the sea, so this earth that sails through the air. We mortals are all on board a fast-sailing,never-sinking world-frigate, of which God was the shipwright; and she is but one craft in a Milky-Way fleet, of which God is the Lord High Admiral.”

“Economy denotes the the proper management of materials and of site, as well as a thrifty balancing of cost and common sense in the construction of works. ...the architect does not demand things which cannot be found or made ready without great expense. For example: it is not everywhere that there is plenty of pitsand, rubble, fir, clear fir, and marble... Where there is no pitsand, we must use the kinds washed up by rivers or by the sea... and other problems we must solve in similar ways.”

“The modern age has been characterized by a Promethean spirit, a restless energy that preys on speed records and shortcuts, unmindful of the past, uncaring of the future, existing only for the moment and the quick fix. The earthly rhythms that characterize a more pastoral way of life have been shunted aside to make room for the fast track of an urbanized existence. Lost in a sea of perpetual technological transition, modern man and woman find themselves increasingly alienated from the ecological choreography of the planet.”

“You don't love a woman because she is beautiful, but she is beautiful because you love her. Never underestimate the power of love. The way to love anything is to realize it may be lost. The heart has its reasons that reason does not know at all. Music is love in search of a word. There is pleasure in the pathless woods; there is a rapture on the lonely shore; There is society, where none intrudes, by the deep sea, and music in its roar.”

“In lots of books I read, the writer seems to go haywire every time he reaches a high point. He’ll start leaving out punctuation and running his words together and babble about stars flashing and sinking into a deep dreamless sea. And you can’t figure out whether the hero’s laying his girl or a cornerstone. I guess that kind of crap is supposed to be pretty deep stuff—a lot of the book reviewers eat it up, I notice. But the way I see it is, the writer is just too goddam lazy to do his job. And I’m not lazy, whatever else I am. I’ll tell you everything.”

“When if or chance or hunger's powerful sway Directs the roving trout this fatal way, He greedily sucks in the twining bait, And tugs and nibbles the fallacious meat. Now, happy fisherman; now twitch the line! How thy rod bends! behold, the prize is thine!”

“We are too feeble and sluggish to make our way out to the upper limit of the air. If someone could reach the summit, or put on wings and fly aloft, when he put up his head he would see the world above, just as fishes see our world when they put up their heads out of the sea; and if his nature were able to bear the sight, he would recognize that that is the true heaven.”

“When I wrote a long story about the retreat of sea ice, I made clear it could go the other way for a while, and that doesn't mean we don't know that a warmer world will have less sea ice. It just means there's a lot of variability and people can pay too much attention to the big swings in one direction or the other.”

“What's your story? It's all in the telling. Stories are compasses and architecture; we navigate by them, and to be without a story is to be lost in the vastness of world that spreads in all directions like arctic tundra or sea ice. To love someone is to put yourself in their place, we say, which is to put yourself in their story, or figure out how to tell yourself their story. Which means that a place is a story, and stories are geography, and empathy is first of all an act of imagination, a storyteller's art, and then a way of traveling from here to there.”

“Do we pour $40 billion into grandiose Louisiana engineering projects or do we instead put up no trespassing- signs in the areas below sea level? All are hard choices with various merits and pains. The important thing, however, is for America to decide whether the current policy of inaction is really the way we want to deal with the worst natural disaster in our history.”

“The moment we turn over the soil we start poisoning it and we go on poisoning it all the way through... and there's probably not a river in the United States that doesn't have pesticide poisoning in it. The fish are dying. The seas are getting polluted. All of these things are happening. The rain forests are going. That's what the context is.”

“After you die, your body is just there. Isn't it kind of embarrassing that your body is going to be there and you have no say or control over it? Somebody's going to have to deal with it. I've always respected people who kill themselves and find a way to get rid of the body. Very clean. Lost at sea. I can see why they do that. There's nothing left.”

“Someone once said that "The Waste Land" was a scum of poetry floating on a sea of footnotes. That resonated with me, because that's kind of what I was doing lyrically for a while. I was being very referential in a way. I would drop in these little phrases or ideas that were sort of portholes into a whole bigger realm of thought or whatever, that would work within the song, but that you could also poke through into a bigger discussion.”

“We were able to conclude a Paris climate agreement, which will lead the way for the rest of the world, which is groundbreaking. And together with the sustainable development goals of the agenda 2030 for the whole world, this is indeed a sea change, I think, that we see here, and, step-by-step, it will be implemented.”

“It was hilarious [last scene with Edward Cullen] considering we'd spent the entire series filming in the most miserable conditions, and then we end on the beach in the Caribbean filming for two days in the sea. That was fun. We literally did the last shot as the sun was coming up in St. Thomas in the Virgin Islands. It was a nice way to end it, because they were considering shooting it in the sea in Vancouver, which would not have worked at all.”

“I grew up in a whaling town. We didn't stop whaling in Australia until 1978. And I've always lived in fishing communities. You could say I'm from the Redneck Wing of marine conservation. Everything I know about the sea I learnt at the end of a spear or a hook. Seems weird to admit it, but I hunted and killed my way to enlightenment. Eventually you see where you've been. All the traces you leave are gaps and absences. And it's a sick feeling, knowing you might bequeath a full dose of Nothing to those who come after you.”

“Depending on where you live, your threat is much different from the other person. If you ask a New Yorker today, because of the way the press plays it, he will say terrorism is his biggest fear. But for somebody living on a small island state, then it is climate change, the rise of the sea level, for his whole island may be washed away. If I go to southern Africa, they tell me it is HIV/AIDS and somewhere in Asia it is poverty. This is also why you will find it difficult to find agreements, because if you want someone to be concerned about your threat, then you should be concerned about his.”

“Walter loves the sea, and I need it in some elemental way that I cannot even come close to verbalizing. I become dim and shriveled somehow at my very core if I am away from the sea too long. When I return to it I seem to fill up and overflow with it, soaking in the vast, sighing wetness of it like a parched vine in a long, soft spring rain.”

“Happy. Just in my swim shorts, barefooted, wild-haired, in the red fire dark, singing, swigging wine, spitting, jumping, running—that's the way to live. All alone and free in the soft sands of the beach by the sigh of the sea out there, with the Ma-Wink fallopian virgin warm stars reflecting on the outer channel fluid belly waters. And if your cans are redhot and you can't hold them in your hands, just use good old railroad gloves, that's all.”