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Seeing Quotes

“Exultation that does not flow from education, affections that do not flow from knowing, savoring that does not flow from seeing, feeling that does not flow from thinking - are hollow and rootless - noisy gongs and clanging cymbals. And God is not glorified by artificial and empty passions. True delight is rooted in true doctrine. God-centered exultation is rooted in God-centered education.”

“That's what Jamie didn't understand: it was never just sex. Even the fastest, dirtiest, most impersonal screw was about more than sex. It was about connection. It was about looking at another human being and seeing your own loneliness and neediness reflected back. It was recognising that together you had the power to temporarily banish that sense of isolation. It was about experiencing what it was to be human at the basest, most instinctive level. How could that be described as just anything?”

“I love seeing my characters big up there and I would have liked to have reached a different public in movies from my television public. There's still a part of me that wishes that my character range could be seen on the big screen. Rather, as Rod Steiger was, because he was a big influence on me - about becoming other people and not worrying about your own glory or self esteem but sacrificing yourself to become somebody else.”

“When you're in morgue you're seeing life that no longer exists. It gives you an appreciation when you look someone in the eye, you shake their hand, and you hug your friends, your girlfriend, your family. It just gives you an appreciation for the life that surrounds you. At the same time you understand how fragile it is. That you don't need to be an idiot or get so angry at times.”

“I was rather shaken by all the green trees. I always am. It gets me. I don't want to be funny about it but I am. I loved seeing all the westerns, but I had asthma and couldn't go anywhere, but I loved watching them in Technicolor and seeing the cowboys and the landscapes of Monument Valley and you'd see the forests of the Anthony Mann films and think, 'wow, that's fantastic', but I could never go there!”

“The difference is in Hostel it's in the theatre - it's in public but it's in a private place. You have to actively make a choice to want to go see it. It's not being forced on anyone. Whereas 24 you can be flipping channels and it's right there in your living room. Anyone has access to that. But that just shows how mainstream it is and how people are seeing this stuff on YouTube. People are scared of it. This is a subject matter that everyone's talking about and everyone's thinking about, particularly in American culture.”

“Hot Fuzz in a strange way, for me, summons up the spirit of watching R-rated films that I was too young to watch. I was 14, 13 maybe, when Robocop came out. Seeing Robocop at my brother's friend's house, and not really supposed to be watching it, because it was [rated] 18 and I was 13. That mind-blowing experience, because not only is it a great film, but it feels illicit.”

“The best set was probably 'Bloody Sunday.' We had no money for extras and gambled on months of outreach to persuade the people of Derry to turn out and march for us on one single afternoon. And they did. In their tens of thousands. Seeing them march, their patience and their dignity and their commitment, I knew the movie would have a quality of truth.”

“If the audience gets everything, if they see the photography and notice that it is good, then the story goes out the window, but if you become involved with the lives of the actors and forget that you are seeing mechanical devices on a huge screen - forget the make-believe - this is the job of the director to involve the audience with the actors.”

“There are a lot of people that have marginal powers, like a guy who levitates a little bit off the ground, or someone who can breathe a little bit of fire, or someone that can freeze a little bit of something, if it's really close to him, you say, "Well, what do you do with that? How is that useful?" There is so much of it around you and you're seeing it, it becomes the important thing in society.”

“Handheld camera is approximating what we're seeing when we're looking at each other, and kind of looking around, and your eyes whipping around. It adds an immediacy, where you feel like you are watching something through your own eyes, standing there with them. And that just allows you to take more liberties and have more fun with people's behavior.”

“Once I was in New York, I completely had no interest for a long time in what happened in China because I had been through so much. Seeing my father's life struggle and so many whole generations lose their potential or possibility in their lives. Just being pushed into this political struggle and the damage done not only to their lives but their relatives.”

“I would very honestly just tell you that what I tried to do was simply respond to inquiries from people as they came in. Where I've thought I could say something useful, I've tried to add a voice that was, frankly, a dissident voice earlier on, but one that I think has become a more mainstream voice-and not because I've shifted. I think that the critique I had of what was going on in our financial system from six, eight years ago-after seeing some of what we've suffered through and even since the cataclysm itself-in terms of the structural changes.”