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Seeing Quotes

“I can't possibly predict precisely what the unemployment rate will be at the end of one year. I can tell you that over a period of four years, by virtue of the policies that we'd put in place, we'd get the unemployment rate down to 6%, and perhaps a little lower.”

“I think what history will show is that one of the most tragic results of the war in Iraq will be that although Sharon, the Likudites, the Neoconservatives in our country, President Bush and the Democratic party thought the war in Iraq and destroying Saddam would benefit Israeli security, we're seeing absolutely that the war in Iraq has probably put Israeli security in a more tenuous condition than it's been in since the founding of the Israeli state.”

“I'm not just talking about analyzing symbols from a dream but bringing the dream into life. I'm talking about seeing the world around you as a waking dream where the symbols and synchronicities will speak to you if you pay attention. That's why I call it active dreaming because it's about getting active with all our dreams can be.”

“For me, seeing our history told in this light, the ones who did rebel, the ones who did revolt, the revolutionaries, excited me. Seeing this story of the Underground Railroad ... and that is such a proud part of our history that not a lot of us know about, where these brave men and women, they were heroes, really helped tear down the system of slavery just by running.”

“But we did see the process develop. I remember going to the Rocket Pictures base and they had something like 40 people there, drawing. They didn't know what the characters looked like yet and I remember on the walls seeing 30 or 40 different versions of Juliet. So, it was then that I realised that someone's got to come in and make some really executive decisions.”

“I really loved it because it really informed his way of seeing my character and the story. If you look closely he always had this metaphor of an egg, of a little chick pecking her way out of a shell, and in one scene in the kitchen there are all these white plates on a wall and then in the middle there is a yellow plate so even that looks like an egg. And a lot of the furniture was almost sculpted in that way as well. It was really cool to see that.”

“When I discovered blues - I was 12-years-old - I didn't discover it in America where it was from; I discovered it from Fleetwood Mac - the original Peter Green Fleetwood Mac, Saveloy Brown - like British blues interpretations of it,' which then, when I started the liner notes and seeing all these names, I was like, 'Who's Willie Dixon?' Then I go to the record store and ask the guy there and he goes, 'Oh, you don't know anything.' And so, to me, that's the root of most of it anyway.”

“I remember seeing Extreme play with [Debra] Winger and Cinderella. Gary Cherone was wearing purple velvet overalls with no shirt and saddle oxfords.Afterward, I went home and told my mom, "I need to find saddle oxfords." And she said, "Like little girls wear?" Naturally, I couldn't find them in my size, so I went to a shoemaker and had him make me a pair. I wore them for a while, but they didn't seem as cool on me, because when your foot is size 12, they sort of look like clown shoes.”

“By the time I was doing "Kill Bill," it was so much filled with prose that, you know, I start seeing why people write a screenplay and make it more like a blueprint, because basically I had written - in "Kill Bill," I had basically written a novel, and basically every day I was adapting my novel to the screen on the fly, you know, on my feet.”

“As for garden photographers, how differently they see things. With what ease the camera seems to compose a picture of great beauty with its discriminating lens. The naked eye can't censor some ugly sight on the periphery of vision; the photographer takes the perfect shot and picks for us just what we need to see.”

“Crouchers move through a garden at a stoop: naming, gasping, horraying, admiring or coveting plants; Gapers saunter, smiling or sighing at what they find, succumbing to an intangible beatitude that takes them for a brief escape into another dimension. Both sorts of gardener are besotted; both get their hands dirty; think and talk gardening; but on the threshold of another's garden, each use a different set of whiskers.”