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“Bad luck with women is a determined man's road to success. For every affliction, he makes, out of indignation, yet another advancement in order to exceed the man that the woman chose over him. This goes to show that great men are made great because they once learned how to fight the feeling of rejection.”

“Da Vinci was as great a mechanic and inventor as were Newton and his friends. Yet a glance at his notebooks shows us that what fascinated him about nature was its variety, its infinite adaptability, the fitness and the individuality of all its parts. By contrast what made astronomy a pleasure to Newton was its unity, its singleness, its model of a nature in which the diversified parts were mere disguises for the same blank atoms.”

“I have never yet happened upon a trace of evidence... to show that any one animal was ever made for another as much as it was made for itself.”

“I remember before I did my HBO special, Chris [Rock] screamed at me - in a loving way, but still. He was like, "You need to do 200 shows in a row and a month straight on the road before you even think about recording a special!" And I had literally booked two weeks on the road and then went right into the recording. It put me in a panic, but it also made me work harder and made me realize that everyone works differently, and that's okay.”

“On the show, I do a very serious thing. And a lot of people have a hard time reconciling that with what I'm going to do after the show. They can't get it into their heads: "How can he be talking to Madeleine Albright one minute and then somebody half his age...." They're just jealous. But I never made any bones about it. I am a player. Always have been.”

“I hate symbolic art in which the presentation loses all spontaneous movement in order to become a machine, an allegory -- a vain and misconceived effort because the very fact of giving an allegorical sense to a presentation clearly shows that we have to do with a fable which by itself has no truth either fantastic or direct; it was made for the demonstration of some moral truth.”

“Being part of The L Word made me realize how much more television can be that what I had experienced in my lifetime in terms of being able to be of service to people. I had so many fans come up to me who were really deeply appreciative of the show and what it had meant for them and their own sense of identity and their own sense of inclusion in our society and in our culture.”

“The immaterial blue colour shown at Iris Clert's in April had in short made me inhuman, had excluded me from the world of tangible reality; I was an extreme element of society who lived in space and who had no means of coming back to earth. Jean Tinguely saw me in space and signaled to me in speed to show me the last machine to take to return to the ephemerality of material life.”

“No, liberty is not made for us: we are too ignorant, too vain, too presumptious, too cowardly, too vile, too corrupt, too attached to rest and to pleasure, too much slaves to fortune to ever know the true price of liberty. We boast of being free! To show how much we have become slaves, it is enough just to cast a glance on the capital and examine the morals of its inhabitants.”

“My upbringing was very un-Hollywood. I was born in New York and grew up on a ranch. I was never really smitten by the business in those days, never a fan type - just a basic kid watching TV. It wasn't like I was an insider. I was never really brought into the show business side of my father's life. I guess that's been a blessing and a downfall. But it's made my own work the initiation.”

“As South Korea shows, active participation in international trade does not require free trade. Indeed, had South Korea pursued free trade and not promoted infant industries, it would not have become a major trading nation. It would still be exporting raw materials (e.g., tungsten ore, fish, seaweed) or low-technology, low-price products (e.g., textiles, garments, wigs made with human hair) that used to be its main export items in the 1960s.”

“I've made a career over the last seventeen years of mostly playing men in uniform, especially cops. The one thing for an actor that is completely death is if you're bored, because that boredom will show in your work. So there was an inherent challenge in trying to keep it fresh, because it's something that I'm familiar with, but the real draw for me was at long last to work with Halle. She and I had come close to working on two other films together prior to this one that unfortunately had fallen apart for various reasons.”