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Singing Quotes

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Singing Quotes

“Of all the arts, music is the one communal art. It requires for its existence extensive cooperation and organization...Singing together the greatest choral music of all time is the surest way of developing in a community that sense of quality and reverence for beauty, which is the basis of a musical culture...Entertainment has its place in life just as candies and cocktails have, but health is not built on such a diet alone, nor culture exclusively on amusement.”

“Country music has been empowering to women. Women invented it - it was women singing to their children that built country music. The people making country music today might not even know that it all started with a midwife. But it's true, it really did. That's where Michael learned to shake it the way he did. It wasn't from old Papa Jackson, I'll tell you that.”

“When you're really bummed out, the last thing you want to hear is up-tempo and positive. And it lets you know that you're not alone, that somebody has hurt before. It works the same way with chick songs as it does with political songs. When you hear somebody singing about these things, you know that you're not alone, that somebody else is suspicious of what's going on around us in the world. So you don't feel like you're crazy, and you feel like you might be able to make a difference.”

“If you're serious about singing or acting, which are two art forms that get repetitive, the way to keep the music fresh is to recognize that it is totally impossible for it to ever be the same, night after night. You open your mouth and you'd like a certain sound to come out of it, but it doesn't always come out exactly like you thought it was going to come out!”

“In many ways, I think I'm a good person for it. I mean, I'm not a musical theater dude. Or rather, I don't watch everything, and love everything, and have every album. The ones that I love - like I've seen The Wizard of Oz a hundred times. West Side Story I love. I love Singing in the Rain, I love White Christmas. I love the Dennis Potter ones like Singing Detective and Pennies from Heaven. I love Sondheim.”

“When I perform on stage I do achieve quite a variety of ways of singing. I was interested in trying to replicate that in the studio environment. I think it is an interesting alternative position, just to stretch people's imagination, myself included, as to who is actually singing the song. It's not to create alter-egos or characters - it always feels like me, even when the voice is extremely manipulated.”

“I always wanted to sing, I always loved to sing. As a child I was singing all the time, and my parents were singing all the time, but not the traditional songs because they were very Christian; the Christian Sámis learnt from the missionaries and the priests that the traditional songs were from the Devil, so they didn't teach them to their children, but they were singing the Christian hymns all the time. So I think I got my musical education in this way. And of course the traditional songs were always under the hymns, because it doesn't just disappear, the traditional way of singing.”

“I grew up bar-singing and saw all kinds of ways people tried to outrun their emotional pain. It doesn't work. You end up with the original pain, as well as new pain added on top of it from the tactics you used trying to avoid it in the first place. It's best to take a deep breath, bolster yourself, and walk through it.”

“It's one thing having a great song, but I think for me if you take it to the next level... say you had a guitar and a vocal, and the song was amazing but the vocalist wasn't that great and it just was a guitar and vocal acoustic track, switching that to something like an amazing voice singing the exact same song with the instrumentation being really nice and lush or unique in some way and interesting and diverse... I think it's all about the instrumentation and textures in the sound.”

“Collaborating with the musical genius of our time in some ways with Prince himself - late, great Gerald Levert,all these are forms of singing education, what the Greeks call paideia,that deep education to get us to shift from superficial things to serious things, to shift from bling-bling to life and death to justice and pain and joy, those fundamental, elemental things that we must come to terms with as we make our moves from our mother's womb to the tomb.”

“I know that part of why I was excited to do this was the sense of play and childlike wonder and the spirit that's in the Daniels' work. I think we're tracking some issues that are actually quite sad or lonely but I think in a joyful, creative way. So I like that balance. I think singing in the woods, the music and spirit of that - there's something very pure about the film [Swiss Army Man].”

“I knew no one in this business, and the only acting I'd ever done was in a first-grade play. I understood some of my talents - growing up playing piano, and my operatic voice led me to All-State in my first, and only, year of singing - but I didn't yet know all of my capacities. My parents felt helpless, as they knew nothing about this world and couldn't help me in any way except through pure love.”