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“As awesome as it is to be with a big act and get three catered meals a day and get a dressing room with an actual shower in it, it's hard sometimes as a new artist to come across in 25 minutes. You get 25 minutes to hopefully impress these people. I think the longer set is more suitable for us and gives us an opportunity to connect better.”

“I think there has to be an underlying sexuality. There has to be a perverseness to the clothes. There is a hidden agenda in the fragility of romance. It's like a Story of O. I am not big on women looking naive. There has to be a sinister aspect, whether it's melancholy of sadomasochist. I think everyone has a deep sexuality, and sometimes it's good to use a little of it-and sometimes a lot of it-like a masquerade.”

“Sometimes all that saves me is being willing to make mistakes. There are projects that strike me as so beautiful, important, complicated, or just plain big, that they convince me of my own inadequacy. This awful state of reverence leads to paralyzing brain freeze. At times like that the only way out is for me to decide, 'To hell with it. I can't do it right, so I'll do it wrong. I can't do it well, but I can do it badly.' Sometimes, with luck, while I'm sweating to do it wrong, I stumble on a right way.”

“Black people loving and losing is something we don’t see enough of. We’re always in these heightened situations like something big is happening, something funny or something violent. And you know what? Sometimes we die of breast cancer or a broken heart. Things happen that are just not being explored cinematically. It’s time we reinvigorated that type of film.”

“At home in South Africa I have sometimes said in big meetings where you have black and white together: 'Raise your hands!' Then I have said: 'Move your hands,' and I've said 'Look at your hands - different colors representing different people. You are the Rainbow People of God.'”

“If you are recording, you are recording. I don't believe there is such a thing as a demo or a temporary vocal. The drama around even sitting in the car and singing into a tape recorder that's as big as your hand - waiting until it's very quiet, doing your thing, and then playing it back and hoping you like it - is the same basic anatomy as when you're in the recording studio, really. Sometimes it's better that way because some of the pressure is off and you can pretend it's throwaway.”

“We can sometimes find a person again, but we cannot abolish time. And so on until the unforeseen day, gloomy as a winter night, when one no longer seeks that girl, or any other, when to find her would actually scare one. For one no longer feels that one has attractions enough to please, or strength enough to love. Not, of course, that one is in the strict sense of the word impotent. And as for loving, one would love more than ever. But one feels that it is too big an undertaking for the little strength one has left.”

“If you raise children, you forget what age they are. I mean you don't literally forget, but you treat a 13-year-old like she's 10 and there's a big difference in those three years and they can't stand it. They want to be treated like they're 17 when they're 13. And sometimes you can't help thinking of them as if they were 10 or 10 months old because it's all so recent. So we do overprotect sometimes.”

“Marriage is a pretty amazing thing when you think about it. For two people to live together for so long under the same roof is a big accomplishment. Fifty-year anniversaries are becoming extinct, yet again proving that long marriages deserve awards and praise. Sometimes I see old people in restaurants sitting together eating their meals and I watch them. Sometimes it makes me sad. They don't even talk. Is it because they have nothing else to say, or can they simply read each other's mind by now?”

“In England everything is liberalised. Within certain boundaries and rules everybody can do what he likes. Maybe London's society has a different tempo, a different dynamic. London is fast, productive, creative but it is not England. If you want to transfer that to football, you could say: in the four big English clubs and maybe in the one or two behind them there is a top level. Everything that comes after that rather mirrors English society. It's honest, fair and hard, sometimes also fast, but not always so perfect.”

“Little things do matter. Sometimes, little things matter the most. Everybody pays a lot of attention to big things, but nobody seems to understand that big things are almost always made up of little things. When you ignore little things, they often turn into big things that have become a lot harder to handle.”