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“I've been collecting photos for a long time, I mean since I started making money. But what you have had to go through to find a good photo is like a needle in the haystack sometimes. You'll drive from one gallery to the next gallery to the next gallery. It's not an easy process. It's a very ancient model that just hasn't caught up with the times.”

“I'm definitely in the market for being uncool. There was some funny stuff, like the thing about making sure I show people that I have tattoos and cigarettes so that they know I'm badass. But really, I do have tattoos! And I do smoke cigarettes sometimes, and I can't change that. But I am not badass, by any means. I do some stuff that's tongue-in-cheek, and some stuff that's on the line. And it could be funny, it could be serious, and I never even know myself, because it could be funny that day, and the next day it's totally embarrassing.”

“My spiritual life is... sometimes I have access to it and sometimes I don't. When I do have access to it, it's usually a sense of my understanding what the best course of action or the best thing for me to do. By best, I mean when I have a real sense of doing the right thing and doing good for people and the connected universe of everybody.”

“I have consciously sought after those things which make for value, order, richness, spirit and wonder, even though I am often unable to verbalize what I feel when I perceive something beautiful. Sometimes it's a pang or a sensation; at other times it is an awareness of joy and security or pure pleasure. In any event, it is a moment to be celebrated. Beauty justifies itself. The fact that it is beyond definition means nothing.”

“Sometimes being a friend means mastering the art of timing. There is a time for silence. A time to let go... And a time to prepare to pick up the pieces when it's all over.”

“I moved here when I was 20 to go to college. After I moved here, I became much more aware of the importance of the culture and literature to my life. Sometimes when you're immersed in something, you just don't notice it very much. Moving away makes you appreciate your culture. Living here, I've thought more and more about India, and what being Indian-American means to me. And it's made me incorporate things from Indian literature into my own writing.”

“Part of the power of Emerson's individualism is his insistence, at crucial moments, that individualism does not mean isolation or self-sufficiency. This is not a paradox, for it is only the strong individual who can frankly concede the sometimes surprising extent of his own dependence.”

“I mean that it is more natural for me to be wicked than virtuous, when I do a bad act, and I've done many, I never feel wither shame, remorse or fear, I sometimes wish it was not necessary as I don't like the trouble, but as for any moral sense of principle, I haven't a particle. Many people are like me as actions prove, but they are not so frank in owning it and insist on keeping up the humbug of virtue.”

“I've got evil in me as much as anyone, some desires that scare me. Even if I don't give in to them, just having them scares the living bejesus out of me sometimes. I'm no saint, the way you kid about. But I've always walked the line, walked that goddamned line. It's a mean mother of a line, straight and narrow, sharp as a razor, cuts right into you when you walk it long enough. You're always bleeding on that line, and sometimes you wonder why you don't just step off and walk in the cool grass.”

“First, what is a revolution? Sometimes I'm inclined to believe that many of our people are using this word "revolution" loosely, without taking careful consideration [of] what this word actually means, and what its historic characteristics are. When you study the historic nature of revolutions, the motive of a revolution, the objective of a revolution, and the result of a revolution, and the methods used in a revolution, you may change words. You may devise another program. You may change your goal and you may change your mind.”

“That's the nub of the thing, you see seriousness of spirit. It doesn't mean heaviness of heart, or a lack of fantasy, but it does mean an awareness of influences that touch our lives, sometimes in ways that seem cruel and unfeeling, and sometimes in ways that open up a glory which can never be forgotten.”

“The acceptance of ambiguity implies more than the commonplace understanding that some good things and some bad things happen to us. It means that we know that good and evil are inextricably intermixed in human affairs; that they contain, and sometimes embrace, their opposites; that success may involve failure of a different kind, and failure may be a kind of triumph.”

“Ladies are always of great use to the party they espouse, and never fail to win over numbers to it. Lovers, according to Sir William Petty's computation, make at least the third part of sensible men of the British nation; and it has been an uncontroverted maxim in all ages, that though a husband is sometimes a stubborn sort of a creature, a lover is always at the devotion of his mistress. By this means, it lies in the power of every fine woman, to secure at least half a dozen able-bodied men to his Majesty's service.”

“If you raise children, you forget what age they are. I mean you don't literally forget, but you treat a 13-year-old like she's 10 and there's a big difference in those three years and they can't stand it. They want to be treated like they're 17 when they're 13. And sometimes you can't help thinking of them as if they were 10 or 10 months old because it's all so recent. So we do overprotect sometimes.”

“..the real world's all we've got. Believers in the supernatural claim to have special wisdom about the world. But real wisdom means knowing truth from falsehood, knowing the difference between evidence and wishful thinking. Yes, the real world is mysterious and sometimes frightening. But would the supernatural make it better? The real world has beauty, poetry, love and the joy of honest discovery. Isn't that enough?”

“I think bringing depth to characters means really needing to find out who this girl is, what is she passionate about, what makes her tick, what gets her going in life. So I did a lot of backstory for who she was and sometimes it comes across screen and sometimes it doesn't. You never know, because you're not the director, but you can only do your work and hope that it somehow subtly is infiltrated in that. But I think the characters I've played for the most part have depth, just not in the way that you think they do.”

“The age of the book is not over. No way... But maybe the age of some books is over. People say to me sometimes 'Steve, are you ever going to write a straight novel, a serious novel' and by that they mean a novel about college professors who are having impotence problems or something like that. And I have to say those things just don't interest me. Why? I don't know. But it took me about twenty years to get over that question, and not be kind of ashamed about what I do, of the books I write.”

“To me, the producer is there to make sure the album gets done and gets done as good as possible. So if that means that you have to help write a bridge or help write a part, that's what you do. If that means you help tune the guitars, then that's what you do. If that means all you do is tell the band their takes are good and they should stop f——— with things, then that's what you do. If it means you don't do anything except make sure the band doesn't fight, then that's what you do. Sometimes it's a little more stressful than others, but for the most part, you just don't complain about it and you just get it done.”

“John Stuart Mill, in his wonderful 1859 book On Liberty, talks about civility. And this is why you should always be concerned about calls for civility. He points out that civility ends up getting defined by the people who are in charge. And you'll notice that when people argue for civility, they tend to actually believe that whatever they say is civil. And if they're angry about it, it's righteous rage. But if you say it and it's kind of sharp or mean, then it's incivil. ... And sometimes, disagreement-to be productive-can't be all that civil.”

“The whole power of cunning is privative; to say nothing, and to do nothing , is the utmost of its reach. Yet men, thus narrow by nature and mean by art, are sometimes able to rise by the miscarriages of bravery and the openness of integrity, and, watching failures and snatching opportunities, obtain advantages which belong to higher characters.”