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“Neil Young is my hero, and such a great example. You know what that guy has been doing for the past 40 years? Making music. That's what that guy does. Sometimes you pay attention, sometimes you don't. Sometimes he hands it to you, sometimes he keeps it to himself. He's a good man with a beautiful family and wonderful life.”

“I've always been slightly self-conscious as an actor, and I guess that sometimes reads as pomposity. Starting when I was 30, I somehow gave off an impression at an audition that had them mentally put me in a three-piece suit or put an attache case in my hand. If there was a stiff-guy part, the director would brighten up when I came in.”

“O! useful may it be to have shewn, that, though the vicious can sometimes pour affliction upon the good, their power is transient and their punishment certain; and that innocence, though oppressed by injustice, shall, supported by patience, finally triumph over misfortune!And, if the weak hand, that has recorded this tale, has, by its scenes, beguiled the mourner of one hour of sorrow, or, by its moral, taught him to sustain it—the effort, however humble, has not been vain, nor is the writer unrewarded.”

“A desire to kneel down sometimes pulses through my body, or rather it is as if my body has been meant and made for the act of kneeling. Sometimes, in moments of deep gratitude, kneeling down becomes an overwhelming urge, head deeply bowed, hands before my face.”

“Sometimes, however, the Gaelic blood asserts itself. The Frenchmen will then attack. But the French attacking spirit is like bottled lemonade. It lacks tenacity. The Englishmen, on the other hand, one notices that they are of Germanic blood. Sportsmen easily take to flying, and Englishmen see in flying nothing but a sport.”

“At home in South Africa I have sometimes said in big meetings where you have black and white together: 'Raise your hands!' Then I have said: 'Move your hands,' and I've said 'Look at your hands - different colors representing different people. You are the Rainbow People of God.'”

“If you are recording, you are recording. I don't believe there is such a thing as a demo or a temporary vocal. The drama around even sitting in the car and singing into a tape recorder that's as big as your hand - waiting until it's very quiet, doing your thing, and then playing it back and hoping you like it - is the same basic anatomy as when you're in the recording studio, really. Sometimes it's better that way because some of the pressure is off and you can pretend it's throwaway.”

“Man Ray... loved games and absolutely knew about the camera. It is interesting to note that, although I used him in only about 10 percent of the photographs and videotapes, most people think of him as omnipresent in my work. It irked me sometimes to be known only as the guy with the dog, but on the other hand it was a thrill to have a famous dog.”

“You have to seduce the reader, manipulate their mind and heart, listen to the music of language. I sometimes think of prose as music, in terms of its rhythms and dynamics, the way you compress and expand the attention of a reader over a sentence, the way the tempo pushes you towards an image or sensation. We want an intense experience, so that we can forget ourselves when we enter the world of the book. When you are reading, the physical object of the book should disappear from your hands.”

“More than one branch of the avant-garde, claiming to break with the bourgeois vision and mode of production, remains tied to it in spite of its denials and ex-communications. We are far from having overcome bourgeois thought or practices, despite the socialist "intermission" between the Russian revolution and the collapse of the Berlin wall. The avant-garde has lost its radical nature. On the other hand, "bourgeois theatre" is sometimes subtle enough to flirt with the avant-garde or to make "intelligent boulevard theatre.”

“This is a man with an old face, always old... There was pathos, in his face, and in his eyes. The early weariness; and sometimes tears in his eyes, Which he let slip unconsciously on his cheek, Or brushed away with an unconcerned hand. There were tears for human suffering, or for a glance Into the vast futility of life, Which he had seen from the first, being old When he was born.”

“Sometimes when you meet stars, on one hand you're like, "You're who I'm inspired by, you're who I look up to." On the other hand you're like, "I wanna be in the same kind of shoes that you're in." That's how I've always seen myself. Some of me is star-struck, some of me feels like I'm looking at a peer. They're another person who sees the world the same way I do, who already did it. It's inspiring.”

“Grace in women has more effect than beauty. We sometimes see a certain fine self-possession, an habitual voluptuousness of character, which reposes on its own sensations and derives pleasure from all around it, that is more irresistible than any other attraction. There is an air of languid enjoyment in such persons, "in their eyes, in their arms, and their hands, and their face," which robs us of ourselves, and draws us by a secret sympathy towards them.”

“A lawyer is sometimes required to search titles, and the client who thinks he has good right to an estate, puts the papers in his hands, and the attorney goes into the public records and finds everything right for three or four years back; but after a time he comes to a break in the title. So he finds that the man who supposed he owned it owns not an acre of the ground which belongs to someone else. I trace the title of this world from century to century until I find the whole right vested in God. Now to whom did he give it? To his own children. All are yours.”

“God in his harmony has equal ends For cedar that resists and reed that bends; For good it is a woman sometimes rules, Holds in her hand the power, and manners, schools, And laws, and mind; succeeding master proud, With gentle voice and smiles she leads the crowd, The somber human troop.”

“If sometimes our poor people have had to die of starvation, it is not that God didn't care for them, but because you and I didn't give, were not an instrument of love in the hands of God, to give them that bread, to give them that clothing; because we did not recognize him, when once more Christ came in distressing disguise, in the hungry man, in the lonely man, in the homeless child, and seeking for shelter.”