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Space Quotes

“There's no free lunch. If you want an industrial economy, you need energy. If you want energy, it will produce pollution. You can have it in two forms. You can have it dissipated in the atmosphere - like carbon dioxide - which then you cannot recover, or you can have the waste concentrated in one small space like nuclear. That is far easier to deal with. The idea that you can be able to create renewable energy at a price anywhere near the current price for oil or gas or coal is a fantasy.”

“Basically, there were three aspects of dub that influenced dubstep. The most important was playing the instrumental versions of vocal garage tracks, which was a little like what dub was to reggae - the instrumental of a full vocal.The second was dub as a methodology, which, for me, is apparent in all dance music: manipulating sound to create impossible sonic spaces using reverb, echo and such. The third is the influence of the genre called dub. (It became a cliché actually, through sampling old Jamaican films and soundtracks, and adding vocal samples.)”

“When we make films - even 2D films - you're always trying to create this illusion of 3D, anyway. You're trying to create a believable world with characters walking, in and out of the perspective, to create the illusion that there's a world. The desire and drive to create this illusion of three-dimensional space is something that is true about every kind of film because you want the audience to really be experiencing it, first hand. It's a natural extension of the storytelling and the process of filmmaking.”

“I am beginning to understand that the stream the scientists are studying is not just a little creek. It's a river of energy that moves across regions in great geographic cycles. Here, life and death are only different points on a continuum. The stream flows in a circle through time and space, turning death into life across coastal ecosystems, as it has for more than a million years. But such streams no longer flow in the places where most of us live.”

“Music is mere tuning a song with words; to some degree you have a beautiful endeavor of cosigning God's blank checks and you're actually co-creating. You're certainly not the creator with the capital C, but you're embarking on an endeavor, you're using the building blocks that have been given to you by the author of time and space.”

“Well, gentlemen, do you believe in the possibility of aerial locomotion by machines heavier than air? ... You ask yourselves doubtless if this apparatus, so marvellously adapted for aerial locomotion, is susceptible of receiving greater speed. It is not worth while to conquer space if we cannot devour it. I wanted the air to be a solid support to me, and it is. I saw that to struggle against the wind I must be stronger than the wind, and I am.”

“There is no theory that would guide us through interplantary space to another world even if we could control our departure from the earth; there is no means of carrying the large amount oxygen, water, and food that would be necessary for such a long journey; and there is not known way of easing our ether ship down on the surface of another world, if we could get there.”

“The habit of a midwinter festivity had come by the dawn of history (and probably very long before) to seem a natural one to the British, and not one to be eradicated by changes of political or religious fashion. ... It was general custom in pagan Europe to decorate spaces with greenery and flowers for festivals, attested wherever records have survived.”

“I love New York. It's given me so much as a designer. When I moved here, I wanted to tap into the glamour of the city immediately. More than anywhere else, New York offers itself up - you arrive and get a rush in a flash. It's dazzling. Everywhere you look, there is decoration, from a pair of jewel-encrusted shoes in the window in Bergdorf Goodman to the Chrysler Building. And New York is incredibly democratic. Everyone is packed into this tiny space. You are confronted with all manner of people, and I love that.”

“Human beings have got a lot of good, noble impulses inside them, and most people want to be good and do more good than they do evil. Hell, we've had nuclear weapons now for thirty or thirty-five years and nothing's happened yet. That in itself seems to be a miracle. If Reagan pushes the button or somebody pushes the button in Russia or somebody pushes it in Costa Rica, they can put a big tombstone in outer space that says, "We gave it a good try." Because we have.”

“As Joel Goldsmith said, in the presence of the God realized, the laws of the material world do not apply. That's why people who live steadfastly at a place of God-consciousness can perform miracles. They can create. They can make virtually anything happen. From the space in-between, that last inch is the critical inch you have to take to reach that place. Every once in a while, I get to that place of God-consciousness, and miracles do happen.”

“I learned a lot from Clint [Eastwood], who's an extremely economic director. I learned a lot from Michael Winterbottom, who really gave a lot of trust in the actors and allowed them to live in the space instead of trying to manipulate and make it too set and too staged. Working with [Robert] De Niro taught me a lot of being an actors' director and what that is. I've learned a lot from pretty much everybody. Hopefully I've picked up something from everybody I've worked with.”

“I didn't want to be driving to work everyday and sending out my Starbucks order. I didn't want to be in New York or L.A. I wanted to have space and I wanted to be in a remote place where all of us could just be ourselves and not worry about anyone trying to listen in or get in on that. I wanted to just be comfortable. I feel like being in a big city - as much as I find New York, in particular, very inspiring in a lot of ways - can also be claustrophobic.”

“I think "Avatar" is kind of a unique category where people are enjoying the unique theatrical experience even though they may have seen it on the small screen. They want to have that immersive, transportive experience. "2001: A Space Odyssey" played for three years at the Loews cinema in Toronto. I remember that. It just kept playing. People wanted to return to that experience. That may not be the best example because I think "2001" took 25 years to break even.”

“Literary science fiction is a very, very narrow band of the publishing business. I love science fiction in more of a pop-culture sense. And by the way, the line between science fiction and reality has blurred a lot in my life doing deep ocean expeditions and working on actual space projects and so on. So I tend to be more fascinated by the reality of the science-fiction world in which we live.”

“When you look at Earth from that one picture, the one from space, it's really a rather attractive thing. I have nothing against the planet per se. I root for the big comet or asteroid as a way of cleansing the planet. The comet or asteroid 65 million years ago is probably what gave us our opening to replace the reptiles. The greatest entertainment I have in my life is chronicling internally, not necessarily for the public, the slow dissolution of order.”