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“My idea of storytelling is - I wouldn't say it's religious but I would say it's spiritual. You know, the chemist Friedrich August Kekule worked for twenty years trying to figure out the structure of the benzene ring, and he couldn't do it. And then one night he was sleeping and he had a vision of a snake swallowing its tail. So he told his students about it and they said, 'Not bad, you go to sleep and you wake up with that.' And he said, 'Visions come to prepared spirits.' The way Billy Wilder put it was 'The muse has to know where to find you.'”

“I've been making films with almost no dialogue (laughs), so sound and music become a very powerful character to tell the story. It's almost like with sound and music and images, it's your tool to tell the story, especially when I decide to structure the film in a way that usually goes against the conventions of the three-act structure which most films are made out of.”

“If you read Calvin, for example, he says, How do we know that we are godlike, in the image of God? Well, look at how brilliant we are. Look how we can solve problems even dreaming, which I think is true, which I've done myself. So instead of having an externalized model of reality with an objective structure, it has a model of reality that is basically continuously renegotiated in human perception. I think that view of things is pretty pervasively influential in Protestant thought.”

“There's over 100 species of lemurs. Each is a little bit different in their social structure except for one thing: they are all female dominant. The females are the leaders. They are the ones that call the shots. When you watch a group, you can see the females are the first one to say “We’re going to move.” Then she moves off and everybody just follows.”

“The relationship with actor and director is probably closer to theater, in that, when we record the dialogue, there is very little in the way of the creative collaboration - no cameras, lighting or even locations. Then, once we record, the post process is very similar to the post flow in filmmaking - editing, sound design, mixing, etc. At the end of the day, it's all about storytelling and honing in on a tone by developing a rhythm and structure that suits the storytelling.”

“We shall have to share out the fruits of technology among the whole of mankind. The notion that the direct and immediate producers of the fruits of technology have a proprietary right to these fruits will have to be forgotten. After all, who is the producer? Man is a social animal, and the immediate producer has been helped to produce by the whole structure of society, beginning with his own education.”

“Properly understood, style is not a seductive decoration added to a functional structure; it is of the essence of a work of art. The necessary elements of style are lucidity, elegance, and individuality; these three qualities combine to form a preservative which ensures the nearest approximation to permanence in the fugitive art of letters.”

“Walk with me, but don't follow me blindly. Hold fast to the truth, not to my garments. My body is merely a clay structure; today it is here, tomorrow it shall be gone. If you attach yourself to me today, what are you going to do tomorrow when I am not with you? Attach yourself to God, attach yourself to humanity, only then will you be closer to me.”

“I am a deeply religious person, but I belong to no denomination. I follow the spirit of God's law, not the letter of the law. One can become so attached to the outward symbols and structure of religion that one forgets its original intent - to bring one closer to God. We can only gain access to the Kingdom of God by realizing it dwells within us as well as in all humanity. Know that we are all cells in the ocean of infinity, each contributing to the others' welfare.”

“Use your mind. Remember. Observe. You are not different from others. Most of their experiences are valid for you too. Think clearly and deeply, go into the structure of your desires and their ramifications. They are a most important part of your mental and emotional make-up and powerfully affect your actions. Remember, you cannot abandon what you do not know. To go beyond yourself, you must know yourself.”

“Although the assembly of the shots is responsible for the structure of the film, it does not, as is generally assumed, create its rhythm; the distinct time running through the shots makes the rhythm of the picture, and the rhythm is determined not by the length of edited pieces, but by the pressure of the time that runs through them. The pieces that 'won't edit', that can't be properly joined, are those which record a radically different kind of time”

“I am convinced that an electronic machine, no matter how smart and intelligent, being still a mere spatial structure in concept, can neither innovate nor even understand the self-evident proposition: 'No spatial structure can be a representation of any feeling'. Such innovation can only be a work of a non-spatial mind, like a human being, and only such innovation, it should be acknowledged, can pave the way for further scientific achievements.”

“The world of shapes, lines, curves, and solids is as varied as the world of numbers, and it is only our long-satisfied possession of Euclidean geometry that offers us the impression, or the illusion, that it has, that world, already been encompassed in a manageable intellectual structure. The lineaments of that structure are well known: as in the rest of life, something is given and something is gotten; but the logic behind those lineaments is apt to pass unnoticed, and it is the logic that controls the system.”

“Nature delights in making use of the same forms in the most various biological connections: as it does, for instance, in the appearance of branch-like structures both in coral and in plants, and indeed in some forms of crystal and in certain chemical precipitates.”

“The cognitive functioning of a human brain depends on a delicate orchestration of many factors, especially during the critical stages of embryo development-and it is much more likely that this self-organizing structure, to be enhanced, needs to be carefully balanced, tuned, and cultivated rather than simply flooded with some extraneous potion.”

“As I have indicated some time ago, I intend to divest my shareholding when I leave the Club. In doing so, my overriding principle is that I shall do what I believe is best for the future of Celtic. I have also indicated my intention that my shareholding will be made available to be held broadly amongst the supporters and existing shareholders of the Club. I believe that this should produce the best structure of ownership for the Club and the Company.”

“I was pillaging a lot of music that had nothing to do with guitar playing, using a lot of strange tunings and voicings and chord structures that aren't really that natural to the guitar; I ended up developing a harmonic palette that's not particularly natural to the guitar because I was always trying to make my guitar sound like something else.”

“When it's one animal, you really do have a tougher time because you've gotta commit to story structures that maybe are difficult to find the range in the animal to tell those stories. There are only so many things they do, if they're living in the natural world, that we can appreciate. There are plenty of things that they do that we don't appreciate.”

“In conducting interviews, my fascination is not only with the content of the conversation, but also the overall delivery of spoken language - so much of one's personality and story is embedded within their speech, their rhythms, the structure of their thoughts, their use of particular diction or dialect.”

“We're in a very, very profound crisis. It's so obvious that no one in the power structure, either the corporate power structure or the political power structure, knows what to do or is willing to do what's necessary in relationship both to global war and global warming. It's so obvious that conditions are getting worse for the great majority of Americans. It's so obvious also that we face a very serious danger from people who feel, see themselves only as victims. And we have to somehow, in a very loving way, help the American people to recover the best that is in our traditions.”

“But there is no substance under the things I have gathered together about me. I am hollow, and my structure of pleasures and ambitions has no foundation. I am objectified in them. But they are all destined by their very contingency to be destroyed. And when they are gone there will be nothing left of me but my own nakedness and emptiness and hollowness, to tell me that I am a mistake.”

“Sentences are not different enough to hold the attention unless they are dramatic. No ingenuity of varying structure will do. All that can save them is the speaking tone of voice somehow entangled in the words and fastened to the page for the ear of the imagination. That is all that can save poetry from sing-song, all that can save prose from itself.”