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Struggle Quotes

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Struggle Quotes

“I am not a great believer in dialectical struggle. I am much more of a fusion person. I see it as a dialogue, or trialogue, or polylogue: many, many, many voices, going back a long way. The cultural picture is much more mutually enriching at many different levels, manufacturers...absolutely, design and calligraphy. It's an amazing amount of cross-interests between people.”

“I'm quite severely dyslexic so I struggle with acting in certain ways. I always have to put in triple the amount of effort, which would always frustrate me a lot. I suppose that some people can just look at a script once and know it. That's not me. I really have to spend a bit of time with the lines. But it's my job and I've got better and better at it. If you're learning a lot, things start going quicker. Doing the lines with repetition and you just get it in your head somehow.”

“You know my issue isn't whether gay people go to heaven or straight people go to heaven. The point that I'm trying to make is that we as believers can have security in Christ when we are believers. We will all struggle, we will all fall prey to some type of sin, some will fall prey to the same types of sin over and over again. I don't differentiate between this one sin struggle than any other.”

“Certainly anyone who comes to faith in Christ has a new heart and they have an opportunity for new life and that's a wonderful thing. But it doesn't say anywhere in that passage that the people didn't still struggle with temptation or that they never fell prey to that sin again whether it was the issue of homosexuality or any of the other things that are listed there.”

“When I said on national television I still struggle, a reparative therapist called me and said if you'll come into therapy with me I can cure you of your temptations and attractions 100 percent. And then there are the offers of using homosexual pornography within the therapeutic process to help people understand why they're struggling.”

“And then there are encouragements to use heterosexual pornography or heterosexual images to encourage heterosexual attraction. I find it a golden idol, honestly, where we have been hypocritical to ask people to resolve this issue in a way that we haven't encouraged other people with other struggles to resolve. I'm looking at offering biblical holiness, not an unrealistic expectation for people that will leave them disappointed.”

“I'm not going to tell people that I will raise your incomes and not your taxes, and not mean it, because I don't want to see the kind of struggle that the middle class is going through exemplified by these promises that would raise taxes and make it much more difficult for many, many Americans to get ahead and stay ahead. That is not my agenda.”

“I feel so lucky to have the opportunity to make the show, and that it is in alignment with what I'm interested in, with what I read about. For me, it just felt like an organic step - of course, I'm thinking I want a show that allows for more representation for the community and shows the struggles people face, especially when we're hearing all this political rhetoric - to have a way to show how much this affects people lives.”

“I choose to suppress the initial categories I want to put people in - rich, poor, together, not together, druggie, yuppie, rocker, loser, winner, cool, uncool. I choose to remember that I don't know their struggle or their pain. I choose to err on the side of grace because someday I'll stand before God, and I pray He'll err on the side of grace with me.”

“The 20th century was a turning point; it freed and emancipated women, broke the back of segregation, and began the struggle to give justice to gay and lesbian people. But the Christian church, in both Catholic and Protestant forms, resisted every one of those humanizing developments. The church was on the wrong side of all three of those fights.”

“What I feel now is connected to people. I feel connected and I feel a lot of love for people. I feel the possibility of what building social movements and what working together in struggle creates. Whatever that energy is, it feels a lot better than what I felt when I was younger - which was worthless and disconnected and isolated and alone.”

“I remember reading [ Studs Terkel's] "Working" when it first came out and just finding that very powerful. I was going into community organizing. What stuck was to reveal the sacredness of ordinary people's lives. That everybody has a story. And I think Studs is terrific at drawing out that shimmering quality of people's everyday struggles.”

“There is a new face to hunger today. Many of the people who come to food pantries and soup kitchens are people who never thought they would need help - people who were once part of the middle class and are now unemployed or underemployed - people who are struggling to get by from day to day and week to week.”

“I saw so many amazing musicians struggling to build something good. They would play and play... and play some more, but it seemed like there was something missing. I wanted to go someplace higher myself, and go there with the people who come to hear me play. So I began to envision events with their own gravity, that would pull a community of people together for a meaningful experience.”

“In the early period of Left struggles, in the late nineteenth and early twentieth century, there were many different trajectories for the struggle, whether you call it 'syndicalism' or 'anarchism' or, at the time, 'social democracy', eventually 'Communism', these were different theories of struggle. But all of them shared a basic understanding that the people...experience exploitation, they experience oppression, but they're not prepared to rise up.”

“You see, one strand...of anarchism believed that you needed to use essentially homeopathic doses of terror by assassinating people, et cetera, the so-called 'propaganda of the deed', and that this propaganda of the deed would rouse people up, give them confidence to rise up. Another section believed 'No, it was not by seeing something happen that people get confidence, but it's by acting', in other words, the movements must go among the people and produce small struggles, bigger struggles, to give people greater and greater confidence.”

“I was able to meet young black people from all over the country who were focused on education and on elevating themselves.I'm endorsing and supporting this initiative because I believe college is a blessing, and for young black people coming out of areas that are struggling ... for them to see college as their future, that's a blessing.”

“I think in theater it demands that you say the same words every night and make it feel fresh and new. Improv demands that you be operating at the highest level of your creativity intelligence. So these two skills are both very important but I've seen people who are very skilled at one area struggle with the other. Either improvisers feel constrained by having to say the same thing over and over again or people who are really good at doing scripted work feel intimidated and exposed doing improvisation.”

“I think if you look at Hollywood as a whole and the type of content that they put out over the years, it's pretty homogeneous, right? They haven't done a really deep dive into a lot of stories of people of color. I don't want to say that there haven't been attempts, and there has been some great product that has come out over the years, but I think in 2016, we're in a world of struggle. It's not just about race, it's also about the LGBT community too and others.”

“Our politics are being hijacked by a comparatively small number of people who seek to dominate the debate by screaming the loudest. They see the world as an urgent struggle between true believers and nonbelievers. They attempt to impose strict litmus tests and insist on conformity. They demonize dissent and consider all political opponents their enemies. Fear is their favourite tactic as they try to divide and conquer”

“I wanted to make sure the focus [in The Land] was on human beings themselves and their decisions, but still connected to the urban environment that people associate as being black. I think I was able to make a film without commenting on "black this or black that" and you still feel the presence of it. There's no one character who's saying "we're all black and we're all in this struggle." It's that you just feel it. Some of that is because we get the sense from a lot of independent films that black people struggle all the time.”