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Television Quotes

“The scientists who are working 80 hours a week trying to do their science are up against PR guys who know how to spin things and how to create doubt. Creating doubt around tobacco for fifty years when they absolutely knew it caused cancer, that was a real talent. But meanwhile, the scientists, they're not there to go on television. Their brains don't work like that.”

“There is so much investment in it of people's labor time that it will never make money. But there are other documentaries that you might make that are sort of on assignment for television that turn around in three to six months. Then the margin can be much be better for you because you're not spending three-and-a-half years on it. So I think if you're doing documentary films, that's sort of the way to look at it.”

“Depressions, local and larger strikes, boom times, wars, repressions, all impact a life as do epidemics such as AIDS and pollution that may take years off a person's life. We all, whether we like it or not and whether we acknowledge it or not, are impacted by the racial attitudes we carry within us, and experience in some form every time we turn on the television, the radio, go to a movie, read a magazine or a newspaper, or walk down the street.”

“If you make something good, eventually the audience will be there, eventually there will be something on the Internet that is a cultural phenomenon that's not available anywhere else, that's not available on television broadcasts, that's not on cable, it's only on some Web site. And the world will find it. And when that happens, it will be what the 'kiss' was to the theatrical movie business, 5,000 years ago or whenever it was.”

“I think that most technology is positive in the short term, and negative in the long term. I wonder, if somebody looked back at the 20th and 21st centuries a thousand years from now, what their perception of the car would be. Or of television. I wonder if over time, they'll be seen as this thing that drove the culture, but ultimately had more downside than upside.”

“I cannot be alone in being pretty nauseated by Red Nose Day, or at least its television manifestation. Do I think that wretchedly poor children in Africa should get food and life-saving drugs? Of course. Do I want to be hectored into contributing by celebrities who earn more in a 10-minute slot than many of these families get in a year? Nope.”

“Television is a great job for a writer in the way that movies used to be, way before my time. Back when writers in Hollywood were on staff or under contract at any given studio and you'd write movie scripts and then the movies would get made within a few weeks, such that you could be a working writer in the movie business back in the '30s and '40s and '50s and have a hand in writing five or six movies a year that actually got produced. The only thing remotely like that in the 21st century here in Hollywood is working in the TV business.”

“I decided to become an actor at five. I saw the most gorgeous woman that I had ever seen in my five years of living on television. She had on a long, red dress and her eyelashes looked like butterflies and I said, "Grandmamma, who is that?" She said, "Baby, that's Lola Falana." I said, "That's it right there. I want to be black, fabulous, and on TV."”

“My first memoir, 'Home,' was about my childhood, early training and formative years in the Theater, i am so pleased that my good friends at the Hachette Book Group have encouraged me to share the next phase of my life, beginning with my arrival in Hollywood and the wonderful movies and television programs I was asked to be a part of.”

“When people watch me on TV they see part of my life. I wanted to let them know the real me behind the scenes. The child who was a concert violinist from the age of six. The young woman who took on the challenge to compete in the Miss America pageant. The television journalist for twenty-five years. The mother of two who, just like most women, struggles to balance work and family.”

“I have, over the years brought an enormous number of plays to television starting obviously with Nicholas Nickelby and then things like Angels In America or in Wit with Emma Thompson and Mike Nichols. So, yes, I do find that very interesting and I'm sure that down the road there will be plays that I'll want to do that way.”

“Television viewership has been declining for a number of years. The internet has been blamed. Everything has been blamed. Except for what I think the problem is: that the networks own the shows, and they completely think that they make them. They don't any longer let the people who make shows just make them. The networks have notes about everything. They are intimately involved in every aspect of the process. And I think it's hurt the process.”

“We now live in a world both in film and television where everything is based on something. You point out, "Star Wars" was an original screenplay, "Raiders of the Lost Ark," an original screenplay, "Ghostbusters" an original screenplay, "Back to the Future." All these things that people love were original ideas many years ago.”

“I grew up in repertory theaters, so it was comedy one night, drama the next. I'm used to going from one to the other. And I worked for years in television as well. So, I like the interrelationship of it and having a good relationship with a group of artists creating something really where the sum is greater than all of our individual contributions, our parts.”

“I have said, and I believe, that potentially we have in this country a free enterprise system of radio and television which is superior to any other. But to achieve its promise, it must be both free and enterprising. There is no suggestion here that networks or individual stations should operate as philanthropies. But I can find nothing in the Bill of Rights or in the Communications Act which says that they must increase their net profits each year, lest the Republic collapse.”

“I grew my mustache when I was nineteen in order to look older. I never shaved it off even though it overran its usefulness many, many years ago. Once you get started in television, people associate you with your physical appearance - and that includes the mustache. So I can't shave it off now. If I did, I'd have to answer too much mail.”

“I just like short hair on women, I think it's cool. And I have wanted to cut my hair for very many years, but being on contract with a television show for six years prevents you from doing that, and then being on contract with a cosmetic endorsement campaign prevents you from doing that again. So for eight years, I've had to have long, flowing locks. And I was just so sick and tired of long, flowing locks, so I chopped them.”

“This is, in fact, the biggest show that Marvel television has ever taken on, in the animation world. We had a real challenge that was posed to us, and that was this little, tiny art-house movie that came out last year, that I don't know if you saw, called Marvel's The Avengers, written and directed by our friend Joss Whedon, and it really set the template.”

“I remembered a time when my grandmother had asked me to explain television to her - the guts, not the funny pictures. There are things which cannot be taught in ten easy lessons, nor popularized for the masses; they take years of skull sweat. This be treason in an age when ignorance has come into its own and one man's opinion is as good as another's. But there it is. As Star says, the world is what it is - and doesn't forgive ignorance.”

“There's something I call 'Moving Day,' which I've done for the last 20 years. Look at everything in your home, then think about how you could combine things in a different way. Maybe you break up your night tables and use one in the family room; maybe the dining room sideboard becomes a console table for your television, with storage underneath.”

“I'm often asked, "What is your favorite moment during the 30 years you hosted [The Tonight Show]?" I really don't have just one. The times I enjoyed the most were the spontaneous, unplanned segments that just happened, like Ed Ames' infamous "Tomahawk Toss" that produced one of the longest laughs in television history. When these lucky moments happen, you just go with them and enjoy the experience and high of the moment.”

“Opera on television in Europe is very important. If you think about it in the broadest sense: a lot of the dramas made in India with music are practically operas. They're not sung but they have a very big appeal. I don't know why American television people are so stupid but at the moment, they just seem to have some sort of a block. They just do what they do and they do it for a certain number of years. Then it wears out and they try something else. It's just a matter of time I think.”