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“Ordinary facts are arranged within time, strung along its length as on a thread. There they have their antecedents and their consequences, which crowd tightly together and press hard one upon the other without any pause. This has its importance for any narrative, of which continuity and successiveness are the soul.”

“The law is not known, since there is nothing in it to know. We come across it only through its action, and it acts only through its sentence and its execution. It is not distinguishable from the application. We know it only through its imprint on our heart and our flesh: we are guilty, necessarily guilty. Guilt is like the moral thread which duplicates the thread of time.”

“Here! 'Not thread nor glue, not nails nor screws, will ever self and shadow wed.' Helpful, those poet-types. Perhaps this one: 'Seek the grimy queen of dread machines, if you your errant shadow miss.' Now that's quite good! As a Prophetic Utterance, Third Class (Vague Hints and Mysterious Signs), you couldn't ask for better. It's downright plain-spoken!”

“I could never be a part of an adaptation of a film where there's pressure to not disappoint the immense fan base. In those cases, they often wind up with filmed books on tape, quite uncinematic. Having said that, I'd say all the adaptations I've done are quite faithful to the original... You have to pick and choose which storylines and plot threads, because you don't have the time to kill in the film as they have in novels. All those pages with detours and plots and different storylines. But films add a lot, and you gotta keep it moving.”

“When you're writing for the screen you're really thinking all the time of what you have to do to make sure that they have the information that they need, that the emotional thread is not snapped, that the story moves at the right speed, to keep the audience hopefully sitting on the edge of their seats or else weeping or laughing.”

“But there is no such man; for, brother, men Can counsel and speak comfort to that grief Which they themselves not feel; but, tasting it, Their counsel turns to passion, which before Would give preceptial medicine to rage, Fetter strong madness in a silken thread, Charm ache with air and agony with words.”

“When it is impossible to stretch the very elastic threads of historical ratiocination any farther, when actions are clearly contrary to all that humanity calls right or even just, the historians produce a saving conception of 'greatness.' 'Greatness,' it seems, excludes the standards of right and wrong. For the 'great' man nothing is wrong, there is no atrocity for which a 'great' man can be blamed.”

“I think if you ask people why they watch me, there would be some common thread among all of them that I'm somewhat of an awkward older sister. I have a teen, mostly female demographic. How that happened, I don't know. But I think they see me as some sort of bizarre role model, and I'll keep trying to do that for them.”

“Children have an anxious concern for living beings, and the satisfaction of this instinct fills them with delight. It is therefore easy to interest them in taking care of plants and especially of animals. Nothing awakens foresight in a small child such as this. When he knows that animals have need of him, that little plants will dry up if he does not water them, he binds together with a new thread of love today's passing moments with those of the morrow.”

“Each night the sun sank right in our eyes along the sea, making an undulating glittering pathway, a golden track charted on the surface of the ocean which our ship followed unswervingly until the sun dipped below the edge of the horizon, and the pathway ran ahead of us faster than we could steam and slipped over the edge of the skyline - as if the sun had been a golden ball and had wound up its thread of gold too quickly for us to follow.”

“In every philosophical school, three thinkers succeed one another in the following way: the first produces out of himself the sapand seed, the second draws it out into threads and spins a synthetic web, and the third waits in this web for the sacrificial victims that are caught in it--and tries to live off philosophy.”

“It is the fixed that horrifies us, the fixed that assails us with the tremendous force of mindlessness. The fixed is a Mason jar,and we can't beat it open. ...The fixed is a world without fire--dead flint, dead tinder, and nowhere a spark. It is motion without direction, force without power, the aimless procession of caterpillars round the rim of a vase, and I hate it because at any moment I myself might step to that charmed and glistening thread.”

“There is something in the eloquence of the pulpit, when it is really eloquence, which is entitled to the highest praise and honour. The preacher who can touch and affect such an heterogeneous mass of hearers, on subjects limited, and long worn thread-bare in all common hands; who can say any thing new or striking, any thing that rouses the attention, without offending the taste, or wearing out the feelings of his hearers, is a man whom one could not (in his public capacity) honour enough.”

“Ye whose clay-cold heads and luke-warm hearts can argue down or mask your passions--tell me, what trespass is it that man should have them?... If nature has so wove her web of kindness, that some threads of love and desire are entangled with the piece--must the whole web be rent in drawing them out?”

“Adolescence is a time of active deconstruction, construction, reconstruction--a period in which past, present, and future are rewoven and strung together on the threads of fantasies and wishes that do not necessarily follow the laws of linear chronology.”

“Fate forces its way to the powerful and violent. With subservient obedience it will assume for years dependency on one individual:Caesar, Alexander, Napoleon, because it loves the elemental human being who grows to resemble it, the intangible element. Sometimes, and these are the most astonishing moments in world history, the thread of fate falls into the hands of a complete nobody but only for a twitching minute.”

“The lore of our fathers is a fabric of sentences. In our hands it develops and changes, through more or less arbitrary and deliberate revisions and additions of our own, more or less directly occasioned by the continuing stimulation of our sense organs. It is a pale gray lore, black with fact and white with convention. But I have found no substantial reasons for concluding that there are any quite black threads in it, or any white ones.”

“On how the motion of a planet defines its sphere: ... and thus it comes about gradually by the linking and accumulation of a great many revolutions that a kind of concave sphere is displayed, having the same center as the Sun, just as by a great many circles of silken thread, linked with each other and wound together, the dwelling of a silkworm is made.”