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“If you are deaf, you need captions for spoken elements. If you are blind, you need voiced descriptions of Web contents and spoken renderings of e-mail. The range of physical disabilities is very large, and we need many different tools to overcome the consequential barriers to Internet use. Let us commit ourselves to truly assuring that the Internet really is for everyone.”

“I despair of persuading people to drop the familiar and comforting tactic of dichotomy. Perhaps, instead, we might expand the framework of debates by seeking other dichotomies more appropriate than, or simply different from, the conventional divisions. All dichotomies are simplifications, but the rendition of a conflict along differing axes of several orthogonal dichotomies might provide an amplitude of proper intellectual space without forcing us to forgo our most comforting tool of thought.”

“Once I started writing all the time and interacting with poets, I made a conscious decision to identify myself as a poet. It's funny how much a single word can provide focus and direction. As soon as I claimed that identity, I started clearing more and more space for poetry in my life and applying poetic tools to other areas of my life. The world became a different place, and I witnessed it through different kinds of eyes.”

“When you are writing a spoken word poem, the tools you're working with are your voice, your body, how it's going to sound to someone when you're saying it out loud. Which is different from when you're writing it on the page. That toolbox becomes how does this look visually on the page, how does this read among pages, how is this in relation to poems that are before it or after it. I don't think one is better or more successful than the other. You've just gotta think about "what are the tools I'm using, and how are they most effective in this form?"”

“When a philosopher, scientist, or psychologist discusses the discrepancy between the actual and the ideal, he or she attempts to convince us with the tools of discursive thought ... An artist does it differently ... their primary approach is different, even though both groups, if you will, are investigating the actual, the ideal, and the discrepancy in between.”

“I use two million Twitter followers as a tool. The reason I have Twitter is so people can get to know me as a different person other than Dwight. I just realized all of the sudden like everything thinks I'm Dwight. They think that I'm Dwight from the office and that I'm this kind of annoying, difficult, nerdy, creepy guy and they don't know Rainn Wilson - although I'm a little bit nerdy, annoying and creepy. I'm not as much as Dwight Schrute.”

“My book, Oral History: Understanding Qualitative Research is about how researchers use this method and how to write up their oral history projects so that audiences can read them. It's important that researchers have many different tools available to study people's lives and the cultures we live in. I think oral history is a most needed and uniquely important strategy.”

“To me, the most important tool is not a physical or a technical one. It's more of a cerebral one. It's your brain. It's about having an interest in experimenting musically, perhaps touching on several different genres of music. No doubt, the most important tool is the mind. It's the willingness to experiment freely.”

“I've come to realize that making it your life's work to be different than your parents is not only hard to do, it's a dumb idea. Not everything we found fault with was necessarily wrong; we were right, for example, to resent, as kids, being told when to go to bed. We'd be equally wrong, as parents, to let our kids stay up all night. To throw out all the tools of parenting just because our parents used them would be like making yourself speak English without using ten letters of the alphabet; it's hard to do.”

“It's a weird partnership. For me and Patrick, if you've met him, we're not very much alike. But we bring such different tools to the table. He doesn't think like me. I don't think like him. He thinks like an editor. He thinks like a director. He thinks completely outside of the box when it comes to writing and so because of that he leads me down roads that I would've never gone down. And he sucks at grammar. So together we're perfect.”

“I used a fifties Les Paul custom on most of the stuff. I also used a Strat, a newer Strat. I had a million guitars in there but I used the Strat & the Les Paul in just about everything. There were a lot of different amp choices, I was working with a pro tools plug-in which is like an amplifier stimulator. The possibilities with something like that are just endless.”

“I shot the way I wanted to shoot [in The Hateful Eight]. The only real disadvantage I felt at the time, but I don't feel now, was that we weren't able to get a zoom lens, and I had really gotten used to using a zoom lens for that little zoom creep. But it was also a nice thing to be forced to not use all the tools that you've gotten used to, from time to time, and to be able to work in a different way.”

“It is a truism that the structure of a society is basically determined by its technology. Not in an absolute sense-there may be totally different cultures using identical tools-but the tools settle the possibilities; you can't have interstellar trade without spaceships. A race limited to a single planet, possessing a high knowledge of mechanics but with its basic machines of industry and war requiring a large capital investment, will inevitably tend toward collectivism under one name or another. Free enterprise needs elbow room.”

“Radio, or at least the kind of radio we're proposing to do, can cut through that. It can reach people who would otherwise never hear your work, and of course I find that very notion inspiring. Radio stories are powerful because the human voice is powerful. It has been and will continue to be the most basic element of storytelling. As a novelist (and I should note that working my novel is the first thing I do in the morning and the very last thing I do before I sleep), shifting into this new medium is entirely logical. It's still narrative, only with different tools.”

“There are fourteen keys to experiencing greater love and with each key, I offer what I believe to be the most effective tool out there. So this is a time when, if we're awake to it, we have an amazing opportunity to start living a different life. By that I mean the life that our souls came here to live. We're all being propelled forward and it's not always easy, but through supporting one another we can do it.”

“One of the most important analytic tools when assessing an investment is an intellectually advantaged disparate view. This includes knowing more and perceiving the situation better than others do. It is also critical to have a keen understanding of what the market expectations for any investment truly are. Thus, the process by which a disparate perception, when correct, becomes consensus should lead to meaningful profit. Understanding market expectation is at least as important as, and often different from fundamental knowledge.”

“Since the election [of Donald Trump], I've been thinking about a lot of theory. Lots of [Michel] Foucault and [Karl] Marx, thinking about different systems, thinking about power. Trying to figure out what I can take and learn from history as a tool for getting through whatever is happening right now, which feels very significant and major.”

“It's a weird experience when you're just trying to talk openly about how you think psychedelic drugs and marijuana are beneficial, or a lot of different drugs, especially plant-based ones, can be beneficial. Especially those ones that have some connection to organic life, I feel like you can learn something from them, from mushrooms, from peyote, from marijuana. They can be used as a tool.”

“The best way to do that is to pick up a new instrument or an instrument that you don't typically write on and see where it takes you. Whether it's using an acoustic guitar, or piano, or electronics as tools, all of these lead to creating different types of songs and I used all of these methods for this record.”

“Whenever someone who knows you disappears, you lose one version of yourself. Yourself as you were seen, as you were judged to be. Lover or enemy, mother or friend, those who know us construct us, and their several knowings slant the different facets of our characters like diamond-cutter's tools. Each such loss is a step leading to the grave, where all versions blend and end.”

“my mind is a big hunk of irrevocable nothing which touch and taste and smell and hearing and sight keep hitting and chipping with sharp fatal tools in an agony of sensual chisels i perform squirms of chrome and ex -ecute strides of cobalt nevertheless i feel that i cleverly am being altered that i slightly am becoming something a little different, in fact myself hereupon helpless i utter lilac shrieks and scarlet bellowings”

“His face set in grim determination, Richard slogged ahead, his fingers reaching up to touch the tooth under his shirt. Loneliness, deeper than he had never known, sagged his shoulders. All his friends were lost to him. He knew now that his life was not his own. It belonged to his duty, to his task. He was the Seeker. Nothing more. Nothing less. Not his own man, but a pawn to be used by others. A tool, same as his sword, to help others, that they might have the life he had only glimpsed for a twinkling. He was no different from the dark things in the boundary. A bringer of death.”