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Vulnerability Quotes

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Vulnerability Quotes

“Beautiful Lies is a book every woman should read. Jennifer Strickland weaves the powerful story of her life throughout each chapter while emphasizing transformational truths from God's Word. Her vulnerability, exquisite writing style, and practical take-home applications make this book the ideal choice for personal or for small group use.”

“Years ago I was asked this question: Do terrorists fear anything? I said, 'I suspect they would fear a morally strong America.' They would know that a morally strong America would not be dislodged. You can always appeal to a point of vulnerability which would break a people up. [Terrorists] don't fear so much the weaponry as the moral courage, and I think a morally strong America would be intimidating to them.”

“When the United States cannibalize dollars from the defensive business of the NSA, securing our communications, protecting our systems, patching zero-day vulnerabilities, and instead we're giving those dollars to be used for creating new vulnerabilities in our systems so that they can surveil us and other people abroad who use the same systems.”

“If the United States is promoting the development of exploits, of vulnerabilities, of insecurity in this critical infrastructure, and we're not fixing it when we find it, instead we put it on the shelf so we can use it the next time we want to launch an attack against some foreign country. We're leaving ourselves at risk.”

“The bare bones tools for a cyber-attack are to identify a vulnerability in the system you want to gain access to or you want to subvert or you want to deny, destroy, or degrade, and then to exploit it, which means to send codes, deliver code to that system somehow and get that code to that vulnerability, to that crack in their wall, jam it in there, and then have it execute.”

“I've come to this belief that, if you show me a woman who can sit with a man in real vulnerability, in deep fear, and be with him in it, I will show you a woman who, A, has done her work and, B, does not derive her power from that man. And if you show me a man who can sit with a woman in deep struggle and vulnerability and not try to fix it, but just hear her and be with her and hold space for it, I'll show you a guy who's done his work and a man who doesn't derive his power from controlling and fixing everything.”

“You can't really judge an actor's abilities by their career, because the business is going to pigeonhole people into whatever turns a profit, and no artist is less in charge of how their work is presented than an actor, the appeal of Vince was that within a great naturalism, he can convey fierce intelligence, complex emotion, and a real warmth married to a real edge, strength and vulnerability and danger and humor. There are essential contradictions at work that makes him fascinating to watch.”

“I actually think the reason I am interested in certain parts is because I was such a dweeb in high school. When you are such a loser, it's a helpful way in to a lot of characters because even very powerful people are not all that powerful really. They all had a high school. That vulnerability is completely permanent and, as an actor, it's a good thing.”

“The world we live in is made up of polar opposites, black/white, male/female, night/day, and a human being who possesses both masculine and feminine – vulnerability and strength – is intriguing to us, whether they be a singer or actor or dancer, intrigues us, because THAT Is who we really are.”

“Revenge tries to solve the problem of vulnerability. If I strike back, I transfer vulnerability from myself to the other. And yet by striking back I produce a world in which my vulnerability to injury is increased by the likelihood of another strike. So it seems as if I'm getting rid of my vulnerability and instead locating it with the other, but actually I'm heightening the vulnerability of everyone and I'm heightening the possibility of violence that happens between us.”

“I think that one of the things is that, if you are going to decide to be a painter, you have got to decide that you are not going to be afraid of making a fool of yourself. I think another thing is to be able to find subjects which really absorb you to try and do. I feel that without a subject you automatically go back into decoration because you haven't got the subject which is always eating into you to bring it back - and the greatest art always returns you to the vulnerability of the human situation.”

“Then, you also have that, we all have that sense of wanting to belong. We all have that road-rage, you can relate to that road-rage because you're so frustrated. The sense of frustration, the sense of getting caught, doing something wrong, all those are sort of universal emotions and you just have to make it specific to yourself and you channel this, I don't know what it is, but this inner self and then try to capture the vulnerability.”

“You make adjustments according to the specifics of the character.It's something I feel like a lot of my comedic heroes have always done. It's not even necessarily vulnerability, always, but it's an earnestness, a genuine desire to actually do the right thing, but then still make really misguided, stupid decisions along the way.”

“U.S. News Organizations observe the anniversary of September 11 with investigations about the nation's continuing vulnerability to terrorism. First, the New York Daily News reports that two of its reporters carried box cutters, razor kinves, and pepper spray on fourteen commerical flights without getting caught. Then ABC News reports that it smuggled fifteen pounds of uranium into New York City. Then Fox News reports that it flew Osama bin Laden to Washington, D.C., and videotaped him touring the White House.”