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“People sometimes say, "Isn't it boring, isn't it always the same? It's the same lines." I go, "Well, do you play tennis? Because that's the best analogy I can give." If you go out eight times and play tennis eight times this week, yeah it's the same rules but it's a different game every time you're out on that court.And that's the best analogy I can come up with the theater.”

“[There's] a joke that I've done forever: 'Nowadays they say that the largest majority of people will be Latino and you'll tell scary stories to your grandkids: "A long time ago when I was growing up, there used to be people who were white," and the kid says, "Really?" and you say, "Yeah, like the man who cuts our grass."' I've had that line forever and I love it.”

“I think Julianne Moore is very, very good. I've worked with her. We did Surviving Picasso. I remember one scene we did together. She had to have a nervous, a mental, breakdown in this one scene. I didn't have many lines. I just had to make sure I knew I came in on cue all right. And I was just watching her walking though the rehearsal. I thought I know what she's doing, "This is going to be terrific." So they said, "Are you ready" and she said, "Yeah," "Ok, roll the camera." And all in one take.”

“[Pope Francis] continued to focus on migrants. He visited the Greek island of Lesbos, which was the front line of the European migrant crisis. And a month later, he accepted a prestigious European Union prize, but he scolded Europe for its treatment of migrants. And in a speech echoing Martin Luther King, he said I have a dream of a Europe where being a migrant is not a crime. So, yeah, he showed he can be quite outspoken on political issues.”

“[Dario Argento] speaks very broken English - he's Italian, so I'm going to do a very bad Italian impersonation - but he asked me my name, and I told him, and he goes, "Walk across the room." He looked at me, and he said, "Do you want to be in my movie [Two Evil Eyes]?" I was, like, "Yeah! Yeah, I do!"He goes, "Okay! You play Betty!" And I was, like, "Oh, I'm playing an extra named Betty! Great!" So we walked out, thinking that I was playing an extra named Betty, no lines, just background.”

“Every relationship has at least one really good day. What I mean is, no matter how sour things go, there's always that day. That day is always in your possession. That's the day you remember. You get old and you think: well, at least I had that day. It happened once. You think all the variables might just line up again. But they don't. Not always. I once talked to a woman who said, "Yeah, that's the day we had an angel around.”

“Yeah, but you’re a god of fate. Can’t you change that? (Kat) You’re thinking like a child, Katra. Things that appear simple very seldom are. It’s like the mechanic who goes to fix the carburetor and in doing so accidentally puts a hole in the radiator and causes even more damage. Every person on this planet is connected. Sometimes those lines are easy to see, and others are more complex. You change one insignificant thing and you change the very core of humanity. (Acheron)”

“I touched the combination lock. I concentrated so hard I felt like I was dead-lifting five hundred pounds. My pulse quickening. A line of sweat trickled down my nose. Finally I felt gears turning. Metal groaned, tumblers clicked, and the bolts popped back. Carefully avoiding the handle, I pried open the door with my fingertips and extracted an unbroken vial of green liquid. Hal exhaled. Thalia kissed me on the cheek, which she probably shouldn't haven't done while I was holding a tube of deadly poison. "You are so good," she said. Did that make the risk worth? Yeah, pretty much.”

“He slid his hand onto Riley's bare abdomen. "I got to thinkin' that a few years down the line, when yer older, what if that was our baby and I could feel it right here under my hand. Feel the life we'd created." Riley's eyes moistened. "Girl or boy?" "Doesn't matter. If it's a girl, we can name her after my gran. Her name was Emily Rose." "Hmm...I like that. Maybe the boy could be Paul Arthur, like my dad." "Yeah, that works. But that's all the way down the line, isn't it?" It might never come to pass.”

“It was so fascinating to be a part of this, because as the women took on these central roles that had all the good lines, therefore all the good laughs, all the great moments- the men, who had joined us to sit on stage, started squirming rather uncomfortably. And got really bored. Because they weren't used to being the supporting cast. It was fascinating to feel their discomfort, to discuss it with them afterwards when they said, 'It's boring to play the girl role.' And I said, 'Yeah. Yeah, ya think? Welcome to our world.'”